In this evocative and emotional work, the poet, novelist, and human rights activist Marjorie Agosin pays homage to her great-grandmother, Helena Broder. As a young woman, Helena escaped Vienna to seek refuge in Chile, leaving shortly after the Night of Broken Glass in 1938 when the Nazi regime unleashed a campaign of violence, terror and destruction against the Jewish population. This book takes readers on Marjorie's journey through time and space, and across thresholds between life, death and dreams, to discover Helena's lost voice. This is not a linear journey, but one that braids together the past, the present, and the future, allowing Marjorie to give Helena, an exiled woman, a third home in the liminal space of memory and literature; a safe haven where she can be complete rather than fragmented, a place where her "exhausted suitcase" can finally rest. This touching collection of poems, in Marjorie Agosin's native Spanish together with Alison Ridley's delicate English translation, is accompanied by evocative images from the Chilean photographer Samuel Shats, as well as poignant memorabilia of Helena herself.
Bear and his friend Ben feel like they are living two lives: one, where native traditions--like long hair--are a crucial part of their identities, and the other, where indigenous expressions are mocked and treated with ignorance. When the boys encounter bullying because of the braids they wear, these two worlds collide. Seeking guidance from his beloved grandma, Bear confides his doubts and questions himself and his heritage. Bear's grandma knows about the strength it takes to overcome hardships, and with her help, Bear and Ben develop a plan to strengthen their connection to their roots while also bridging the gap between their schoolmates and their families. Seamlessly blending discussions of modern indigeneity and universal experiences of bullying and resilience, Bear's Braid is an essential and of-the-moment book that belongs on every bookshelf, and fits in easily with the classics of social justice children's literature.
Winner of the Graywolf Press Nonfiction Prize, a lyrical meditation on family, place, and inheritance Names for Light traverses time and memory to weigh three generations of a family’s history against a painful inheritance of postcolonial violence and racism. In spare, lyric paragraphs framed by white space, Thirii Myo Kyaw Myint explores home, belonging, and identity by revisiting the cities in which her parents and grandparents lived. As she makes inquiries into their stories, she intertwines oral narratives with the official and mythic histories of Myanmar. But while her family’s stories move into the present, her own story—that of a writer seeking to understand who she is—moves into the past, until both converge at the end of the book. Born in Myanmar and raised in Bangkok and San Jose, Myint finds that she does not have typical memories of arriving in the United States; instead, she is haunted by what she cannot remember. By the silences lingering around what is spoken. By a chain of deaths in her family line, especially that of her older brother as a child. For Myint, absence is felt as strongly as presence. And, as she comes to understand, naming those absences, finding words for the unsaid, means discovering how those who have come before have shaped her life. Names for Light is a moving chronicle of the passage of time, of the long shadow of colonialism, and of a writer coming into her own as she reckons with her family’s legacy.
In a compelling mix of literary narrative and ethnography, anthropologist Alma Gottlieb and writer Philip Graham continue the long journey of cultural engagement with the Beng people of Côte d’Ivoire that they first recounted in their award-winning memoir Parallel Worlds. Their commitment over the span of several decades has lent them a rare insight. Braiding their own stories with those of the villagers of Asagbé and Kosangbé, Gottlieb and Graham take turns recounting a host of unexpected dramas with these West African villages, prompting serious questions about the fraught nature of cultural contact. Through events such as a religious leader’s declaration that the authors’ six-year-old son, Nathaniel, is the reincarnation of a revered ancestor, or Graham’s late father being accepted into the Beng afterlife, or the increasing, sometimes dangerous madness of a villager, the authors are forced to reconcile their anthropological and literary gaze with the deepest parts of their personal lives. Along with these intimate dramas, they follow the Beng from times of peace through the times of tragedy that led to Côte d’Ivoire’s recent civil conflicts. From these and many other interweaving narratives—and with the combined strengths of an anthropologist and a literary writer—Braided Worlds examines the impact of postcolonialism, race, and global inequity at the same time that it chronicles a living, breathing village community where two very different worlds meet.
From Homer to Tim O’Brien, war literature remains largely the domain of male writers, and traditional narratives imply that the burdens of war are carried by men. But women and children disproportionately suffer the consequences of conflict: famine, disease, sexual abuse, and emotional trauma caused by loss of loved ones, property, and means of subsistence. Collateral Damage tells the stories of those who struggle on the margins of armed conflict or who attempt to rebuild their lives after a war. Bringing together the writings of female authors from across the world, this collection animates the wartime experiences of women as military mothers, combatants, supporters, war resisters, and victims. Their stories stretch from Rwanda to El Salvador, Romania to Sri Lanka, Chile to Iraq. Spanning fiction, poetry, drama, essay, memoir, and reportage, the selections are contextualized by brief author commentaries. The first collection to embrace so wide a range of contemporary authors from such diverse backgrounds, Collateral Damage seeks to validate and shine a light on the experiences of women by revealing the consequences of war endured by millions whose voices are rarely heard.
Fiction. Asian American Studies. "A high-speed novel as brilliantly colored as a Mexican tapestry"--Meena Alexander. Plagued by vague but painful memories of her renegade father and her childhood in Mexico, the novel's main characer--Katy Cooper--is a painter of Parsi Zoroastrian ancestry living in Half Moon Bay, California, when her strange adventure of self-discovery begins. At the center of her mystery is an elderly ghost with a scar on her neck, and a black butterfly who has followed Katy all her life. Editor of the anthology Encounters: People of Asian Descent in the Americas (1999), Roshni Rustomji was born in Mumbai, India and has lived, studied and worked in India, Pakistan, Lebanon, the United States and Mexico.
In his provocative and compelling new book, America’s most widely read and most influential commentator casts his gimlet eye on our singular nation. Moving far beyond the strict confines of politics, George F. Will offers a fascinating look at the people, stories, and events–often unheralded–that make the American drama so endlessly entertaining and instructive. With Will’s signature erudition and wry wit always on display, One Man’s America chronicles a spectacular, eclectic procession of figures who have shaped our cultural landscape–from Playboy founder Hugh Hefner to National Review founder William F. Buckley Jr., from Victorian poet Henry Wadsworth Longfellow to Beat poet Lawrence Ferlinghetti, from cotton picker— turned—country singer Buck Owens to actor-turned-president Ronald Reagan. Will crisscrosses the country to illuminate what it is that makes America distinctive. He visits the USS Arizona memorial in Pearl Harbor and ponders its enduring links to the present. He travels to Milwaukee to celebrate the hundredth anniversary of an iconic brand, Harley-Davidson. In Los Angeles he finds the inspiring future of education, while in New York he confronts the dispiriting didacticism of the avant-garde. He ventures to the Civil War battlefields of Virginia to explore what we risk when we efface our own history. And on the outskirts of Chicago he investigates one of the darkest chapters in American history, only to discover a shining example of resilience and grace–the best the country has to offer. Will’s wide lens takes in much more as well–everything from the “most emblematic novel of the 1930s” (and no, it is not about the Joads) to the cult of ESPN to Brooks Brothers and Ben & Jerry’s. And of course, One Man’s America would not be complete without the author’s insights on the national pastime, baseball–the icons and the cheats, the hapless and the greats. Finally, in a personal and reflective turn, Will writes movingly of his thirty-five-year-old son Jon, born with Down syndrome, and pays loving and poignant tribute to his mother, who died at the age of ninety-eight after a long struggle with dementia. The essays in One Man’s America, even when critiquing American culture, reflect Will’s deep affection and regard for our nation. After all, he notes, when America falls short, it does so only as compared to “the uniquely high standards it has set for itself.” In the end, this brilliantly informative and entertaining book reminds us of the enduring value of “the simple virtues and decencies that can make communities flourish and that have made America great and exemplary.”
Taiwan: Manipulation of Ideology and Struggle for Identity chronicles the turbulent relationship between Taiwan and China. This collection of essays aims to provide a critical analysis of the discourses surrounding the identity of Taiwan, its relationship with China, and global debates about Taiwan’s situation. Each chapter explores a unique aspect of Taiwan’s situation, fundamentally exploring how identity is framed in not only Taiwanese ideology, but in relation to the rest of the world. Focusing on how language is a means to maintaining a discourse of control, Taiwan: Manipulation of Ideology and Struggle for Identity delves into how Taiwan is determining its own sense of identity and language in the 21st century. This book targets researchers and students in discourse analysis, Taiwan studies, Chinese studies, and other subjects in social sciences and political science, as well as intellectuals in the public sphere all over the globe who are interested in the Taiwan issue.
