Brahms and the Shaping of Time

Brahms and the Shaping of Time

Author: Scott Murphy

Publisher: Boydell & Brewer

Published: 2018

Total Pages: 310

ISBN-13: 1580465978

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Combines fresh approaches to the life and music of the beloved nineteenth-century composer with the latest and most significant ways of thinking about rhythm, meter, and musical time.


Brahms and the Principle of Developing Variation

Brahms and the Principle of Developing Variation

Author: Walter Frisch

Publisher: Univ of California Press

Published: 1990-04-20

Total Pages: 244

ISBN-13: 9780520069589

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This volume is an analytical study of 18 works by Brahms, making skillful use of Schoenberg's provocative concept of developing variation. It traces a genuine evolution through Brahm's compositions, considering their relationship to each other.


Shaping Time

Shaping Time

Author: David Epstein

Publisher: Wadsworth Publishing Company

Published: 1995

Total Pages: 636

ISBN-13:

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Epstein investigates the relationship between the ineffable art of music and the hard science of neurobiology. He integrates philosophic and scientific inquiry to formulate a theory of the fundamental yet elusive quality in music time. Derived from an analytical study of motion, tempo and emotion, Shaping Time offers a theory of the way we percieve, perform and interpret music. Epstein suggests that audience satisfaction with a musical performance results from timing trajectories established by the performer at the beginning of the piece. When the timing of a performance conflicts with audience anticipation, listeners experience physical and affective discomfort. Epstein applies his thesis to a wide range of examples for the repertoire.


Brahms in the Home and the Concert Hall

Brahms in the Home and the Concert Hall

Author: Katy Hamilton

Publisher: Cambridge University Press

Published: 2014-09-11

Total Pages: 425

ISBN-13: 1316061329

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Johannes Brahms was a consummate professional musician, and a successful pianist, conductor, music director, editor and composer. Yet he also faithfully championed the world of private music-making, creating many works and arrangements for enjoyment in the home by amateurs. This collection explores Brahms' public and private musical identities from various angles: the original works he wrote with amateurs in mind; his approach to creating piano arrangements of not only his own, but also other composers' works; his relationships with his arrangers; the deeper symbolism and lasting legacy of private music-making in his day; and a hitherto unpublished memoir which evokes his Viennese social world. Using Brahms as their focus point, the contributors trace the overlapping worlds of public and private music-making in the nineteenth century, discussing the boundaries between the composer's professional identity and his lifelong engagement with amateur music-making.


Music, Criticism, and the Challenge of History

Music, Criticism, and the Challenge of History

Author: Kevin Karnes

Publisher: Oxford University Press

Published: 2008-08-22

Total Pages: 229

ISBN-13: 0190451343

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More than a century after Guido Adler's appointment to the first chair in musicology at the University of Vienna, Music, Criticism, and the Challenge of History provides a first look at the discipline in this earliest period, and at the ideological dilemmas and methodological anxieties that characterized it upon its institutionalization. Author Kevin Karnes contends that some of the most vital questions surrounding musicology's disciplinary identities today-the relationship between musicology and criticism, the role of the subject in analysis and the narration of history, and the responsibilities of the scholar to the listening public-originate in these conflicted and largely forgotten beginnings. Karnes lays bare the nature of music study in the late nineteenth century through insightful readings of long-overlooked contributions by three of musicology's foremost pioneers-Adler, Eduard Hanslick, and Heinrich Schenker. Shaped as much by the skeptical pronouncements of the likes of Nietzsche and Wagner as it was by progressivist ideologies of scientific positivism, the new discipline comprised an array of oft-contested and intensely personal visions of music study, its value, and its future. Karnes introduces readers to a Hanslick who rejected the call of positivist scholarship and dedicated himself to penning an avowedly subjective history of Viennese musical life. He argues that Schenker's analytical experiments had roots in a Wagner-inspired search for a critical alternative to Adler's style-obsessed scholarship. And he illuminates Adler's determined response to Nietzsche's warnings about the vitality of artistic and cultural life in an increasingly scientific age. Through sophisticated and meticulous presentation, Music, Criticism, and the Challenge of History demonstrates that the new discipline of musicology was inextricably tied in with the cultural discourse of its time.


51 Exercises

51 Exercises

Author: Johannes Brahms

Publisher: Alfred Music

Published:

Total Pages: 68

ISBN-13: 9781457424632

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Brahms composed these melodic finger exercises for use in preparation for performing his more challenging piano works. They encompass a great many technical problems found in piano music composed up to and including the Romantic period. Great emphasis is placed on finger independence as well as on the total independence of hands.


The Shape of Content

The Shape of Content

Author: Ben Shahn

Publisher: Harvard University Press

Published: 1957

Total Pages: 148

ISBN-13: 9780674805705

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"A modern painter discusses meaning and form in contemporary painting and offers advice to aspiring artists."--


Mozart's Music of Friends

Mozart's Music of Friends

Author: Edward Klorman

Publisher: Cambridge University Press

Published: 2016-04-21

Total Pages: 359

ISBN-13: 1107093651

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This study analyzes chamber music from Mozart's time within its highly social salon-performance context.