In this innovative project, ten individuals write as one voice to illuminate the ways that Hip-Hop and the Black Church agree, disagree, and inform each other on key topics. This book grows out of the popular religion and Hip-Hop course offered at Rice University by Dr. Anthony Pinn and Bernard 'Bun B' Freeman. Like the course, the book offers engaging insights into one of the most important musical genres and reflects on its broad cultural impact.
Underground rap is largely a subversive, grassroots, and revolutionary movement in underground hip-hop, tending to privilege creative freedom as well as progressive and liberating thoughts and actions. This book contends that many practitioners of underground rap have absorbed religious traditions and ideas, and implement, critique, or abandon them in their writings. This in turn creates processural mutations of God that coincide with and speak to the particular context from which they originate. Utilising the work of scholars like Monica Miller and Alfred North Whitehead, Gill uses a secular religious methodology to put forward an aesthetic philosophy of religion for the rap portion of underground hip-hop. Drawing from Whiteheadian process thought, a theopoetic argument is made. Namely, that it is not simply the case that is God the "poet of the world", but rather rap can, in fact, be the poet (creator) of its own form of quasi-religion. This is a unique look at the religious workings and implications of underground rap and hip hop. As such, it will be of keen interest to scholars of Religious Studies, Hip-Hop Studies and Process Philosophy and Theology.
What is hip-hop, and how does it impact the Black Church? How do Black Churches think about hip-hop? How does it integrate hip-hop? How do these different, yet deeply interrelated communities think about the key topics of modern life—be it gender, sex, race, or globalization? These questions and more are the concern of the CERCL Writing Collective, under the mentorship of Anthony Pinn. In this innovative project, ten individuals write as one voice to illuminate the ways that hip-hop and the Black Church agree, disagree, and inform each other on key topics. This book grows out of the popular religion and hip-hop course, soon to be offered as an open enrollment online course, offered at Rice University by Anthony Pinn and Bernard ‘Bun B’ Freeman. Like the course, the book offers engaging insights into one of today’s most important musical genres and reflects on its broad cultural impact.
This study introduces the nature, history, and interventions of two theoretical-political cultural productions that formally emerged in U.S. educational institutions in the late 1960s as a part of the Black Freedom movement: Black/Africana studies and Black/Africana biblical studies..
Kendrick Lamar has established himself at the forefront of contemporary hip-hop culture. Artistically adventurous and socially conscious, he has been unapologetic in using his art form, rap music, to address issues affecting black lives while also exploring subjects fundamental to the human experience, such as religious belief. This book is the first to provide an interdisciplinary academic analysis of the impact of Lamar’s corpus. In doing so, it highlights how Lamar’s music reflects current tensions that are keenly felt when dealing with the subjects of race, religion and politics. Starting with Section 80 and ending with DAMN., this book deals with each of Lamar’s four major projects in turn. A panel of academics, journalists and hip-hop practitioners show how religion, in particular black spiritualties, take a front-and-center role in his work. They also observe that his astute and biting thoughts on race and culture may come from an African American perspective, but many find something familiar in Lamar’s lyrical testimony across great chasms of social and geographical difference. This sophisticated exploration of one of popular culture’s emerging icons reveals a complex and multi faceted engagement with religion, faith, race, art and culture. As such, it will be vital reading for anyone working in religious, African American and hip-hop studies, as well as scholars of music, media and popular culture.
In Pentecostal Insight in a Segregated U.S. City, Frederick Klaits compares how members of one majority white and two African American churches in Buffalo, New York receive knowledge from God about their own and others' life circumstances. In the Pentecostal Christian faith, believers say that they acquire divinely inspired insights by developing a “relationship with God.” But what makes these insights appear necessary? This book offers a novel approach to this question, arguing that the inspirations believers receive from God lead them to take critical stances on what they regard as ordinary understandings of space, time, care, and personal value. Using a shared Pentecostal language, believers occupying different positions within racial, class, and gender formations reflect in divergent ways on God's designs. In the process, they engage critically with late liberal imaginaries of eventfulness and vitality to envision possibilities of life in a highly unequal society. This text incorporates commentaries on Klaits' ethnography by LaShekia Chatman and Michael Richbart, junior scholars who have also studied and been part of Pentecostal communities in Buffalo.
At the core of African American religion’s response to social inequalities has been a symbiotic relationship between socio-political activism and spiritual restoration. Drawing on archival material and ethnographic fieldwork with African American Spiritual Churches in the USA, this book examines how their spiritual and social work can shed light on the interplay between corporate activism and individual spirituality. This book traces the development of this "politico-spiritual" approach to injustice from the beginning of the twentieth century through the opening decade of the twenty-first century, using the work of African American Spiritual Churches as a lens through which to observe its progression. Addressing subjects such as spiritual healing, support of the homeless, gender equality and the aftermath of hurricane Katrina, it demonstrates that these communities are clearly motivated by the dual concerns of the soul and the community. This study diversifies our understanding of the African American religious landscape, highlighting an approach to social injustice that conjoins both political and spiritual transformations. As such, it will be of significant interest to scholars of religious studies, African American studies and politics.
The night and popular music have long served to energise one another, such that they appear inextricably bound together as trope and topos. This history of reciprocity has produced a range of resonant and compelling imaginaries, conjured up through countless songs and spaces dedicated to musical life after dark. Nocturnes: Popular Music and the Night is one of the first volumes to examine the relationship between night and popular music. Its scope is interdisciplinary and geographically diverse. The contributors gathered here explore how the problems, promises, and paradoxes of the night and music play off of one another to produce spaces of solace and sanctuary as well as underpinning strategies designed to police, surveil and control movements and bodies. This edited collection is a welcome addition to debates and discussions about the cultures of the night and how popular music plays a continuing role in shaping them.
In this provocative and captivating dialogue, bell hooks and Cornel West come together to discuss the dilemmas, contradictions, and joys of Black intellectual life. The two friends and comrades in struggle talk, argue, and disagree about everything from community to capitalism in a series of intimate conversations that range from playful to probing to revelatory. In evoking the act of breaking bread, the book calls upon the various traditions of sharing that take place in domestic, secular, and sacred life where people come together to give themselves, to nurture life, to renew their spirits, sustain their hopes, and to make a lived politics of revolutionary struggle an ongoing practice. This 25th anniversary edition continues the dialogue with "In Solidarity," their 2016 conversation at the bell hooks Institute on racism, politics, popular culture and the contemporary Black experience.
