How do we learn to risk, to trust, to pursue wholeness and excellence—to run with the horses and live life at its best? In a series of profound reflections on the life of Jeremiah the prophet, Eugene Peterson explores the heart of what it means to be fully and genuinely human. This special commemorative edition includes a new preface from Peterson's son.
Longtime friend and reporter, Neil McCormick, reveals childhood and present day stories about Bono and his band, U2. Some are born great. Some achieve greatness. Some have greatness thrust upon them. And some have the misfortune to go to school with Bono. Everyone wants to be famous. But as a young punk in Dublin in the 1970s, Neil McCormick's ambitions went way beyond mere pop stardom. It was his destiny to be a veritable Rock God. He had it all worked out: the albums, the concerts, the quest for world peace. There was only one thing he hadn't counted on. The boy sitting on the other side of the classroom had plans of his own. Killing Bono is a story of divergent lives. As Bono and his band U2 ascended to global superstardom, his school friend Neil scorched a burning path in quite the opposite direction. Bad drugs, weird sex, bizarre haircuts: Neil experienced it all in his elusive quest for fame. But sometimes it is life's losers who have the most interesting tales to tell. Featuring guest appearances by the Pope, Bob Dylan, and a galaxy of stars, Killing Bono offers an extremely funny, startlingly candid, and strangely moving account of a life lived in the shadows of superstardom. “The problem with knowing you is that you've done everything I ever wanted to,” Neil once complained to his famous friend. “I'm your doppelganger,” Bono replied. “If you want your life back, you'll have to kill me.” Now there was a thought...
Celebrity philanthropy comes in many guises, but no single figure better encapsulates its delusions, pretensions and wrongheadedness than U2's iconic frontman, Bono-a fact neither sunglasses nor leather pants can hide. More than a mere philanthropist-indeed, he lags behind many of his peers when it comes to parting with his own money-Bono is better described as an advocate, one who has become an unwitting symbol of a complacent wealthy Western elite. The Frontman reveals how Bono moved his investments to Amsterdam to evade Irish taxes; his paternalistic and often bullying advocacy of neoliberal solutions in Africa; his multinational business interests; and his hobnobbing with Paul Wolfowitz and shock-doctrine economist Jeffrey Sachs. Carefully dissecting the rhetoric and actions of Bono the political operator, The Frontman shows him to be an ambassador for imperial exploitation, a man who has turned his attention to a world of savage injustice, inequality and exploitation-and helped make it worse.
For many, U2’s Bono is an icon of both evangelical spirituality and secular moral activism. In this book, Chad E. Seales examines the religious and spiritual culture that has built up around the rock star over the course of his career and considers how Bono engages with that religion in his music and in his activism. Looking at Bono and his work within a wider critique of white American evangelicalism, Seales traces Bono’s career, from his background in religious groups in the 1970s to his rise to stardom in the 1980s and his relationship with political and economic figures, such as Jeffrey Sachs, Bill Clinton, and Jesse Helms. In doing so, Seales shows us a different Bono, one who uses the spiritual meaning of church tradition to advocate for the promise that free markets and for-profits will bring justice and freedom to the world’s poor. Engaging with scholarship in popular culture, music, religious studies, race, and economic development, Seales makes the compelling case that neoliberal capitalism is a religion and that Bono is its best-known celebrity revivalist. Engagingly written and bitingly critical, Religion Around Bono promises to transform our understanding of the rock star’s career and advocacy. Those interested in the intersection of rock music, religion, and activism will find Seales’s study provocative and enlightening.
How did an Irish schoolboy become the lead singer of a world-famous rock band and the founder of several humanitarian groups? Track Bono's rise to fame in this exciting addition to the Who Was? series. By age 16, Paul David Hewson was such a good singer that he had earned the nickname "Bono Vox," a Latin phrase that translates to "good voice." When he became the frontman of the newly formed rock band U2 in 1976, he adopted part of the nickname and "Bono" was introduced to the world. Today, U2 have sold over 157 million albums and won numerous awards, including 22 Grammys. In addition to having stellar vocals and a compelling stage presence, Bono is also recognized for his commitment to social justice. This book shares the story of this charitable rock star who has been named a "Person of the Year" by TIME magazine and who is recognized as a global icon of goodwill.
For the first time ever, Bono--the biggest rock star in the world--tells his life story. In a series of intimate conversations with his friend Michka Assayas, a music journalist who has been with the band since the very beginning, Bono reflects on his transformation from the extrovert singer of a small Irish post-punk band into one of the most famous individuals in the world--and from an international celebrity to an influential activist. He speaks candidly about his faith, family, commitment, influences, service, and passion. Bono is the closest we will come, for now, to a memoir from the iconic frontman of U2.
The phone rings: 'Neil, it's Bono, I've just recorded a duet with Frank Sinatra!' 'Aaarrrgghh! Leave me alone. You're living the life I wanted' It's every boy's dream: to be a Rock God. Most of us leave the dream behind when reality bites, but that's not so easy when your mate's the lead singer in the biggest band in the world. Neil McCormick and Bono first met at school. Their continued friendship only highlights Neil's failure to live the dream. Self-deprecating, charming and very, very funny, this is a memoir for anyone who's ever gurned in front of the mirror as they hit the high notes on their air guitar . . .
Beyond his talents as a musician, Bono is also a humanitarian. His work to bring an end to starvation, AIDS, and poverty in Africa has been prevalent since the 1980s.
