Reveals how many of our customs and wedding rituals were the product of sophisticated advertising campaigns, merchandising promotions, and entrepreneurial innovations. The businesses and entrepreneurs, from jewelers to bridal consultants and caterers, set the stage for today's multibillion-dollar industry.
Offers a detailed cultural history of weddings in America from 1945 to 2000, exploring the political, social, economic, and demographic events that influenced the traditions and cost associated with weddings in the post-war years.
Providing a comprehensive introduction to the planning and management of weddings, this text looks at the historical, religious, cultural, economic and political influences on wedding planning.
From 1505 to 1689, Russia's tsars chose their wives through an elaborate ritual: the bride-show. The realm's most beautiful young maidens—provided they hailed from the aristocracy—gathered in Moscow, where the tsar's trusted boyars reviewed their medical histories, evaluated their spiritual qualities, noted their physical appearances, and confirmed their virtue. Those who passed muster were presented to the tsar, who inspected the candidates one by one—usually without speaking to any of them—and chose one to be immediately escorted to the Kremlin to prepare for her wedding and new life as the tsar's consort. Alongside accounts of sordid boyar plots against brides, the multiple marriages of Ivan the Terrible, and the fascinating spectacle of the bride-show ritual, A Bride for the Tsar offers an analysis of the show's role in the complex politics of royal marriage in early modern Russia. Russell E. Martin argues that the nature of the rituals surrounding the selection of a bride for the tsar tells us much about the extent of his power, revealing it to be limited and collaborative, not autocratic. Extracting the bride-show from relative obscurity, Martin persuasively establishes it as an essential element of the tsarist political system.
My name is Erzsébet, Countess Dolingen of Gratz, and I am a vampire. I am also Vlad Dracula’s one true love. For centuries, we shared a love that consumed us whole. But betrayal can turn the greatest of passions bitter in the hearts of lovers. In anger, he impaled me on an iron stake and left me to suffer in a mausoleum hidden from the world. Now, my mind wanders through the centuries, recalling the triumphs and defeats of my long life. From my childhood as the daughter of an Archwitch to my time as the wife of Vlad the Impaler that eventually resulted in my captivity, I remember all the triumphs and the failures. But what my beloved doesn’t know is that I am not yet defeated…
Ekphrasis, the description of pictorial art in words, is the subject of this bibliography. More specifically, some 2500 poems on paintings are catalogued, by type of publication in which they appear and by poet. Also included are 2000 entries on the secondary literature of ekphrasis, including works on sculpture, music, photography, film, and mixed media.
Rejecting Roman feminine virtue in its pure form, Christianity claimed a moral superiority in its ideals of romance, and portrayed women seeking more spiritual goals. Cooper studies how this connected with social and religious change.
A modern American woman reveals how her long-ago ordeal in a harem in Afghanistan led her to become a feminist leader and a legendary crusader for universal women's and human rights