British and Irish Women Writers and the Women's Movement
British and Irish Women Writers and the Women's Movement

Author: Jill Franks

Publisher: McFarland

Published: 2013-03-08

Total Pages: 231

ISBN-13: 0786474084

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This study pairs selected Irish and British women novelists of three periods, relating their voices to the women's movements in their respective nations. In the first wave, nationalist and militant ideologies competed with the suffrage fight in Ireland. Elizabeth Bowen's The Last September illustrates the melancholy of gender performance and confusion of ethnic identity in the dying Anglo-Irish Ascendancy class. In England, suffrage ideologies clashed with socialism and patriotism. Virginia Woolf's Mrs. Dalloway contains a political unconscious that links its characters across class and gender. In the second wave, heterosexual romantic relationships come under scrutiny. Edna O'Brien's Country Girls trilogy reveals ways in which Irish Catholic ideologies abject femaleness; her characters internalize this abjection to the point of self-destruction. Doris Lessing's The Golden Notebook pits the protagonist's aspirations to write novels against the Communist Party's prohibitions on bourgeois values. In the third wave, Irish writers express the frustrations of their cultural identity. Nuala O'Faolain's My Dream of You takes her protagonist back to Ireland to heal her psychic wounds. In England, Thatcherism had created a materialistic culture that eroded many feminists' socialist values. Fay Weldon's Big Woman satirizes the demise of second-wave idealism, asking where feminism can go from here.

Irish Women Writers Speak Out
Irish Women Writers Speak Out

Author: Caitriona Moloney

Publisher: Syracuse University Press

Published: 2003-03-01

Total Pages: 312

ISBN-13: 9780815629719

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Bringing together the diverse and marvelously articulate voices of women of Irish and Irish-American descent, editors Caitriona Moloney and Helen Thompson examine the complicated maps of experience that the women's public, private, and literary lives represent—particularly as they engage in both feminism and postcolonialism. Acknowledging Mary Robinson's revised view of Irish identity—now global rather than local—this work recognizes the importance of identity as a site of mobility. The pieces reveal how complex the terms "feminism" and "postcolonialism" are; they examine how the individual writers see their identities constructed and/or mediated by sexuality. In addition, the book traces common themes of female agency, violence, generational conflicts, migration, emigration, religion, and politics to name a few. As it represents the next wave of Irish women writers, this book offers fresh insight into the work of emerging and established authors and will appeal to a new generation of readers.

Irish Women Writers
Irish Women Writers

Author: Elke D'hoker

Publisher: Peter Lang

Published: 2010

Total Pages: 328

ISBN-13: 9783034302494

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After a decade in which women writers have gradually been given more recognition in the study of Irish literature, this collection proposes a reappraisal of Irish women's writing by inviting dialogues with new or hitherto marginalised critical frameworks as well as with foreign and transnational literary traditions. Several essays explore how Irish women writers engaged with European themes and traditions through the genres of travel writing, the historical novel, the monologue and the fairy tale. Other contributions are concerned with the British context in which some texts were published and argue for the existence of Irish inflections of phenomena such as the New Woman, suffragism or vegetarianism. Further chapters emphasise the transnational character of Irish women's writing by applying continental theory and French feminist thinking to various texts; in other chapters new developments in theory are applied to Irish texts for the first time. Casting the efforts of Irish women in a new light, the collection also includes explorations of the work of neglected or emerging authors who have remained comparatively ignored by Irish literary criticism.

Irish women's writing, 1878–1922
Irish women's writing, 1878–1922

Author: Anna Pilz

Publisher: Manchester University Press

Published: 2016-07-01

Total Pages: 355

ISBN-13: 1526100754

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Irish women writers entered the British and international publishing scene in unprecedented numbers in the period between 1878 and 1922. Literary history is only now beginning to give them the attention they deserve for their contributions to the literary landscape of Ireland, which has included far more women writers, with far more diverse identities, than hitherto acknowledged. This collection of new essays by leading scholars explores how women writers including Emily Lawless, L. T. Meade, Katharine Tynan, Lady Gregory, Rosa Mulholland, Ella Young and Beatrice Grimshaw used their work to advance their own private and public political concerns through astute manoeuvrings both in the expanding publishing industry and against the partisan expectations of an ever-growing readership. The chapters investigate their dialogue with a contemporary politics that included the topics of education, cosmopolitanism, language, empire, economics, philanthropy, socialism, the marriage 'market', the publishing industry, readership(s), the commercial market and employment.

Irish Women - Writers - At the Turn of the Twentieth Century
Irish Women - Writers - At the Turn of the Twentieth Century

Author: Kathryn Laing

Publisher:

Published: 2019-11-30

Total Pages: 242

ISBN-13: 9781911454212

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This collection presents international research on the work of Irish women writers at the turn of the twentieth century. These essays make a key contribution to contemporary feminist recovery projects and remapping the landscape of Irish literature of this period.

Women's Life Writing and Early Modern Ireland
Women's Life Writing and Early Modern Ireland

Author: Julie A. Eckerle

Publisher: U of Nebraska Press

Published: 2019-06-01

Total Pages: 340

ISBN-13: 0803299974

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Women’s Life Writing and Early Modern Ireland provides an original perspective on both new and familiar texts in this first critical collection to focus on seventeenth-century women’s life writing in a specifically Irish context. By shifting the focus away from England—even though many of these writers would have identified themselves as English—and making Ireland and Irishness the focus of their essays, the contributors resituate women’s narratives in a powerful and revealing landscape. This volume addresses a range of genres, from letters to book marginalia, and a number of different women, from now-canonical life writers such as Mary Rich and Ann Fanshawe to far less familiar figures such as Eliza Blennerhassett and the correspondents and supplicants of William King, archbishop of Dublin. The writings of the Boyle sisters and the Duchess of Ormonde—women from the two most important families in seventeenth-century Ireland—also receive a thorough analysis. These innovative and nuanced scholarly considerations of the powerful influence of Ireland on these writers’ construction of self, provide fresh, illuminating insights into both their writing and their broader cultural context.

A History of Modern Irish Women's Literature
A History of Modern Irish Women's Literature

Author: Heather Ingman

Publisher: Cambridge University Press

Published: 2018-07-26

Total Pages: 1010

ISBN-13: 1108654584

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This book offers the first comprehensive survey of writing by women in Ireland from the seventeenth century to the present day. It covers literature in all genres, including poetry, drama, and fiction, as well as life-writing and unpublished writing, and addresses work in both English and Irish. The chapters are authored by leading experts in their field, giving readers an introduction to cutting edge research on each period and topic. Survey chapters give an essential historical overview, and are complemented by a focus on selected topics such as the short story, and key figures whose relationship to the narrative of Irish literary history is analysed and reconsidered. Demonstrating the pioneering achievements of a huge number of many hitherto neglected writers, A History of Modern Irish Women's Literature makes a critical intervention in Irish literary history.

British and Irish Women Dramatists Since 1958
British and Irish Women Dramatists Since 1958

Author: Trevor R. Griffiths

Publisher:

Published: 1993-01-01

Total Pages: 193

ISBN-13: 9780335096022

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This is a critical reference guide to the important contribution made by women-writers to the renaissance of British drama since the late 1950s. The coverage ranges from collective work, women's companies and cabaret through to traditional single author plays. The book chronicles low-budget, short-running fringe shows as well as London productions of big name authors. It explores writing by lesbians and by black women, and examines in detail women's theatre in Wales, Scotland and Ireland (as well as England). It draws on both theoretical issues in feminist criticism, and political developments in the women's movement.

Irish Women - Writers - At the Turn of the Twentieth Century
Irish Women - Writers - At the Turn of the Twentieth Century

Author: Kathryn Laing

Publisher:

Published: 2020-05-07

Total Pages: 242

ISBN-13: 9781911454182

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This important collection presents international research on the work of Irish women writers at the turn of the twentieth century. These essays make a key contribution to contemporary feminist recovery projects and remapping the landscape of Irish literature of this period.

The Irish Women’s Movement
The Irish Women’s Movement

Author: Linda Connolly

Publisher: Springer

Published: 2001-11-12

Total Pages: 319

ISBN-13: 0230509126

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This book provides a comprehensive analysis of the emergence, consolidation and development of the Irish women's movement, as a social movement, in the course of the twentieth century. It seek to address several lacunae in Irish studies by illuminating the processes through which the movement and, in particular, networks of constituent organisations, came to fruition as agencies of social change. The central argument advanced is that when viewed historically, the Irish women's movement is characterised by its interconnectedness and continuity: the central tensions, themes and organising strategies of the movement connects diverse organisations and constituencies, over time and space. This book will be essential reading for those interested in Irish studies, sociology, history, women's studies, and politics.