A foodie revenge for a broken marriage; a nosy grandmother takes spying on her neighbours too far; a woman teacher is groomed by an artistic man and his clever son; a brutally short haircut makes a woman reassess her life; a gang-related attack comes back to haunt the perpetrator; a woman revisits the grave of her sister-in-law in Kenya . . . But also: a Roman soldier's lover; a frightened traveller in Jerusalem; a collector of hair in a European country; a teacher in New York is drawn to a girl and her East Asian composer boyfriend; a gay man is swindled during a whirlwind affair; an argument at a coke-fuelled party; three men disappointed at an upmarket sex club; an artist unwittingly precipitates the downfall of David Beckham . . .
"Post-World War II mass migration to Great Britain altered its demographic composition more markedly than in any other period in its history, resulting in a modern multicultural nation state shaped by the ethnic diversity of its citizenry. Populations from African, Caribbean, and South Asian locations arriving in Britain post-war brought diasporic sensibilities and literary heritages that have profoundly transformed British national culture, leading to a more complex and inclusive sense of its past. The Companion to British Black and Asian Literature (1945-2010) examines the creative impact of this rich infusion upon English literature against the backdrop of the seismic social and economic changes triggered by colonialism and migration, multiculturalism, and contemporary globalization"--
In this outstanding collection of essays, editors Neil Murphy and Wai-chew Sim seek not so much to demarcate the field of British Asian fiction, but to offer due acknowledgment of the artistic merit of the works of selected authors and simultaneously register their cultural significance. This volume demonstrates in situ the virtues of commentary that engages in a substantial manner with formal and aesthetic considerations, even as it implicates the discourses of alterity that dominate contemporary cultural criticism. Additionally, the essays delineate the complex subject positions explored by authors and texts, and focus on the way writers negotiate the exigencies of their location within and between different social formations. If it is the case that British literature can no longer be discussed in monocultural terms because of the impact of the writers under consideration, it is also the case that the diverse trans-cultural positions they explore are often less specified than proclaimed. Addressing difference, commensurability, and form-related notions of "truth-content," these essays enlarge our understanding of the range of British (and affiliated) identities, as well as the cultural contexts from which they arose. Working as academics and critics from Singapore, a useful vantage point, Murphy and Sim have extended the parameters of "British Asian" to include, not just writers from South Asia as is traditionally the case, but writers whose parents, or who themselves, have migrated to Britain from other regions of Asia, for example, Japan, Hong Kong, and Malaysia. This initiative has made it possible for professors Murphy and Sim to bring together, first, an interestingly varied group of authors, among them those who came to prominence in the 1980s--Salman Rushdie, Timothy Mo, Kazuo Ishiguro---as well as their younger contemporaries--Meera Syal, Romesh Gunesekera, Monica Ali, Hari Kunzru, Ooi Yang-May; and, second, a broad and diverse range of novels that span Timothy Mo's Sour Sweet (1982) and Tariq Ali's A Sultan in Palermo (2005), the fourth volume in his Islam quintet.
This is the first text to focus solely on the writing of British writers of South Asian descent born or raised in Britain. Exploring the unique contribution of these writers, it positions their work within debates surrounding black British, diasporic, migrant, and postcolonial literature in order to foreground both the continuities and tensions embedded in their relationship to such terms, engaging in particular with the ways in which this ‘new’ generation has been denied the right to a distinctive theoretical framework through absorption into pre-existing frames of reference. Focusing on the diversity of contemporary British Asian experience, the book engages with themes including gender, national and religious identity, the reality of post-9/11 Britain, the post-ethnic self, urban belonging, generational difference and youth identities, as well as indicating how these writers manipulate genre and the novel form in support of their thematic concerns.
The Cambridge History of Black and Asian British Writing provides a comprehensive historical overview of the diverse literary traditions impacting on this field's evolution, from the eighteenth century to the present. Drawing on the expertise of over forty international experts, this book gathers innovative scholarship to look forward to new readings and perspectives, while also focusing on undervalued writers, texts, and research areas. Creating new pathways to engage with the naming of a field that has often been contested, readings of literary texts are interwoven throughout with key political, social, and material contexts. In making visible the diverse influences constituting past and contemporary British literary culture, this Cambridge History makes a unique contribution to British, Commonwealth, postcolonial, transnational, diasporic, and global literary studies, serving both as one of the first major reference works to cover four centuries of black and Asian British literary history and as a compass for future scholarship.
Tracing a literary lineage for works from different genres, it identifies key trends in recent South Asian American and British Asian literature by considering the favoured formal and aesthetic modes of major writers and by relating their work to differen
Longlisted for the Baileys Women's Prize for Fiction Xing Li is what some Chinese people call a banana - yellow on the outside and white on the inside. Although born and raised in London, she never feels like she fits in. When her mother dies, she moves with her older brother to live with venomous Grandma, strange Uncle Ho and Hollywood actress Auntie Mei. Her only friend is Jay - a mixed raced Jamaican boy with a passion for classical music. . Then Xing Li's life takes an even harsher turn: the school bullying escalates and her uncle requests she assist him in an unthinkable favour. Her happy childhood becomes a distant memory as her new life is infiltrated with the harsh reality of being an ethnic minority. Consumed by secrets, violence and confusing family relations, Xing Li tries to find hope wherever she can. In order to find her own identity, she must first discover what it means to be both Chinese and British. PP Wong has delivered a unique and realistic young adult drama that is bursting with original content style and emotion. What Reviewers and Readers Say: 'PP Wong has blazed a trail for future British Chinese novelists ... bursting with original and exciting flavours, ' The Independent 'A moving and optimistic debut about orphaned siblings coping with a new strict home and racial bullying, ' The Guardian 'Life of a Banana is so refreshingly distinct. Read it, and you will soon find yourself wanting more, ' Daily Mail 'Impeccably observed, often hilarious, and deeply moving... pitch-perfect, ' David Henry Hwang
*"A whip-smart, funny, and searing look at the wild world of startups." —Good Morning America Book Club Buzz Pick *Named a Best Book of the Year by NPR In this “wise and wickedly funny novel about love, creativity, and the limitations of the tech-verse” (Vogue) newlyweds Asha and Cyrus find themselves running one of the most popular social media platforms in the world. Meet Asha Ray. Brilliant coder and possessor of a Pi tattoo, Asha is poised to make a scientific breakthrough when she is reunited with her high school crush, Cyrus Jones. Before she knows it, Asha has abandoned her lab, exchanged vows with Cyrus, and gone to work at an exclusive tech incubator called Utopia to develop an app called WAI—“We are Infinite.” WAI creates a sensation, with millions of users logging on every day. Will Cyrus and Asha’s marriage survive the pressures of sudden fame, or will she become overshadowed by the man everyone is calling the new messiah? This “scathing—and hilarious—take on startup culture, marriage and workaholism” (Politico) explores whether or not technology—with all its limits and possibilities—can disrupt modern love.
