UpSet Press has restored to print Suheir Hammad's first book of poems, Born Palestinian, Born Black, originally published by Harlem River Press in 1996. The new edition is augmented with a new author's preface, and new poems, under the heading, The Gaza Suite, as well as a new publisher's note by Zohra Saed, an introduction by Marco Villalobos, and an afterword by Kazim Ali.
Rifqa is Mohammed El-Kurd’s debut collection of poetry, written in the tradition of Ghassan Kanafani’s Palestinian Resistance Literature. The book narrates the author’s own experience of dispossession in Sheikh Jarrah--an infamous neighborhood in Jerusalem, Palestine, whose population of refugees continues to live on the brink of homelessness at the hands of the Israeli government and US-based settler organizations. The book, named after the author’s late grandmother who was forced to flee from Haifa upon the genocidal establishment of Israel, makes the observation that home takeovers and demolitions across historical Palestine are not reminiscent of 1948 Nakba, but are in fact a continuation of it: a legalized, ideologically-driven practice of ethnic cleansing.
What does freedom look like from inside an Israeli prison? The walls of the cell are etched with the names of the prisoners who came before. A bird perches on the cell window and offers a deal: "You bring the pencil, and I will bring the stories," stories of family, of community, of Gaza, of Palestine. Mohammad Sabaaneh brings uses his striking linocut artwork to help the world see Palestinian people as human, not as superheroes or political symbols.
Palestinian political cartoonist Mohammad Sabaaneh has gained renown worldwide for his stark black-and-white drawings that express the numerous abuses and losses that his countrymen suffer under Israel's occupation and celebrate their popular resistance. This collection includes 180 of Sabaaneh's best cartoons, including some depicting the privations he and other Palestinian political prisoners have suffered in Israel's many prisons. This book offers profound insights into the political and social struggles facing the Palestinian people and a pointed critique of the inaction or complicity of the "international community." Veteran graphic artist Seth Tobocman contributes a foreword.
As a young Palestinian woman raised in Brooklyn, during the rise of crack and Hip Hop, Suheir developed her own ideas of what words such as "race" and "culture" meant to her. Drops of This Story is her young soul in words. Readers will feel the growing paints of the young woman of color as she tries to write herself into existence.
This book is the first full-length study of the birth of the Palestinian refugee problem. Based on recently declassified Israeli, British and American state and party political papers and on hitherto untapped private papers, it traces the stages of the 1947-9 exodus against the backdrop of the first Arab-Israeli war and analyses the varied causes of the flight. The Jewish and Arab decision-making involved, on national and local levels, military and political, is described and explained, as is the crystallisation of Israel's decision to bar a refugee repatriation. The subsequent fate of the abandoned Arab villages, lands and urban neighbourhoods is examined. The study looks at the international context of the war and the exodus, and describes the political battle over the refugees' fate, which effectively ended with the deadlock at Lausanne in summer 1949. Throughout the book attempts to describe what happened rather than what successive generations of Israeli and Arab propagandists have said happened, and to explain the motives of the protagonists.
Brooklynite Hammad may be the first Palestinian-American to make it big in the spoken-word, or performance poetry, scene: she took part in Russell Simmons's Tony Award-winning Def Poetry Jam and has read on (among other venues) National Public Radio. Her first collection is also the first book from the Cypher imprint, edited by spoken-word elder statesman Willie Perdomo. Inspired both by her links to the Arab world and by the styles and stances of such earlier poet-performers as Nikki Giovanni, Hammad celebrates and defends her heritage ("i want to be open and hide/ the children of Palestine within me") and can be equally passionate about daily life in her home borough: "if you can make it here/ you got nothing to fear," the poem called "brooklyn" says. With the book comes a CD of Hammad in energetic performance, including a brief interview with the poet's father (subject of her poem "daddy's song") and, apparently, a bag of the Mideastern spice zataar. Leading off the CD is one of Hammad's best poems, the ironic "mic check," whose title refers to sound equipment and to an airport search performed by a hapless guy named Mike. (Jan.).--
A frank and entertaining memoir—from the daughter of Edward Said—now in paperback. The daughter of the famous intellectual and outspoken Palestinian advocate Edward Said and a sophisticated Lebanese mother, Najla Said grew up in New York City, confused and conflicted about her cultural background and identity. Said knew that her parents identified deeply with their homelands, but growing up in a Manhattan world that was defined largely by class and conformity, she felt unsure about who she was supposed to be, and was often in denial of the differences she sensed between her family and those around her. She may have been born a Palestinian Lebanese American, but Said denied her true roots, even to herself—until, ultimately, the psychological toll of her self-hatred began to threaten her health. As she grew older, she eventually came to see herself, her passions, and her identity more clearly. Today she is a voice for second-generation Arab Americans nationwide.
Linda Sarsour, co-organizer of the Women’s March, shares an “unforgettable memoir” (Booklist) about how growing up Palestinian Muslim American, feminist, and empowered moved her to become a globally recognized activist on behalf of marginalized communities across the country. On a chilly spring morning in Brooklyn, nineteen-year-old Linda Sarsour stared at her reflection, dressed in a hijab for the first time. She saw in the mirror the woman she was growing to be—a young Muslim American woman unapologetic in her faith and her activism, who would discover her innate sense of justice in the aftermath of 9/11. Now heralded for her award-winning leadership of the Women’s March on Washington, Sarsour offers a “moving memoir [that] is a testament to the power of love in action” (Michelle Alexander, author of The New Jim Crow). From the Brooklyn bodega her father owned, where Linda learned the real meaning of intersectionality, to protests in the streets of Washington, DC, Linda’s experience as a daughter of Palestinian immigrants is a moving portrayal of what it means to find one’s voice and use it for the good of others. We follow Linda as she learns the tenets of successful community organizing, and through decades of fighting for racial, economic, gender, and social justice, as she becomes one of the most recognized activists in the nation. We also see her honoring her grandmother’s dying wish, protecting her children, building resilient friendships, and mentoring others even as she loses her first mentor in a tragic accident. Throughout, she inspires you to take action as she reaffirms that we are not here to be bystanders. In this “book that speaks to our times” (The Washington Post), Harry Belafonte writes of Linda in the foreword, “While we may not have made it to the Promised Land, my peers and I, my brothers and sisters in liberation can rest easy that the future is in the hands of leaders like Linda Sarsour. I have often said to Linda that she embodies the principle and purpose of another great Muslim leader, brother Malcolm X.” This is her story.
In Israel/Palestine, Reinhart traces the development of the Security Barrier and Israel’s new doctrine of "disengagement," launched in response to a looming Palestinian-majority population. Examining the official record of recent diplomacy, including United States–brokered accords and talks at Camp David, Oslo, and Taba, Reinhart explores the fundamental power imbalances between the negotiating parties and identifies Israel’s strategy of creating facts on the ground to define and complicate the terms of any future settlement. In this indispensable primer, Reinhart’s searing insight illuminates the current conflict and suggests a path toward change.
