Boswell and the Press: Essays on the Ephemeral Writing of James Boswell is the first sustained examination of James Boswell’s ephemeral writing, his contributions to periodicals, his pamphlets, and his broadsides. The essays collected here enhance our comprehension of his interests, capabilities, and proclivities as an author and refine our understanding of how the print environment in which he worked influenced what he wrote and how he wrote it. This book will also be of interest to historians of journalism and the publishing industry of eighteenth-century Britain.
A rigorous examination of the workings of fiction by the novelist Robert Boswell, "one of America's finest writers" (Tom Perrotta) Robert Boswell has been writing, reading, and teaching literature for more than twenty years. In this sparkling collection of essays, he brings this vast experience and a keen critical eye to bear on craft issues facing literary writers. Examples from masters such as Leo Tolstoy, Flannery O'Connor, and Alice Munro illustrate this engaging discussion of what makes great writing. At the same time, Boswell moves readers beyond the classroom, candidly sharing the experiences that have shaped his own writing life. A chance encounter in a hotel bar leads to a fascinating glimpse into his imaginative process. And through the story of a boyhood adventure, Boswell details how important it is for writers to give themselves over to what he calls the "half-known world" of fiction, where surprise and meaning converge.
James Boswell (1740–1795), best known as the biographer of Samuel Johnson, was also a lawyer, journalist, diarist, and an insightful chronicler of a pivotal epoch in Western history. This fascinating collection, edited by Paul Tankard, presents a generous and varied selection of Boswell’s journalistic writings, most of which have not been published since the eighteenth century. It offers a new angle on the history of journalism, an idiosyncratic view of literature, politics, and public life in late eighteenth-century Britain, and an original perspective on a complex and engaging literary personality.
Robert Boswell's first novel since Century's Son showcases once again his "dazzling technical skill, intelligence and moral seriousness" (The New York Times Book Review) *A Library Journal "Best Indie Fiction of 2013" * At age thirty-three, James Candler seems to be well on the road to success. He's in line for a big promotion at Onyx Springs, the treatment facility where he's a therapist. He has a fiancée, a sizable house, and a Porsche. But . . . he's falling in love with another woman, he's underwater on his mortgage, and he's put his hapless best friend in charge of his signature therapeutic program. Even the GPS on his car can't seem to predict where he should turn next. And his clients are struggling in their own hilarious, heartbreaking ways to keep their lives on track. How can he help them if he can't help himself? In Tumbledown, Robert Boswell presents a large, unforgettable cast of characters who are all failing and succeeding in various degrees to make sense of our often-irrational world. In a moving narrative twist, he boldly reckons with the extent to which tragedy can be undone, the impossible accommodated.
Few books have had the social, cultural, and scholarly impact of John Boswell's Christianity, Social Tolerance, and Homosexuality. Arguing that neither the Bible nor the Christian tradition was nearly as hostile to homoeroticism as was generally thought, its initial publication sent shock waves through university classrooms, gay communities, and religious congregations. Twenty-five years later, the aftershocks still reverberate. The Boswell Thesis brings together fifteen leading scholars at the intersection of religious and sexuality studies to comment on this book's immense impact, the endless debates it generated, and the many contributions it has made to our culture. The essays in this magnificent volume examine a variety of aspects of Boswell's interpretation of events in the development of sexuality from Classical Antiquity through the Middle Ages, including a Roman emperor's love letters to another man; suspicions of sodomy among medieval monks, knights, and crusaders; and the gender-bending visions of Christian saints and mystics. Also included are discussions of Boswell's career, including his influence among gay and lesbian Christians and his role in academic debates between essentialists and social constructionists. Elegant and thought-provoking, this collection provides a fitting twenty-fifth anniversary tribute to the incalculable influence of Christianity, Social Tolerance, and Homosexuality and its author.
The Imprisoned Traveler is a fascinating portrait of a unique book, its context, and its elusive author. Joseph Forsyth, traveling through an Italy plundered by Napoleon, was unjustly imprisoned in 1803 by the French as an enemy alien. Out of his arduous eleven-year “detention” came his only book, Remarks on Antiquities, Arts, and Letters during an Excursion in Italy (1813). Written as an (unsuccessful) appeal for release, praised by Forsyth’s contemporaries for its originality and fine taste, it is now recognized as a classic of Romantic period travel writing. Keith Crook, in this authoritative study, evokes the peculiar miseries that Forsyth endured in French prisons, reveals the significance of Forsyth’s encounters with scientists, poets, scholars, and ordinary Italians, and analyzes his judgments on Italian artworks. He uncovers how Forsyth’s allusiveness functions as a method of covert protest against Napoleon and reproduces the hitherto unpublished correspondence between the imprisoned Forsyth and his brother. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
"Born in Edinburgh, the 'Athens of the North', a Scot who hated living in Scotland and nourished a lifelong love affair with London, Boswell was biographer, journalist, laird, advocate, social lion, incurable rake, lover, life of the party, traveller, steadfast friend, endearing charmer, exhibitionist fool, and drunken sot. In this moving biography, Peter Martin assesses Boswell's literary achievements and uncovers the pulsating and dynamic world he thrived in, from the royal courts and the drawing rooms of fashionable ladies and gentlemen to the fleshpots of London's unsavoury underworld and the chambers of the insane. He also poignantly reveals a man in agony, easily misunderstood, relentlessly plagued by hypochondria or melancholia, buffeted like a straw in the wind by a multitude of anxieties and 'horrible imaginings'."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Heyday of the Insensitive Bastards is an exhilarating collection, as brash as it is wise, by Robert Boswell one of our great storytellers Set mainly in small, gritty American cities, each of these stories is a world unto itself. A man's obsessive visits to a fortuneteller leave him nearly homeless. Time collapses as two marriages slowly dissolve. And in the searing title story, a young man recounts the summer he spent in a mountain town, squatting in a borrowed house with a loose band of slackers, abstaining from all drugs (other than mushrooms)—and ultimately asking just what kind of harm we can do to one another.
Here is the ideal introduction to satire for the student and, for the experienced scholar, an occasion to reconsider the uses, problems, and pleasures of satire in light of contemporary theory. Satire is a staple of the literary classroom. Dustin Griffin moves away from the prevailing moral-didactic approach established thirty some years ago to a more open view and reintegrates the Menippean tradition with the tradition of formal verse satire. Exploring texts from Aristophanes to the moderns, with special emphasis on the eighteenth century, Griffin uses a dozen figures -- Horace, Juvenal, Persius, Lucian, More, Rabelais, Donne, Dryden, Pope, Swift, Blake, and Byron -- as primary examples. Because satire often operates as a mode or procedure rather than as a genre, Griffin offers not a comprehensive theory but a set of critical perspectives. Some of his topics are traditional in satire criticism: the role of satire as moralist, the nature of satiric rhetoric, the impact of satire on the political order. Others are new: the problems of satire and closure, the pleasure it affords readers and writers, and the socioeconomic status of the satirist. Griffin concludes that satire is problematic, open-ended, essayistic, and ambiguous in its relationship to history, uncertain in its political effect, resistant to formal closure, more inclined to ask questions than provide answers, and ambivalent about the pleasures it offers.
