A history of corporal punishment in the Brazilian navy and the four-day mutiny that took Rio hostage and put an end to the violent practice. Legacy of the Lash is a compelling social and cultural history of the Brazilian navy in the decades preceding and immediately following the 1888 abolition of slavery in Brazil. Focusing on non-elite, mostly black enlisted men and the oppressive labor regimes under which they struggled, the book is an examination of the four-day Revolta da Chibata (Revolt of the Lash) of November 1910, during which nearly half of Rio de Janeiro’s enlisted men rebelled against the use of corporal punishment in the navy. These men seized four new, powerful warships, turned their guns on Rio de Janeiro, Brazil’s capital city, and held its population hostage until the government abolished the use of the lash as a means of military discipline. Although the revolt succeeded, the men involved paid dearly for their actions. This event provides a clear lens through which to examine racial identity, violence, masculinity, citizenship, modernity, and the construction of the Brazilian nation. “Offering new insights into the spectacular sailors’ revolt of 1910, Zachary R. Morgan treats the “deep structure” of Brazilian naval discipline, one based primarily on flogging. Slavery was only abolished in 1888, and the mutineers, largely of African descent, saw flogging as an intolerable holdover from the slave era. Morgan also shows the incompatibility of the old labor regime and modern naval technology. Trained on the new battleships in the English shipyards where they were built, Brazilian sailors increasingly viewed themselves as citizens in uniform.” —Joseph L. Love, University of Illinois, Urbana-Champaign “Legacy of the Lash is a stellar contribution to the growing global scholarship on mutiny and maritime radicalism. Zachary R. Morgan brings back to vibrant life the history-making powers of Brazil’s motley crews in the early twentieth century.” —Marcus Rediker, author of The Slave Ship: A Human History
A clearly structured and well-informed synthesis of developments and events in Brazilian history from the colonial period to the present, this volume is aimed at non-specialized readers and students, seeking a straightforward introduction to this unique Latin American country. Divided chronologically into five main historical periods - Colonial Brazil, Empire, the First Republic, the Estado Novo and events from 1964 to the present - the book explores the politics, economy, society, and diplomacy during each phase. The emphasis on diplomacy is particularly original and adds an unusual dimension to the book.
Brazil is a vast, complex country with great potential but an uneven history. This concise one-volume history will introduce readers to the history of Brazil from its origins to today. It emphasizes current affairs, including Brazil's return to democracy after more than two decades of military rule, and the economic consequences of adopting free-market policies as part of the creation of the global marketplace. The history of Brazil unfolds in narrative chronological chapters beginning with the Portuguese conquest and continues up to the present day. "Levine's book is a good starting point for anyone interested in moving beyond the popular conception of Brazil as the land of Carnival and samba." - Publishers Weekly
Argues that Dutch Brazil is integral to Atlantic history and made an impact well beyond the colonial and national narratives in the Netherlands and Brazil.
From the first encounters between the Portuguese and indigenous peoples in 1500 to the current political turmoil, the history of Brazil is much more complex and dynamic than the usual representations of it as the home of Carnival, soccer, the Amazon, and samba would suggest. This extensively revised and expanded second edition of the best-selling Brazil Reader dives deep into the past and present of a country marked by its geographical vastness and cultural, ethnic, and environmental diversity. Containing over one hundred selections—many of which appear in English for the first time and which range from sermons by Jesuit missionaries and poetry to political speeches and biographical portraits of famous public figures, intellectuals, and artists—this collection presents the lived experience of Brazilians from all social and economic classes, racial backgrounds, genders, and political perspectives over the past half millennium. Whether outlining the legacy of slavery, the roles of women in Brazilian public life, or the importance of political and social movements, The Brazil Reader provides an unparalleled look at Brazil’s history, culture, and politics.
An inspirational and insightful look at contemporary Brazilian garden design and the influence of famed designer Roberto Burle Marx. Brazilian Roberto Burle Marx was indisputably one of the greatest garden and landscape architects of the twentieth century. His projects, almost all of which were in his native country and highlighted its rich local flora, influenced gardens and landscapesand other design disciplinesaround the world. Given the richness of Brazil's great tradition of modernism and the lushness of its tropical landscape, it is perhaps only because of its distance that so little is known about contemporary gardening thereuntil now. Presenting over thirty new gardens and landscapes located across the country, from the coast to the hills, from the cities to the jungle, New Brazilian Gardens offers an exciting overview of current practice by designers who are hardly known outside its borders. The gardens are grouped into four sections: Water, Planting, Abstraction, and Sculpture. Each project is presented in detail, with descriptions, plans (including plant lists), and photographs. An introduction considers the evolution of the Brazilian garden since the Colonial period and examines Burle Marx's influence in the light of current trends. 267 color illustrations.
Tropicália and Beyond forms part of Tate Film's Counter-Histories series, a curatorial strand presenting thematic programmes that challenge stereotypes of movements in art and film history.