This study traces how the enduring visual image of Prince Charles Edward Stuart was created, beginning with his birth in 1720 and ending with the exhibition of John Pettie's Prince Charles Edward Stuart Entering the Ballroom at Holyrood - probably still the most enduring and popular image of the Stuart prince - at the Royal Academy in 1892."--BOOK JACKET.
This collection of essays focuses on how women born before the nineteenth century have claimed a place in history and how they have been represented in the collective memory from the Renaissance to the twenty-first century.
A major academic controversy has raged in recent years over the analysis of the political and religious commitments of Samuel Johnson, the most commanding of the 'commanding heights' of eighteenth-century English letters. This book, one of a trilogy from Palgrave, brings that debate to a decisive conclusion, retrieving the 'historic Johnson.'
This is a revisionist study of the literary and visual representation of the nation in the century following the formation of the British state. It argues that the most engaging accounts of Great Britain subject their imagery to sustained artistic pressure, threatening to dismantle the national vision at the moment of its construction.
This collection of essays provides a series of fresh approaches to a fascinating subject: Jacobitism. The contributors focus on issues of identity and memory among Jacobites in Scotland, Ireland, England and Europe. They examine Jacobitism as an integral aspect of culture and society in the British Isles and beyond during the century after 1688.
For over seventy years after the ‘Glorious Revolution’ of 1688–90, Jacobitism survived in the face of Whig propaganda. These essays seek to challenge current views of Jacobite historiography. They focus on migrant communities, networking, smuggling, shipping, religious and intellectual support mechanisms, art, architecture and identity.
The Fortunate Foundlings was one of Eliza Haywood’s more successful novels, though it remains one of her lesser known works. Ittells the story of a brother and sister left as babies in the care of a gentleman. Like many another eighteenth-century foundling, the siblings leave their guardian behind and make their own way in the world: Horatio as a soldier and Louisa as a lady’s companion, finding love and adventure in the battlefields and courts of Europe. Haywood uses the Continental setting to explore different customs—especially those that might benefit women—and different political choices. Also published here for the first time is her anonymous pamphlet of 1750, A Letter from H--- G---g, Esq., ostensibly a letter from Charles Edward Stuart’s aide-de-camp, travelling with him after the prince’s expulsion from France. Seemingly a straightforward expression of Jacobite sympathies, it also encodes support for the Patriot cause of the 1740s and ’50s. Both works were translated and adapted, having an extended afterlife in the writings of Crébillon fils, Edward Kimber and Robert Louis Stevenson. They add to our expanding sense of the author’s range, influence and political agenda.
Between 1750 and 1840, the home took on unprecedented social and emotional significance. Focusing on the design, decoration, and reception of a range of elite and middling class homes from this period, Domestic Space in Britain, 1750-1840 demonstrates that the material culture of domestic life was central to how this function of the home was experienced, expressed, and understood at this time. Examining craft production and collection, gift exchange and written description, inheritance and loss, it carefully unpacks the material processes that made the home a focus for contemporaries' social and emotional lives. The first book on its subject, Domestic Space in Britain, 1750-1840 employs methodologies from both art history and material culture studies to examine previously unpublished interiors, spaces, texts, images, and objects. Utilising extensive archival research; visual, material, and textual analysis; and histories of emotion, sociability, and materiality, it sheds light on the decoration and reception of a broad array of domestic spaces. In so doing, it writes a new history of late eighteenth- and early nineteenth-century domestic space, establishing the materiality of the home as a crucial site for identity formation, social interaction, and emotional expression.
Throughout history rulers have used clothes as a form of legitimization and propaganda. While palaces, pictures, and jewels might reflect the choice of a monarch’s predecessors or advisers, clothes reflected the preferences of the monarch himself. Being both personal and visible, the right costume at the right time could transform and define a monarch’s reputation. Many royal leaders have known this, from Louis XIV to Catherine the Great and from Napoleon I to Princess Diana. This intriguing book explores how rulers have sought to control their image through their appearance. Mansel shows how individual styles of dress throw light on the personalities of particular monarchs, on their court system, and on their ambitions. The book looks also at the economics of the costume industry, at patronage, at the etiquette involved in mourning dress, and at the act of dressing itself. Fascinating glimpses into the lives of European monarchs and contemporary potentates reveal the intimate connection between power and the way it is packaged.
The dramatic story of Bonnie Prince Charlie and his quixotic attempt to regain the throne of England. The Jacobite Rebellion of 1745-46 is one of the most important turning points in British history--in terms of national crisis every bit the equal of 1066 and 1940. The tale of Charles Edward Stuart, "Bonnie Prince Charlie," and his heroic attempt to regain his grandfather's (James II) crown--remains the stuff of legend: the hunted fugitive, Flora MacDonald, and the dramatic escape over the sea to the Isle of Skye. But the full story--the real history--is even more dramatic, captivating, and revelatory. Much more than a single rebellion, the events of 1745 were part of an ongoing civil war that threatened to destabilize the British nation and its empire. The Bonnie Prince and his army alone, which included a large contingent of Scottish highlanders, could not have posed a great threat. But with the involvement of Britain's perennial enemy, Catholic France, it was a far more dangerous and potentially catastrophic situation for the British crown. With encouragement and support from Louis XV, Charles's triumphant Jacobite army advanced all the way to Derby, a mere 120 miles from London, before a series of missteps ultimately doomed the rebellion to crushing defeat and annihilation at Culloden in April 1746--the last battle ever fought on British soil. Jacqueline Riding conveys the full weight of these monumental years of English and Scottish history as the future course of Great Britain as a united nation was irreversibly altered.
