Originally published in 1962. This book is a study of relations between Britain and China. The first section surveys historical relations between the two nations and culminates with the Second World War. The second part examines British policy during the Chinese Civil War, the Korean War, and the Geneva Conference. The third part discusses what contemporary issues in British-Chinese relations were at the time the book was written.
This book presents a range of new research on British-Chinese relations in the period from Britain’s first imperial intervention in China up to the 1960s. Topics covered include economic issues such as fi nance, investment and Chinese labour in British territories, questions of perceptions on both sides, such as British worries about, and exaggeration of, the ‘China threat’, including to India, and British aggression towards, and eventual withdrawal from, China.
In the eighteenth and nineteenth centuries, Western scientific interest in China focused primarily on natural history. Prominent scholars in Europe as well as Westerners in China, including missionaries, merchants, consular officers, and visiting plant hunters, eagerly investigated the flora and fauna of China. Yet despite the importance and extent of this scientific activity, it has been entirely neglected by historians of science. This book is the first comprehensive study on this topic. In a series of vivid chapters, Fa-ti Fan examines the research of British naturalists in China in relation to the history of natural history, of empire, and of Sino-Western relations. The author gives a panoramic view of how the British naturalists and the Chinese explored, studied, and represented China's natural world in the social and cultural environment of Qing China. Using the example of British naturalists in China, the author argues for reinterpreting the history of natural history, by including neglected historical actors, intellectual traditions, and cultural practices. His approach moves beyond viewing the history of science and empire within European history and considers the exchange of ideas, aesthetic tastes, material culture, and plants and animals in local and global contexts. This compelling book provides an innovative framework for understanding the formation of scientific practice and knowledge in cultural encounters. Table of Contents: Acknowledgments Introduction I. The Port 1. Natural History in a Chinese Entrepà ́t 2. Art, Commerce, and Natural History II. The Land 3. Science and Informal Empire 4. Sinology and Natural History 5. Travel and Fieldwork in the Interior Epilogue Appendix: Selected Biographical Notes Abbreviations Notes Index Fa-ti Fan's study of the encounter between the British culture of the naturalist and the Chinese culture of the Qing is both a delight and a revelation. The topic has scarcely been addressed by historians of science, and this work fills important gaps in our knowledge of British scientific practice in a noncolonial context and of Chinese reactions to Western science in the eighteenth and nineteenth centuries. In addition to the culture of Victorian naturalists and Sinology, Fan shows an admirable grasp of visual representation in science, Chinese taxonomic schemes, Chinese export art, British imperial scholarship, and journeys of exploration. His treatment of the China trade and descriptions of Chinese markets and nurseries are especially welcome. I learned a great deal, and I strongly recommend this book. --Philip Rehbock, author of Philosophical Naturalists: Themes in Early Nineteenth-Century British Biology By focusing on the experiences of British naturalists in China during a time when it was gradually being opened up to foreign influences, Fan makes at least two important contributions to history of science: He gives us an authoritative study of British naturalists in China (as far as I know the only one of its kind), and he forces us to rethink some of our categories for doing history of science, including how we conceive of the relationship between science and imperialism, and between Western naturalist and native. Fan's scholarship is meticulous, with careful attention to detail, and his prose is clear, controlled, and succinct. --Bernard Lightman, editor of Victorian Science in Context
The definitive account of the wartime history of Hong Kong On Christmas Day 1941 the Japanese captured Hong Kong, and Britain lost control of its Chinese colony for almost four years, a turning point in the process by which the British were to be expelled from the colony and from East Asia. This book unravels for the first time the dramatic story of the Japanese occupation and reinterprets the subsequent evolution of Hong Kong. "Magnificent. . . . The clarity of mind Snow brings to his labor of storytelling and contextualizing is] amazing."--John Lanchester, Daily Telegraph "Beautifully written, with many telling anecdotes."--Lawrence D. Freedman, Foreign Affairs "Very good. . . . Provides] a much more nuanced picture than has appeared before in English of life among Hong Kong's different communities before and during the Japanese occupation."--Economist
263 letters written by or to William Jardine and James Matheson... covers a period of rapid growth for Jardine, Matheson & Co, from 1827 when the founders first joined forces, to Jardine's death in 1843, shortly after the end of the Opium War
As China becomes a pre-eminent world power again in the twenty-first century, this book uncovers Britain's long relationship with the country and its people.
This study points up the complex interplay of ethnic and national identities in the lives of Chinese in Britain, arguing that transnational studies reinforce essentialist conceptions of identity and cultural authenticity in diasporic communities, and thus frustrate the promotion of ethnic co-existence and social cohesion in multi-ethnic societies.
This is the first text to address British Chinese culture. It explores British Chinese cultural politics in terms of national and international debates on the Chinese diaspora, race, multiculture, identity and belonging, and transnational ‘Chineseness’. Collectively, the essays look at how notions of ‘British Chinese culture’ have been constructed and challenged in the visual arts, theatre and performance, and film, since the mid-1980s. They contest British Chinese invisibility, showing how practice is not only heterogeneous, but is forged through shifting historical and political contexts; continued racialization, the currency of Orientalist stereotypes and the possibility of their subversion; the policies of institutions and their funding strategies; and dynamic relationships with transnationalisms. The book brings a fresh perspective that makes both an empirical and theoretical contribution to the study of race and cultural production, whilst critically interrogating the very notion of British Chineseness.
The first Opium War (1840-42) was a defining moment in Anglo-Chinese relations, and since the 1840s the histories of its origins have tended to have been straightforward narratives, which suggest that the British Cabinet turned to its military to protect opium sales and to force open the China trade. Whilst the monetary aspects of the war cannot be ignored, this book argues that economic interests should not overshadow another important aspect of British foreign policy - honour and shame. The Palmerston's government recognised that failure to act with honour generated public outrage in the form of petitions to parliament and loss of votes, and as a result was at pains to take such considerations into account when making policy. Accordingly, British Cabinet officials worried less about the danger to economic interests than the threat to their honour and the possible loss of power in Parliament. The decision to wage a drug war, however, made the government vulnerable to charges of immorality, creating the need to justify the war by claiming it was acting to protect British national honour.
