Jean Peters

Jean Peters

Author: Michelangelo Capua

Publisher: Univ. Press of Mississippi

Published: 2024-03-15

Total Pages: 172

ISBN-13: 1496850270

DOWNLOAD EBOOK

From 1947 to 1955, Jean Peters (1926–2000) appeared in films opposite such Hollywood leading men as Tyrone Power, Marlon Brando, Burt Lancaster, Spencer Tracy, Richard Widmark, and Robert Wagner, as well as international stars including Louis Jourdan and Rossano Brazzi. Despite her talent and status, Peters eschewed the star-studded lifestyle of 1950s Hollywood, turning down roles that were “too sexy” and refusing to socialize with other actors, discuss her private life in the press, or lead the glamorous lifestyle often associated with her peers. She was seen as a mystery to reporters, who constantly tried to discover tidbits about her personal life. In 1957, her marriage to Howard Hughes led to her retirement from acting and her further withdrawal from social events in Hollywood. Instead, she shifted her attention to charitable work, arts and crafts, and university studies in psychology and anthropology. Her status as an enigma only grew as she agreed never to speak of her marriage with Hughes. After her divorce, however, Peters attempted to resume her acting career in television but never regained her previous level of stardom. Jean Peters: Hollywood's Mystery Girl grants an in-depth analysis of each of her nineteen films and is enriched by several high-quality photographs from the author’s personal collection.


Movie Roadshows

Movie Roadshows

Author: Kim R. Holston

Publisher: McFarland

Published: 2013-01-01

Total Pages: 383

ISBN-13: 0786460628

DOWNLOAD EBOOK

This work examines a film distribution system paralleling the rise of early features and persisting until 1972, when Man of La Mancha was the final roadshow to require reserved seating. Synonymous with Hollywood's star-studded premieres, roadshows were longer and cost more than regular features, making the experience similar to attending the legitimate theater. Roadshows, often epic in subject matter, played selected (usually only one) theaters in major urban centers until demand decreased. De rigueur by the 1960s were musical overtures, intermissions, entre'acte and exit music and souvenir programs for sale in the lobby. Throughout the text are recollections by people who attended roadshows, including actor John Kerr and actresses Barbara Eden and Ingrid Pitt. The focus is on roadshows released in the United States but an appendix identifies international roadshows and films forecast but not released as roadshows. Included are plots, contemporary critical reaction, premiere dates, production background, and methods of promotion--i.e., the ballyhoo.


Selling Women's History

Selling Women's History

Author: Emily Westkaemper

Publisher: Rutgers University Press

Published: 2017-01-09

Total Pages: 277

ISBN-13: 0813576350

DOWNLOAD EBOOK

Only in recent decades has the American academic profession taken women’s history seriously. But the very concept of women’s history has a much longer past, one that’s intimately entwined with the development of American advertising and consumer culture. Selling Women’s History reveals how, from the 1900s to the 1970s, popular culture helped teach Americans about the accomplishments of their foremothers, promoting an awareness of women’s wide-ranging capabilities. On one hand, Emily Westkaemper examines how this was a marketing ploy, as Madison Avenue co-opted women’s history to sell everything from Betsy Ross Red lipstick to Virginia Slims cigarettes. But she also shows how pioneering adwomen and female historians used consumer culture to publicize histories that were ignored elsewhere. Their feminist work challenged sexist assumptions about women’s subordinate roles. Assessing a dazzling array of media, including soap operas, advertisements, films, magazines, calendars, and greeting cards, Selling Women’s History offers a new perspective on how early- and mid-twentieth-century women saw themselves. Rather than presuming a drought of female agency between the first and second waves of American feminism, it reveals the subtle messages about women’s empowerment that flooded the marketplace.


Revenue Revisions, 1947-48: Excise taxes. May 19-July 21, 1947. pt. 2. Corporation tax problems and general revisions. June 17-July 2, 1947. pt. 3. General revisions, individual income taxes. July 7-18, 1947. pt. 4. Tax-exempt organizations (cooperative organizations). Nov. 4-26, 1947. pt. 5. Tax-exempt organizations other than cooperatives, miscellaneous recommendations, index. Dec. 2-12, 1947

Revenue Revisions, 1947-48: Excise taxes. May 19-July 21, 1947. pt. 2. Corporation tax problems and general revisions. June 17-July 2, 1947. pt. 3. General revisions, individual income taxes. July 7-18, 1947. pt. 4. Tax-exempt organizations (cooperative organizations). Nov. 4-26, 1947. pt. 5. Tax-exempt organizations other than cooperatives, miscellaneous recommendations, index. Dec. 2-12, 1947

Author: United States. Congress. House. Committee on Ways and Means

Publisher:

Published: 1947

Total Pages: 764

ISBN-13:

DOWNLOAD EBOOK


Starmaker

Starmaker

Author: Milan Hain

Publisher: Univ. Press of Mississippi

Published: 2023-08-07

Total Pages: 277

ISBN-13: 1496846060

DOWNLOAD EBOOK

David O. Selznick (1902–1965) was one of the most prominent film producers of the Hollywood studio era, responsible for such artistic and commercial triumphs as King Kong, David Copperfield, Anna Karenina, A Star Is Born, Gone with the Wind, Rebecca, Spellbound, and The Third Man. However, film production was not his only domain. Starting in the late 1930s, he built an impressive stable of stars within his own independent company, including Ingrid Bergman, Vivien Leigh, Joan Fontaine, Jennifer Jones, and Gregory Peck. In Starmaker: David O. Selznick and the Production of Stars in the Hollywood Studio System, author Milan Hain reveals the mechanisms by which Selznick and his collaborators discovered and promoted new stars and describes how these personalities were marketed, whether for financial gain or symbolic recognition and prestige. Using a wide range of archival materials, the book significantly complements and reshapes our understanding of Selznick’s celebrated career by focusing on heretofore neglected aspects of his creative and business activities. It also sheds light on the US film industry during the Golden Age of Hollywood studios and in the postwar period when the established order began to break down. By structuring the book around Selznick and his role as a starmaker, Hain demonstrates that star production and development in the Hollywood studio system was a highly organized and systematic activity, though the respective strategies and procedures were often hidden from the public eye.


From Dead Ends to Cold Warriors

From Dead Ends to Cold Warriors

Author: Peter W.Y. Lee

Publisher: Rutgers University Press

Published: 2021-02-12

Total Pages: 195

ISBN-13: 1978813481

DOWNLOAD EBOOK

After World War II, studies examining youth culture on the silver screen start with James Dean. But the angst that Dean symbolized—anxieties over parents, the “Establishment,” and the expectations of future citizen-soldiers—long predated Rebels without a Cause. Historians have largely overlooked how the Great Depression and World War II impacted and shaped the Cold War, and youth contributed to the national ideologies of family and freedom. From Dead Ends to Cold Warriors explores this gap by connecting facets of boyhood as represented in American film from the 1930s to the postwar years. From the Andy Hardy series to pictures such as The Search, Intruder in the Dust, and The Gunfighter, boy characters addressed larger concerns over the dysfunctional family unit, militarism, the “race question,” and the international scene as the Korean War began. Navigating the political, social, and economic milieus inside and outside of Hollywood, Peter W.Y. Lee demonstrates that continuities from the 1930s influenced the unique postwar moment, coalescing into anticommunism and the Cold War.