A Checklist of Painters, C1200-1994 Represented in the Witt Library, Courtauld Institute of Art, London

A Checklist of Painters, C1200-1994 Represented in the Witt Library, Courtauld Institute of Art, London

Author: Witt Library

Publisher: Taylor & Francis

Published: 1995

Total Pages: 584

ISBN-13: 9781884964374

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The Witt Library of the Courtauld Institute of Art, London, is one of the world's greatest art history libraries. It contains some 1.7 million illustrations of the work of painters, draughtsmen, and engravers of the Western tradition, all of whom have been indexed by name, dates, and nationality. This new second edition of the Checklist of Painters is a transcription of the Witt index as it currently exists. The names of 66,000 artists, their dates, and their nationality (or school) are reproduced in alphabetical order. The Checklist of Painters is probably the most exhaustive work of its kind in existence; it now lists all painters (known by art historians) to have lived and worked from the year 1200 to 1994.


British 18th Century Painters in Oils and Crayons

British 18th Century Painters in Oils and Crayons

Author: Ellis Waterhouse

Publisher: Antique Collectors Club Limited

Published: 1991

Total Pages: 442

ISBN-13: 9780902028937

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Includes many previously unpublished paintings and newly-documented artists. The illustrations represent many lesser-known artists and the book fills a substantial gap in the available literature.


British Paintings in the Metropolitan Museum of Art, 1575-1875

British Paintings in the Metropolitan Museum of Art, 1575-1875

Author: Metropolitan Museum of Art (New York, N.Y.)

Publisher: Metropolitan Museum of Art

Published: 2009

Total Pages: 322

ISBN-13: 1588393488

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Covering the period between the late 16th century through to the third quarter of the 19th century, this book features paintings by English, Scottish, Welsh and Irish artists which are part of the collection of the Metropolitan Museum of Art.


Checklist of Painters from 1200-1994

Checklist of Painters from 1200-1994

Author: Witt Library of the Courtauld Institute

Publisher: Routledge

Published: 2014-06-03

Total Pages: 558

ISBN-13: 1134264135

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First Published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.


Painting in Britain, 1530 to 1790

Painting in Britain, 1530 to 1790

Author: Ellis Kirkham Waterhouse

Publisher: Yale University Press

Published: 1994-01-01

Total Pages: 420

ISBN-13: 9780300058338

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The field covered by this volume includes the work and influence of foreign-born painters such as Holbein and Van Dyck as well as native masters from Gower and Milliard to Gainsborough, Stubbs, and Sandby. We can follow step by step the development and flowering of British painting, and can compare, for example, the work of the English Sir Joshua Reynolds with the Scottish Allan Ramsay. Portrait and landscape, history piece, miniature, watercolour, there is a record of them all. The text is both scholarly and readable and the illustrations include well known examples of British painting and others seldom or never before reproduced between the covers of a book. This is the fifth edition of this work, newly enhanced with colour illustrations.


Benezit Dictionary of British Graphic Artists and Illustrators

Benezit Dictionary of British Graphic Artists and Illustrators

Author: Stephen Bury

Publisher: Oxford University Press, USA

Published: 2012-06-21

Total Pages: 1341

ISBN-13: 0199923051

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This dictionary consists of over 3000 entries on a range of British artists, from medieval manuscript illuminators to contemporary cartoonists. Its core is comprised of the entries focusing on British graphic artists and illustrators from the '2006 Benezit Dictionary of Artists' with an additional 90 revised and 60 new articles.


The Development of the Art Market in England

The Development of the Art Market in England

Author: Thomas M Bayer

Publisher: Routledge

Published: 2015-10-06

Total Pages: 280

ISBN-13: 1317323831

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This book gives a comprehensive account of the history and underlying economics of the modern art market in eighteenth- and nineteenth-century Britain.


The Oxford Dictionary of Art and Artists

The Oxford Dictionary of Art and Artists

Author: Ian Chilvers

Publisher: Oxford University Press

Published: 2017-09-27

Total Pages: 1264

ISBN-13: 0191024171

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Covering Western art from the ancient Greeks to the present day, this best-selling and authoritative dictionary is more wide-ranging than any comparable reference work. It contains over 2,500 clear and concise entries on styles and movements, materials and techniques, and museums and galleries. It also includes biographical entries for artists, critics, collectors, dealers, and patrons, with places and full dates of birth and death (in many instances correcting misinformation that has found its way into other sources). For this new edition, entries have been thoroughly revised and updated, and more than fifty new entries have been added, for example Tracey Emin and Jack Vettriano. Browsers and readers with an interest in a particular area will benefit from the classified list of all the entries in the book - an invaluable innovation that makes it easy to see immediately which collectors, for example, or 18th-century French artists, or printmaking terms, are included in the dictionary. Written in an engaging manner with many entries enlivened by quotations from artists and critics, this dictionary is a pleasure to browse, whilst its A-Z structure and classified list makes it perfect for quick reference. Previously entitled The Concise Oxford Dictionary of Art and Artists, this major new edition is essential for students and teachers of art, design, art theory, and art history, and it is ideal for artists, visitors to art exhibitions and galleries, and anyone with an interest in art.


"James Barry, 1741?806: History Painter "

Author: Tom Dunne

Publisher: Routledge

Published: 2017-07-05

Total Pages: 300

ISBN-13: 1351561820

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Bringing into relief the singularity of Barry's unswerving commitment to his vision for history painting despite adverse cultural, political and commercial currents, these essays on Barry and his contemporaries offer new perspectives on the painter's life and career. Contributors, including some of the best known experts in the field of British eighteenth-century studies, set Barry's works and writings into a rich political and social context, particularly in Britain. Among other notable achievements, the essays shed new light on the influence which Barry's radical ideology and his Catholicism had on his art; they explore his relationship with Reynolds and Blake, and discuss his aesthetics in the context of Burke and Wollstonecraft as well as Fuseli and Payne Knight. The volume is an indispensable resource for scholars of eighteenth-century British painting, patronage, aesthetics, and political history.