These 5 stories contain Very Naughty Erotica themes of BDSM, Bondage, Spanking, Humiliation Punishment, Domination and Submission as well as the use of BDSM devices. Included in this anthology are the following stories: - A STRANGE TWIST OF FATE - SHIFTY CHARACTERS - THE MOST WONDERFUL TIME OF THE YEAR - TО EАСH THEIR CLОNЕ - WHO NEEDS MEN Don’t you dare miss out on this steamy bondage collection! ◆ GENRE: Bondage / BDSM / Fetish ⚠ WARNING: This Book contains mature language and content intended for 18+ readers only!
Novel Bondage unravels the interconnections between marriage, slavery, and freedom through renewed readings of canonical nineteenth-century novels and short stories by black and white authors. Situating close readings of fiction alongside archival material concerning the actual marriages of authors such as Lydia Maria Child, Harriet Beecher Stowe, William Wells Brown, and Frank J. Webb, Chakkalakal examines how these early novels established literary conventions for describing the domestic lives of American slaves in describing their aspirations for personal and civic freedom. Exploring this theme in post-Civil War works by Frances E.W. Harper and Charles Chesnutt, she further reveals how the slave-marriage plot served as a fictional model for reforming marriage laws. Chakkalakal invites readers to rethink the "marital work" of nineteenth-century fiction and the historical role it played in shaping our understanding of the literary and political meaning of marriage, then and now.
Of Human Bondage (1915) is a novel by W. Somerset Maugham. Inspired by his experiences as an orphan and young student, Maugham composed his masterpiece. Adapted several times for film, Of Human Bondage is a story of tragedy, perseverance, and the eternal search for happiness which drives us as much as it haunts our every move. Orphaned as a boy, Philip Carey is raised in an affectionless household by his aunt and uncle. Although his Aunt Louisa tries to make him feel welcome, William proves an uncaring, vindictive man. Left to fend for himself most days, Philip finds solace in the family’s substantial collection of books, which serve as an escape for the imaginative boy. Sent to study at a prestigious boarding school, Philip struggles to fit in with his peers, who abuse him for his intelligence and club foot. Despite his struggles, he perseveres in his studies and chooses his own path in life, moving to Heidelberg, Germany and denying his uncle’s wish that he attend Oxford. As he struggles to become a professional artist, Philip learns that one’s dreams are often unsubstantiated in the world of the living. Of Human Bondage is a tale of desire, disappointment, and romance by a master stylist with a keen sense of the complications inherent to human nature. With a beautifully designed cover and professionally typeset manuscript, this edition of W. Somerset Maugham’s Of Human Bondage is a classic work of British literature reimagined for modern readers.
Meet Jenny. She's rich, spoiled, rude and obnoxious. She's also just been signed up for the BDSM ride of her life--without her consent. An intensive training course at the Albrecht Stables is not what it appears to be and training to become a human pony was not on Jenny's to-do list. The trouble is, how do you escape when you're tied up, gagged and constantly sexually aroused?
I had always been interested in BDSM, but I had never actually done anything about it. That all changed the weekend I went back to my hometown to visit my best friend. Because that's when I met the tall, dark and mysterious Julian Jenner. We end up back at his luxury apartment. And then, after stumbling on his state of the art 'dungeon', what transpires in the next few days leaves me relentlessly submissive, willingly broken & begging for more of him… Not much more can be said here, so join us on this high octane ride of next level passion. You won't be sorry. I wasn't...
Her brother's best friend broke her heart, but what happens when his new teammate wants to put it back together? Arianna Johnson has been dreaming of what college life might bring, and it's finally coming over the horizon as she and her friends plan one last beachside summer together. So much has changed over the years, but there's always been one constant. The boy her heart returns to no matter where her imagination runs: her brother's best friend, Chase. This is the summer she'll finally tell him how she feels. That it's him. It's always been him. Until suddenly, it isn't. Ari's heart is in splinters when she meets star quarterback Noah Riley. His friendship is exactly what she needs after Chase's rejection, but from the start, Noah wants more. Even when their path is blurry, even when tragedy strikes, even when Ari doesn't know her own heart, Noah will fight for the feelings he knows they both have...no matter what it might cost them. They say first love lasts forever. Ari is about to find out if that's really true.
Contributions by Lawrence Abrams, Dorian L. Alexander, Max Bledstein, Peter Cullen Bryan, Stephen Connor, Matthew J. Costello, Martin Flanagan, Michael Fuchs, Michael Goodrum, Bridget Keown, Kaleb Knoblach, Christina M. Knopf, Martin Lund, Jordan Newton, Stefan Rabitsch, Maryanne Rhett, and Philip Smith History has always been a matter of arranging evidence into a narrative, but the public debate over the meanings we attach to a given history can seem particularly acute in our current age. Like all artistic mediums, comics possess the power to mold history into shapes that serve its prospective audience and creator both. It makes sense, then, that history, no stranger to the creation of hagiographies, particularly in the service of nationalism and other political ideologies, is so easily summoned to the panelled page. Comics, like statues, museums, and other vehicles for historical narrative, make both monsters and heroes of men while fueling combative beliefs in personal versions of United States history. Drawing the Past, Volume 1: Comics and the Historical Imagination in the United States, the first book in a two-volume series, provides a map of current approaches to comics and their engagement with historical representation. The first section of the book on history and form explores the existence, shape, and influence of comics as a medium. The second section concerns the question of trauma, understood both as individual traumas that can shape the relationship between the narrator and object, and historical traumas that invite a reassessment of existing social, economic, and cultural assumptions. The final section on mythic histories delves into ways in which comics add to the mythology of the US. Together, both volumes bring together a range of different approaches to diverse material and feature remarkable scholars from all over the world.
