The instant New York Times Bestseller • Nominated for the 2019 National Book Award for Fiction “A lyrical work of self-discovery that’s shockingly intimate and insistently universal…Not so much briefly gorgeous as permanently stunning.” —Ron Charles, The Washington Post Ocean Vuong’s debut novel is a shattering portrait of a family, a first love, and the redemptive power of storytelling On Earth We’re Briefly Gorgeous is a letter from a son to a mother who cannot read. Written when the speaker, Little Dog, is in his late twenties, the letter unearths a family’s history that began before he was born — a history whose epicenter is rooted in Vietnam — and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation. At once a witness to the fraught yet undeniable love between a single mother and her son, it is also a brutally honest exploration of race, class, and masculinity. Asking questions central to our American moment, immersed as we are in addiction, violence, and trauma, but undergirded by compassion and tenderness, On Earth We’re Briefly Gorgeous is as much about the power of telling one’s own story as it is about the obliterating silence of not being heard. With stunning urgency and grace, Ocean Vuong writes of people caught between disparate worlds, and asks how we heal and rescue one another without forsaking who we are. The question of how to survive, and how to make of it a kind of joy, powers the most important debut novel of many years. Named a Best Book of the Year by: GQ, Kirkus Reviews, Booklist, Library Journal, TIME, Esquire, The Washington Post, Apple, Good Housekeeping, The New Yorker, The New York Public Library, Elle.com, The Guardian, The A.V. Club, NPR, Lithub, Entertainment Weekly, Vogue.com, The San Francisco Chronicle, Mother Jones, Vanity Fair, The Wall Street Journal Magazine and more!
Over the past 50 years, Indigenous Australian theatre practice has emerged as a dynamic site for the discursive reflection of culture and tradition as well as colonial legacies, leveraging the power of storytelling to create and advocate contemporary fluid conceptions of Indigeneity. Performing Indigenous Identities on the Contemporary Australian Stage offers a window into the history and diversity of this vigorous practice. It introduces the reader to cornerstones of Indigenous Australian cultural frameworks and on this backdrop discusses a wealth of plays in light of their responses to contemporary Australian identity politics. The in-depth readings of two landmark theatre productions, Scott Rankin’s Namatjira (2010) and Wesley Enoch & Anita Heiss’ I Am Eora (2012), trace the artists’ engagement with questions of community consolidation and national reconciliation, carefully considering the implications of their propositions for identity work arising from the translation of traditional ontologies into contemporary orientations. The analyses of the dramatic texts are incrementally enriched by a dense reflection of the production and reception contexts of the plays, providing an expanded framework for the critical consideration of contemporary postcolonial theatre practice that allows for a well-founded appreciation of the strengths yet also pointing to the limitations of current representative approaches on the Australian mainstage. This study will be of great interest to students and scholars of Postcolonial, Literary, Performance and Theatre Studies.
Ludwig holds the last cords as the music totally dies out. Nobody moves while his hands are still slightly lifted. Finally, he lowers his hands and lets his arms fall down along his body. He stands deeply concentrated with his head bowed. With one hand, he brushes his hair back. He turns to the audience. An enormous applause evolves to standing ovations. Ludwig turns and lifts his arms toward the audience. He turns back to orchestra and again lifts his arms. Finally, he again faces the audience and stands with the orchestra and the singers behind him. He smiles and almost laughs, totally delighted as though he cannot believe the achievement. The musicians zap their instruments as their standing applause. Ludwig again lifts his arms and embraces the audience. He bows deeply. He turns around and walks between the musicians toward the door to the concert corridor leaving the undiminished applause behind. The singers follow him.
This latest novel of Josephine deBois, is about outstanding human beings and characters intertwined in a stunning series of events: it is about Tiffany Yun, a young, beautiful and stellar female Asian pianist conflicted between culture and love; it is about Ludwig Mann, the greatest conductor ever, his passions, his woes, his love, his deep dark desires, and his endless struggle at the edge of music to always go beyond whatever stellar interpretations he delivered just moments ago, and not least his struggle with what he is; it is about Josephine deBois, an unbelievable beautiful woman driven to the edge of her life by deep, dark, irresistible desires; it is about Duilio Paioni, an outstanding, brilliant, Nobel-Laureate-Ready truth seeking scientist who has revolutionized the technologies to the edge where synthesis of human life is possible; it is about Giovanni Landini, a high ranking, ruthless church official at endless conflict with his faith and deep sexual desires; it is about Marchetto Caccini, a top-ranking church official ruthlessly defending his institution and faith at any price; it is about Sargent Samuel, an honest and truth seeking New York police Sargent sandwiched between power, corruption and pursuit of the truth in a mysterious case leading him to the edge of truth at the epicenter of a case so unbelievable that nobody believes even the truth; it is about Sora, a mysterious woman living at the edge to the world beyond and supernaturally manages the natural; and it is about Chu-jin, shaped in disaster at the edge to the world beyond, who seeks the souls to answer the fundamental question of what makes a human human. At the end of the stunning story, beauty and cruelty stand face-to-face in terrible moments of death and destruction. Love appears extinct but does it survive in disguise?
The only complete guide to the six state parks and 15 coastal and riverside regional parks in one of the most rugged and beautiful regions of northern California: the magnificent Sonoma Coast and Russian River. The full range of outdoor adventures are described here, including hiking, camping, diving, whale/seal watching, and more. At Sonoma Coast State Park, explore miles of sandy beaches, isolated coves, and wildflower-covered trails. Watch for whales at Bodega Head. Visit Fort Ross State Historic Park, a Russian colonial outpost dating back to 1812. Free-dive for abalone at Salt Point State Park, site of strange sandstone sculptures and a rare pygmy forest. See the rhododendrons that bloom each spring at nearby Kruse Rhododendron Reserve, then turn inland to Armstrong Redwoods State Reserve, home to the last major stand of old-growth redwoods in Sonoma County. Detailed trail descriptions and trail maps along with a table of GPS waypoints for trail junctions and point of interest.