A story about first love, first fights, and finding yourself in a messed up world, from the acclaimed author of Happyface. Walter Wilcox has never been in love. That is, until he meets Naomi, and sparks, and clever jokes, fly. But when his cop dad is caught in a racial profiling scandal, Walter and Naomi, who is African American, are called out at school, home, and online. Can their bond (and mutual love of the Foo Fighters) keep them together? With black-and-white illustrations throughout and a heartfelt, humorous voice, Bright Lights, Dark Nights authentically captures just how tough first love can be...and why it's worth fighting for.
Perpetual klutz Marnie Fitzpatrick discovers the kinky side to the healing hands of celebrity TV vet Dr Pat Redman. Sexy celebrity Dr Pat Redman is in town to publicise his latest book, The Travelling TV Vet, and Marnie Fitzpatrick can't believe her luck. She's spent many an evening on her sofa, gripped by Dr Pat's on-screen adventures and lusting over his rugged charm. Now, as a new employee of the event management company, Bright Lights, Marnie gets to work at Dr Pat's glamorous, champagne-filled book launch. Marnie knows Dr Pat won't notice her in a million years, but she is eager to try and snag his autograph while maintaining a professional demeanour. Unfortunately, Marnie's a perpetual klutz. Before long, her fan-girl excitement leads to disaster, and Dr Pat has noticed Marnie for all the wrong reasons. Marnie's job is on the line, but Dr Pat comes to her rescue. With his healing hands, he offers a novel, kinky way to cure Marnie of her clumsiness.
Light and darkness shape our perception of the world. This is true in a literal sense, but also metaphorically: in theology, philosophy, literature and the arts the light of day signifies life, safety, knowledge and all that is good, while the darkness of the night suggests death, danger, ignorance and evil. A closer inspection, however, reveals that things are not quite so clear cut and that light and darkness cannot be understood as simple binary opposites. On a biological level, for example, daylight and darkness are inseparable factors in the calibration of our circadian rhythms, and a lack of periodical darkness appears to be as contrary to health as a lack of exposure to sunlight. On a cultural level, too, night and darkness are far from being universally condemnable: in fiction, drama and poetry the darkness of the night allows not only nightmares but also dreams, it allows criminals to ply their trade and allows lovers to meet, it allows the pursuit of pleasure as well as deep thought, it allows metamorphoses, transformations and transgressions unthinkable in the light of day. But night is not merely darkness. The night gains significance as an alternative space, as an ‘other of the day’, only when it is at least partially illuminated. The volume examines the interconnection of night, darkness and nocturnal illumination across a broad range of literary texts. The individual essays examine historically specific light conditions in literature, tracing the symbolic and metaphoric content of darkness and illumination and the attitudes towards them.
Light and darkness shape our perception of the world. This is true in a literal sense, but also metaphorically: in theology, philosophy, literature and the arts the light of day signifies life, safety, knowledge and all that is good, while the darkness of the night suggests death, danger, ignorance and evil. A closer inspection, however, reveals that things are not quite so clear cut and that light and darkness cannot be understood as simple binary opposites. On a biological level, for example, daylight and darkness are inseparable factors in the calibration of our circadian rhythms, and a lack of periodical darkness appears to be as contrary to health as a lack of exposure to sunlight. On a cultural level, too, night and darkness are far from being universally condemnable: in fiction, drama and poetry the darkness of the night allows not only nightmares but also dreams, it allows criminals to ply their trade and allows lovers to meet, it allows the pursuit of pleasure as well as deep thought, it allows metamorphoses, transformations and transgressions unthinkable in the light of day. But night is not merely darkness. The night gains significance as an alternative space, as an ‘other of the day’, only when it is at least partially illuminated. The volume examines the interconnection of night, darkness and nocturnal illumination across a broad range of literary texts. The individual essays examine historically specific light conditions in literature, tracing the symbolic and metaphoric content of darkness and illumination and the attitudes towards them.
A beautifully illustrated, nonfiction picture book showing readers all the bright things that can be found in the dark of night. When night falls, everything is dark. Or is it? The Moon shines with a pale light. A car drives along the street, and when its headlights flash, two bright dots run by. Is it a cat’s eyes? Or perhaps a fox’s? Stars twinkle in the night sky, and sometimes even the bright belt of the Milky Way is visible. Come on a journey and visit the dark forest, the deep ocean, and the shadows of the city, and discover everything that glows, glitters, and shines in the night! This nonfiction picture book is full of fun facts about all the strange and wonderful sources of light on Earth and in the sky, from the Moon and the stars to glow-in-the-dark insects, luminous underwater creatures, lighthouses, fireworks, and phosphorescence.
You are at a nightclub talking to a girl with a shaved head. The club is either Heartbreak or the Lizard Lounge. All might become clear if you could just slip into the bathroom and do a little more Bolivian Marching Powder. Then again, it might not... So begins our nameless hero's trawl through the brightly lit streets of Manhattan, sampling all this wonderland has to offer yet suspecting that tomorrow's hangover may be caused by more than simple excess. Bright Lights, Big City is an acclaimed classic which marked Jay McInerney as one of the major writers of our time.
The blistering story of a young man making his Broadway debut in Henry IV just as his marriage implodes—a "witty, wise, and heartfelt novel" (Washington Post) about art and love, fame and heartbreak from the acclaimed actor/writer/director. A bracing meditation on fame and celebrity, and the redemptive, healing power of art; a portrait of the ravages of disappointment and divorce; a poignant consideration of the rites of fatherhood and manhood; a novel soaked in rage and sex, longing and despair; and a passionate love letter to the world of theater, A Bright Ray of Darkness showcases Ethan Hawke's gifts as a novelist as never before. Hawke's narrator is a young man in torment, disgusted with himself after the collapse of his marriage, still half hoping for a reconciliation that would allow him to forgive himself and move on as he clumsily, and sometimes hilariously, tries to manage the wreckage of his personal life with whiskey and sex. What saves him is theater: in particular, the challenge of performing the role of Hotspur in a production of Henry IV under the leadership of a brilliant director, helmed by one of the most electrifying—and narcissistic—Falstaff's of all time. Searing, raw, and utterly transfixing, A Bright Ray of Darkness is a novel about shame and beauty and faith, and the moral power of art.
A moving and beautifully written story about a British poet’s conversion from staunch atheism to Catholicism in the space of nine electric months. In 2010, Sally Read was heralded as one of the bright young writers of the British poetry scene. Feminist, atheist and deeply anti-Catholic, she was writing a book about women’s reproduction and sexuality when, during her research, she spoke with a Catholic priest. That mysterious encounter led Read on a dramatic journey of spiritual quest and discovery which ended up at the Vatican itself, where she was received into the Catholic Church in December of that year. This story is one that, unsurprisingly, has the vivid flavor and beauty of poetry. Read relates her encounters with the Father, the Spirit and then the Son, exactly in the way they were given to her—timely, revelatory and compelling. These transforming events throw new light onto the experiences of her past—her father’s death, her work as a psychiatric nurse, her life as a single woman in London, as a mother and as a writer. She reveals how she developed a close intimacy with the new love that erupted into her life, Christ himself, and how she comes to embrace a doctrine she had previously rejected as bigoted and stifling. Sally Read’s story is a testimony to the powerhouse of Christianity: divine love and the life-changing encounter with Christ.
