The Uncensored Boris Godunov

The Uncensored Boris Godunov

Author: Chester Dunning

Publisher: Univ of Wisconsin Press

Published: 2006-04-15

Total Pages: 579

ISBN-13: 0299207633

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Includes the original Russian text and, for the first time, an English translation of that version. “Antony Wood’s translation is fluent and idiomatic; analyses by Dunning et al. are incisive; and the ‘case’ they make is skillfully argued. . . . Highly recommended.”—Choice


Boris Godunov

Boris Godunov

Author: Caryl Emerson

Publisher:

Published: 1986-12-22

Total Pages: 296

ISBN-13:

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Within a Bakhtinian framework, Caryl Emerson explores these three versions of the Boris Tale, the context of their genesis, and their complex interrelationships.


Modest Musorgsky and Boris Godunov

Modest Musorgsky and Boris Godunov

Author: Caryl Emerson

Publisher: Cambridge University Press

Published: 1994-03-10

Total Pages: 364

ISBN-13: 0521361931

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Caryl Emerson and Robert Oldani take a comprehensive look at the most famous Russian opera, Modest Musorgsky's Boris Godunov.


Boris Godunov, Little Tragedies, and Others

Boris Godunov, Little Tragedies, and Others

Author: Alexander Pushkin

Publisher: Vintage

Published: 2023-01-17

Total Pages: 305

ISBN-13: 0593467574

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The award-winning translators bring us the complete plays of the most acclaimed Russian writer of the Romantic era. Known as the father of Russian literature, Alexander Pushkin was celebrated for his dramas as well as his poetry and stories. His most famous play is Boris Godunov (later adapted into a popular opera by Mussorgsky), a tale of ambition and murder centered on the sixteenth-century Tsar who preceded the Romanovs. Pushkin was inspired by the example of Shakespeare to create this panoramic drama, with its richly varied cast of characters and artful blend of comic and tragic scenes. Pushkin’s shorter forays into verse drama include The Water Nymph, A Scene from Faust, and the four brief plays known as the Little Tragedies: The Miserly Knight, set in medieval France; Mozart and Salieri, which inspired the popular film Amadeus; The Stone Guest, a tale of Don Juan in Madrid; and A Feast in a Time of Plague, in which a group of revelers defy quarantine in plague-ridden London. These new translations of the complete plays, from the award-winning translators Richard Pevear and Larissa Volokhonsky, freshly reveal the range of Pushkin’s enduring artistry.


Five Operas and a Symphony

Five Operas and a Symphony

Author: Boris Gasparov

Publisher: Yale University Press

Published: 2008-10-01

Total Pages: 292

ISBN-13: 0300133162

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In this eagerly anticipated book, Boris Gasparov gazes through the lens of music to find an unusual perspective on Russian cultural and literary history. He discusses six major works of Russian music from the nineteenth and twentieth centuries, showing the interplay of musical texts with their literary and historical sources within the ideological and cultural contexts of their times. Each musical work becomes a tableau representing a moment in Russian history, and together the works form a coherent story of ideological and aesthetic trends as they evolved in Russia from the time of Pushkin to the rise of totalitarianism in the 1930s. Gasparov discusses Glinka’s Ruslan and Ludmilla (1842), Mussorgsky’s Boris Godunov (1871) and Khovanshchina (1881), Tchaikovsky’s Eugene Onegin (1878) and The Queen of Spades (1890), and Shostakovich’s Fourth Symphony (1934). Offering new interpretations to enhance our understanding and appreciation of these important works, Gasparov also demonstrates how Russian music and cultural history illuminate one another.


Russia's First Civil War

Russia's First Civil War

Author: Chester S. L. Dunning

Publisher: Penn State Press

Published: 2010-11-01

Total Pages: 682

ISBN-13: 9780271043715

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He shows that serfs did not actively participate in the civil war and that the abolition of serfdom was never a rebel goal. Instead, most rebels were petty gentry, professional soldiers, townsmen, and cossacks who were united in fierce opposition to tsars they believed to be illegitimate usurpers.".


Russian Architecture and the West

Russian Architecture and the West

Author: Dmitriĭ Olegovich Shvidkovskiĭ

Publisher: Yale University Press

Published: 2007-01-01

Total Pages: 474

ISBN-13: 0300109121

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This is the first book to show the development of Russian architecture over the past thousand years as a part of the history of Western architecture. Dmitry Shvidkovsky, Russia’s leading architectural historian, departs from the accepted notion that Russian architecture developed independent of outside cultural influences and demonstrates that, to the contrary, the influence of the West extends back to the tenth century and continues into the present. He offers compelling assessments of all the main masterpieces of Russian architecture and frames a radically new architectural history for Russia. The book systematically analyzes Russian buildings in relation to developments in European art, pointing out where familiar European features are expressed in Russian projects. Special attention is directed toward decorations based on Byzantine models; the heritage of Italian master builders and carvers; the impact of architects and others sent by Elizabeth I; the formation of the Russian Imperial Baroque; the Enlightenment in Russian art; and 19th- and 20th-century European influences. With over 300 specially commissioned photographs of sites throughout Russia and western Europe, this magnificent book is both beautiful and groundbreaking.


Architectures of Russian Identity, 1500 to the Present

Architectures of Russian Identity, 1500 to the Present

Author: James Cracraft

Publisher: Cornell University Press

Published: 2018-08-06

Total Pages: 265

ISBN-13: 1501723588

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From the royal pew of Ivan the Terrible, to Catherine the Great's use of landscape, to the struggles between the Orthodox Church and preservationists in post-Soviet Yaroslavl—across five centuries of Russian history, Russian leaders have used architecture to project unity, identity, and power. Church architecture has inspired national cohesion and justified political control while representing the claims of religion in brick, wood, and stone. The architectural vocabulary of the Soviet state celebrated industrialization, mechanization, and communal life. Buildings and landscapes have expressed utopian urges as well as lofty spiritual goals. Country houses and memorials have encoded their own messages. In Architectures of Russian Identity, James Cracraft and Daniel Rowland gather a group of authors from a wide variety of backgrounds—including history and architectural history, linguistics, literary studies, geography, and political science—to survey the political and symbolic meanings of many different kinds of structures. Fourteen heavily illustrated chapters demonstrate the remarkable fertility of the theme of architecture, broadly defined, for a range of fields dealing with Russia and its surrounding territories. The authors engage key terms in contemporary historiography—identity, nationality, visual culture—and assess the applications of each in Russian contexts.


Boris Godunov and Other Dramatic Works

Boris Godunov and Other Dramatic Works

Author: Alexander Pushkin

Publisher: Oxford University Press

Published: 2009-08-27

Total Pages: 249

ISBN-13: 0199554048

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James E. Falen's verse translation consists of 'Boris Godunov', 'A Scene from Faust', the four 'Little Tragedies' and 'Rusalka'. The text features an introduction on Russia's most cosmopolitan playwright.


The Russian Empire and Grand Duchy of Muscovy

The Russian Empire and Grand Duchy of Muscovy

Author: Jacques Margeret

Publisher: University of Pittsburgh Pre

Published: 2010-11-23

Total Pages: 253

ISBN-13: 082297701X

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Translated by Chester S. L. Dunning Jacques Margeret was a mercenary soldier who arrived in Russia in 1600 during the reign of Boris Godunov. For six years he served Boris and his successor Tsar Dmitri Ivanovich, first as co-commander of foreign troops and later as captain of the elite palace guard. Margeret offers a unique first-hand account of the political intrigues of this turbulent time and ponders the question of the pretender's true identity. Writing for the French public, to whom Muscovy was virtually unknown, Margeret also describes Russian geography, climate, flora and fauna, customs, the Russian Orthodox Church, the military, and daily life at court. Dunning has translated the edition first printed in France in 1607 and provided notes identifying obscure references and evaluating the accuracy of Margeret's observations in light of accumulated historical research.