Modern Art in the Common Culture

Modern Art in the Common Culture

Author: Thomas Crow

Publisher: Yale University Press

Published: 1996-01-01

Total Pages: 288

ISBN-13: 9780300076493

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Hoofdstukken over kunstenaars en kunstuitingen vormen het uitgangspunt van deze Studie over de relatie tussen avant-garde kunst en de massacultuur


The Art of the American Snapshot, 1888-1978

The Art of the American Snapshot, 1888-1978

Author: Sarah Greenough

Publisher:

Published: 2007

Total Pages: 312

ISBN-13:

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'The Art of the American Snapshot' examines the evolution of this most common form of photography. The book shows that among the countless snapshots taken by American amateurs, some works, through intention or accident, continue to resonate long after their intimate context and original meaning have been lost.


Photography & Society

Photography & Society

Author: Gisèle Freund

Publisher:

Published: 1980

Total Pages: 248

ISBN-13:

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"This landmark study explores the intricate and ever-changing relationship between the photographer and the surrounding society. It considers the ubiquitous commercial, social, and political demands with which the photographer must deal and examines how the photographic reactions to these demands have in turn changed the society they reflect"--Cover.


Images and Enterprise

Images and Enterprise

Author: Reese V. Jenkins

Publisher: Johns Hopkins University Press

Published: 1987-10-01

Total Pages: 391

ISBN-13: 9780801835490

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From the early daguerreotype to the rise of the motion picture, Images and Enterprise explores the business, technical, and social factors that transformed the American photographic industry between 1839 and 1925. Reese Jenkins's prize-winning history traces the technical changes that culminated in George Eastman's creation of the Kodak system of amateur photography in the 1880s. Its compact, simply operated cameras would revolutionize an entire industry—even if at first the whole camera had to be mailed back to the company for developing and reloading. Images and Enterprise also vividly portrays the emergence of cinematography in its relationship to traditional photography and reveals the growing importance of institutionalized research, as Eastman Kodak and the other American and European photographic materials manufacturers strove to develop commercially practical color photography.