With his installations, Ugo Rondinone creates personal dreamscapes. In his retrospective exhibition at the Museum Boijmans Van Beuningen in Rotterdam, the artist presented Vocabulary of Solitude, an arrangement of his works inspired by the color spectrum. Clowns, clocks, candles, shoes, windows, light bulbs and rainbows: they are recognizable images that speak to all of us. These symbols excite free-association and memories. The forty-five clowns with their different postures represent activities of everyday life, at the same time expressing the anguish of human solitude: be, breathe, sleep, dream, wake, rise, sit, hear, look, think, stand, walk, pee, shower, dress, drink, fart, shit, read, laugh, cook, smell, taste, eat, clean, write, daydream, remember, cry, nap, touch, feel, moan, enjoy, float, love, hope, wish, sing, dance, fall, curse, yawn, undress, lie. This is the first of a four-chapter publication series by Ugo Rondinone.
Survey of the thirty best recent design work for cultural clients, including galleries, museums, theatres and auditoriums. The focus is on new identities and their application, as well as smaller design solutions as gallery guides, promotional programmes, exhibition catalogues, theatre programmes, branded merchandising, websites, signage systems and temporary exhibition design.
"A new generation of designers has emerged which thinks beyond designing products. Fascinated by the faults in our social system, production system and the ecosystem, they employ design to tackle the big problems of our time. Designers are uniquely equipped to visualise alternatives and to harness technological innovations to answer social needs. This shift in mentality conceals a creative revolution: the transformative power of contemporary design.0This book brings together for the first time the work of more than fifty thinkers and inventors who have made a new engagement central to their work. Interviews with seven of them provide an insight into their thinking processes. This publication can be read as a manifesto for the creative spirit: the changemakers." -- publisher's description.
This catalogue is published to accompany the exhibition of the same name in Museum Boijmans Van Beuningen, Rotterdam (8 February-11 May 2014). The exhibition is a unique meeting of the work of three of the most influential artists of the twentieth century: Constantin Brancusi (1876-1957), Medardo Rosso (1858-1928) and Man Ray (1890-1976). The works exhibited and discussed in the catalogue, forty-five sculptures and some hundred photographs they took of them, offer a glimpse over the shoulders of these artists.Not only were Brancusi, Rosso and Man Ray all crucial in the development of modern sculpture, they were innovators in the way they involved photography in their work-not so much for recording it, but as a means of explaining how viewers should look at and interpret their sculptures. They played with the possibilities of the medium-experimental for the time-using overexposure, innovative camera angles and blurring the foreground or background.
Among the Boijmans Van Beuningen Museum's extensive holdings of Old Master drawings, the collection of drawings by the Antwerp masters Peter Paul Rubens, Jacob Jordaens and Anthony van Dyck stand out as absolute highlights. This generously illustrated publication examines 70 of their best drawings, discussing not only the significance of these works, but also their provenance, attribution and dating. It also sets the work in context, by considering the work of a variety of contemporaries on the seventeenth-century Flemish scene (many of whom were influenced directly by the work of these masters), and by including essays on a variety of topics of art and culture in Antwerp. This book will be a major contribution to the study of seventeenth-century Northern European art.
"Noordegraaf describes how in the nineteenth and twentieth centuries, museums communicated with their audience through their presentations. Drawing upon ideas developed in film studies, she argues that presentations are based on a 'script' that includes all the elements that mediate between the museum and its audience. These include the location, architecture and layout of the building, the arrangement of the objects, the display techniques and the different means of communicating with the visitor. [This volume] contributes to the international discussion about the role and function of the museum in contemporary society among both those in charge of setting up and designing presentations and those who visit them. From its first appearance in 2004 the book has become widely used for research and teaching in the field of museum and curating history and theory internationally"--Publisher's description.