After marching into the office of a multinational corporation, Keely punches the boss, Tarrant. He’s the son of her mother’s new fiancé; in other words, her soon-to-be stepbrother. Tarrant has decided that Keely and her mother are both “vultures” preying on men for their money. Keely just wants her mom to be happy, so she asks Tarrant to approve of the marriage. However, despite her having struck him, Tarrant assumes she’s flirting. How can she make him see that he’s wrong about her mom?
Accused of murdering a prominent member of the Anglo-Saxon Mead Hall in eighth-century England, a young misfit must clear his name--or face the vengeance of the community.
"The vengeance of mothers" explores the bonds among family and community, the search for identity and belonging, during a time of tumultous change in our nation's history. What is a "native" American? Are all men and their wives created equal? How far wil Margaret and her countrywomen go to fight for what's theirs, and what's already gone?
The Forelands are at war. The magic-wielding Qirsi and their Eandi masters have mobilized their forces. The Eandi have had to look beyond past differences to make alliances for the sake of the future, praying it isn't too late for them to change the outcome of the war. Tavis, an Eandi prince who was framed for murdering the princess to whom he was pledged, and endured torture before winning his freedom, has at last avenged her death. Still, the murder and its aftermath have brought war to the Forelands just as the Qirsi conspirators who bought his love's blood had intended. Now Tavis and Grinsa, a Qirsi shaper with more powers than he reveals, who saved Tavis when nobody else would believe his innocence, venture across the Forelands, risking death to help save the land they love . . . A powerful Qirsi weaver has brought this terrible war to the land, bending the minds of those he controls and of his enemies in an effort to forge alliances and mobilize forces to destroy the Eandi. His powerful magical ability estranges lovers, betrays leaders, and wreaks murder and death throughout the land. But even with his powerfully malign intelligence, he underestimates the mettle of his opponents. In a psychological duel with Grinsa, the Weaver's formidable powers are sorely tested. Grinsa withstands the Weaver's most powerful attacks at nearly the expense of his own life, and in the process discovers the Weaver's identity. Will Grinsa's challenge to the Weaver spell the end of the Weaver's reign of doom? Or has Grinsa's discovery come too late to help the Eandi cause? The answers lie in the growing war that may sunder the Forelands forever.
Elven Queen Vielissiar Farcarinon makes wrenching sacrifices to work unprecedented magics and bond with a dragon. Set in the same world as the Enduring Flame trilogy.
New York Times best-selling author Ally Carter's middle grade debut is full of mystery, mayhem, and friendship, and it will keep you guessing until the very end. April had absolutely no intention of becoming the only person who knows that Gabriel Winterborne, the missing-and-presumed-dead billionaire, is actually living in the basement of Winterborne House, sharpening his swords and looking for vengeance. Now it's up to April to keep him alive. But there's only so much a twelve-year-old girl can do, so April must turn to the other orphans for help. Together, they'll have to unravel the riddle of a missing heir and a creepy legend, and find a secret key, before the only home they've ever known is lost to them forever.
What is revenge, and what purpose does it serve? On the early modern English stage, depictions of violence and carnage—the duel between Hamlet and Laertes that leaves nearly everyone dead or the ghastly meal of human remains served at the end of Titus Andronicus—emphasize arresting acts of revenge that upset the social order. Yet the subsequent critical focus on a narrow selection of often bloody "revenge plays" has overshadowed subtler and less spectacular modes of vengeance present in early modern culture. In Civil Vengeance, Emily L. King offers a new way of understanding early modern revenge in relation to civility and community. Rather than relegating vengeance to the social periphery, she uncovers how facets of society—church, law, and education—relied on the dynamic of retribution to augment their power such that revenge emerges as an extension of civility. To revise the lineage of revenge literature in early modern England, King rereads familiar revenge tragedies (including Marston's Antonio's Revenge and Kyd's The Spanish Tragedy) alongside a new archive that includes conduct manuals, legal and political documents, and sermons. Shifting attention from episodic revenge to quotidian forms, Civil Vengeance provides new insights into the manner by which retaliation informs identity formation, interpersonal relationships, and the construction of the social body.
This examination of Simone de Beauvoir's form of existentialism pays special attention to her work, The Ethics of Ambiguity, in which de Beauvoir draws from many thinkers in the continental tradition to argue that one's own freedom is intertwined with that of others.
V is for Vengeance is the twenty-second in the Kinsey Millhone mystery series by Sue Grafton. Las Vegas, 1986. A young college graduate is murdered when he is unable to pay back a loan funded by notorious criminal Lorenzo Dante. Two years later private investigator Kinsey Millhone finds herself assisting to apprehend a shoplifter - Audrey Vance - in a shopping centre. Events take a much darker turn when Audrey's body is discovered beneath the Cold Spring Bridge, a local suicide spot. Unable to believe she took her own life, Audrey's fiancé Marvin Striker hires Kinsey to investigate. It soon emerges that the shoplifter had become caught up in a much larger operation. Meanwhile Lorenzo Dante has begun to grow weary of his life in organized crime and frustrated with his violent and impulsive younger brother Cappi. While the police net begins to close in on him, Dante meets the beautiful Nora, who exerts a powerful pull over the gangster. As Kinsey’s enquiries reach a dramatic head, it becomes clear that she and Dante have one thing in common – they must be careful who they trust . . .
