Author:

Publisher: IICA

Published:

Total Pages: 72

ISBN-13:

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Iberian Books / Libros ibéricos (IB)

Iberian Books / Libros ibéricos (IB)

Author: Alexander S. Wilkinson

Publisher: BRILL

Published: 2010-05-17

Total Pages: 900

ISBN-13: 9004193413

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This catalogue offers the first comprehensive listing of all books published in Spain, Portugal, Mexico and Peru or in Spanish or Portuguese before 1601. It describes over 19,000 bibliographically distinct items, with references to 100,000 surviving copies in over 1,200 libraries worldwide.


Organic Geochemistry in Petroleum Exploration

Organic Geochemistry in Petroleum Exploration

Author: L. Mattavelli

Publisher: Elsevier

Published: 2013-10-22

Total Pages: 1206

ISBN-13: 1483294145

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This volume presents the most significant papers given during the 13th International Meeting in Organic Geochemistry. The intention of the publication is to provide the scholars of this science with its state-of-the-art and recent papers not only in academic research but above all in practical applications. Several papers attest to an increased use of organic geochemistry not only in the oil industry, during all phases of petroleum exploration, but also in the other research areas of coal origin and structure, metallogeny, sedimentology, molecular palaeontology, biochemistry and pollution.


A Tale Blazed Through Heaven

A Tale Blazed Through Heaven

Author: Oliver James Noble Wood

Publisher: Oxford Modern Languages & Lite

Published: 2014

Total Pages: 247

ISBN-13: 0198707355

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A Tale Blazed Through Heaven examines developments in the representation of the classical tale of Mars, Venus, and Vulcan in the literature and painting of the Golden Age of Spain (c.1526-1681). Anchored in close analysis of individual primary texts, the five chapters that comprise this study assess how poets and painters breathed new life into the tale inherited from Homer, Ovid, and others, examining some of the ways in which the story of Mars, Venus, and Vulcan was disguised, developed, expanded, mocked, combined with or played off against different subjects, or otherwise modified in order to pique the interest of successive generations of readers and viewers. Each chapter discusses what particular changes and shifts in emphasis reveal about the tale itself, specific renderings, the aims and intentions of individual poets and painters, and the wider context of the literary and visual culture of Early Modern Spain. Discussing a range of poems by both canonical (Garcilaso de la Vega, Luis de Gongora, Lope de Vega, etc.) and less well-known writers (Juan de la Cueva, Alonso de Castillo Solorzano, Salvador Jacinto Polo de Medina, etc.), and culminating in detailed examination of select mythological works by Philip IV's court painter, Diego Velazquez, this book sheds light on questions relating to aspects of classical reception in the Renaissance, the rise of specific poetic styles (epic, mock-epic, burlesque, etc.), the interplay between the sister arts of poetry and painting, and the continual process of imitation and invention that was one of the defining features of the Spanish Golden Age.