Set in 1986, Bright Lights, Summer in the City focuses upon the lives of three schoolgirls, Summer Price, Sophie Lovejoy and Siobhan Smythe, who run away to the East End of London to seek their fame and fortune, aided and abetted by Eddy, a guitar-playing van driver. Like most naïve, young girls, they dream of being signed up by a record company and appearing on Top of the Pops. Little do they realise that the corrupt, seedier side of London life in the form of drug dealer Danny Diamond and his twin sister, Maxine, is about to throw a web of intrigue and corruption over them, like a spider ensnaring a fly.
It's March, 1941. Captain America appears in a comic book for the very first time. New York City receives 18.1 inches of snow, its 3rd largest snowfall in history. In Holland, the Nazi occupiers forbid Jews to own businesses. In Poland, Heinrich Himmler inspects Auschwitz. World War II is raging in Europe, but America has yet to enter the fray. And in Phoenix, Arizona, a 16-year-old scrap of a girl named Theodora "Dizzy" Hosler, takes the field to try out for the World Champion P.B.S.W. Ramblers softball team. Set against the backdrop of perhaps the most dramatic time in US history, comes the story of Diz and Frannie, two women fueled by an unquenchable passion for the game of softball and feelings for each other that go far beyond the bounds of friendship. Will their love for the game bring them closer together or tear them apart?
It's all a bunch of bullcrap.Nothing I say or do is real anymore. And I get paid for it.My whole life has been lived behind the bright lights of Hollywood.And I'm living proof that money can't buy love.My situation is complicated enough, but then a sweet girl from the local college scores a part as my co-actor in a new blockbuster film.These people are going to eat her alive. Or are they?Poverty has made her tough, but she's in for the ride of her life if she thinks she's got this gig in the bag.I'll play the part I've been handed and love her like a madman on screen, but when the lights dim?No thanks. I'm not interested. No matter how badly my heart aches when she walks in the room.Because if there's one thing I've learned, you never let them see behind the curtain.Especially if you love them.
Karen Grassle, the beloved actress who played Ma on Little House on the Prairie, grew up at the edge of the Pacific Ocean in a family where love was plentiful but alcohol wreaked havoc. In this candid memoir, Grassle reveals her journey to succeed as an actress even as she struggles to overcome depression, combat her own dependence on alcohol, and find true love. With humor and hard-won wisdom, Grassle takes readers on an inspiring journey through the political turmoil on ’60s campuses, on to studies with some of the most celebrated artists at the famed London Academy of Music and Dramatic Arts, and ultimately behind the curtains of Broadway stages and storied Hollywood sets. In these pages, readers meet actors and directors who have captivated us on screen and stage as they fall in love, betray and befriend, and don costumes only to reveal themselves. We know Karen Grassle best as the proud prairie woman Caroline Ingalls, with her quiet strength and devotion to family, but this memoir introduces readers to the complex, funny, rebellious, and soulful woman who, in addition to being the force behind those many strong women she played, fought passionately—as a writer, producer, and activist—on behalf of equal rights for women. Raw, emotional, and tender, Bright Lights celebrates and honors womanhood, in all its complexity.
Gay-friendly dance clubs, upmarket bars, and party circuits--such commercial venues evoke the image of a gay globe, but what happens when they are bound to a landscape of disorder, mass poverty, and urban decay? Vividly describing this world of contradictions through the prism of twenty-first-century Manila, Under Bright Lights challenges popular interpretations of the "third world queer" as a necessarily radical figure. Drawing on ethnographic research, Bobby Benedicto paints a remarkably counterintuitive portrait of gay spaces in postcolonial cities. He argues that Filipino gay men's pursuit of an elusive global gay modernity sustains the very class, gender, and racial hierarchies that structure urban life in the Philippines. Benedicto examines, for example, how practices such as driving enable the emergence of a classed gay cityscape, and how scenes of networked global cities engender discourse that positions Manila within a global system of "gay capitals." And yet he also analyzes how the fantasy of gay globality is imperiled when privileged gay men from Manila, while traveling abroad, encounter Filipino labor migrants and come face-to-face with the exclusionary racial orders that operate in gay spaces overseas. Unique in its methodological approach, Under Bright Lights employs affective, first-person storytelling techniques to capture the visceral experience of Manila and gay life in a third world city.
Kate and Jay want nothing more than to focus on their love. But as Kate settles into a new profession, she and Jay are caught up in the middle of a deadly scheme and find themselves pawns in a larger game in which the stakes are nothing less than control of the country.
This comprehensive approach to functional musicianship at the keyboard includes varied repertoire, theory, technique, sight-reading, harmonization from lead sheets, ear training and ensembles. Great for college non-music majors, continuing education classes, music dealer in-store programs and group piano classes at the middle and high school levels. Book 1 contains 15 units each with a variety of repertoire, exercises, unit review worksheets and an assignment page.
When a city councilman is gunned down, Rene Shade refuses to write off his death as a burglary-homicide as he is ordered to do. Now, Shade's quest for the truth leads him on a chilling chase through a treacherous swamp of leeches and cottonmouths--while dodging his own unresolved past.