The Naked Heart: The Bourgeois Experience Victoria to Freud

The Naked Heart: The Bourgeois Experience Victoria to Freud

Author: Peter Gay

Publisher: W. W. Norton & Company

Published: 1996-10-17

Total Pages: 474

ISBN-13: 0393243443

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In The Naked Heart, Peter Gay explores the bourgeoisie's turn inward. At the very time that industrialists, inventors, statesmen, and natural scientists were conquering new objective worlds, Gay writes, "the secret life of the self had grown into a favorite and wholly serious indoor sport." Following the middle class's preoccupation with inwardness through its varied cultural expressions (such as fiction, art, history, and autobiography), Gay turns also to the letters and confessional diaries of both obscure and prominent men and women. These revealing documents help to round out a sparkling portrait of an age.


The Naked Heart: The Bourgeois Experience Victoria to Freud (The Bourgeois Experience: Victoria to Freud)

The Naked Heart: The Bourgeois Experience Victoria to Freud (The Bourgeois Experience: Victoria to Freud)

Author: Peter Gay

Publisher: W. W. Norton & Company

Published: 1996-10-17

Total Pages: 474

ISBN-13: 0393315150

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Renowned historian Peter Gay examines the "inner life" of the middle class, depicting a bourgeoisie far more open and far less hypocritical than its critics have maintained. The figures on these pages include Dickens, Flaubert, Delacroix, Millet, Bocklin, George Eliot, William James and more. Photos.


The Visual Arts in Germany, 1890-1937

The Visual Arts in Germany, 1890-1937

Author: Shearer West

Publisher: Manchester University Press

Published: 2000

Total Pages: 264

ISBN-13: 9780719052798

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This work provides an introduction to the visual arts in Germany from the early years of German unification to World War II. The study is an analysis of painting, sculpture, graphic art, design, film and photography in relation to a wider set of cultural and social issues that were specific to German modernism. It concentrates on the ways in which the production and reception of art interacted with and was affected by responses to unification, conflict between left and right political factions, gender concerns, contemporary philosophical and religious ideas, the growth of cities, and the increasing important of mass culture.


Artists for the Reich

Artists for the Reich

Author: Joan L. Clinefelter

Publisher: Bloomsbury Publishing

Published: 2005-04-01

Total Pages: 193

ISBN-13: 1845207092

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While we often think about talented artists fleeing the clutches of the Nazi regime - forced out or sickened by the strictures placed upon them - we rarely consider those artists who willingly stayed behind. This is the first comprehensive treatment of the German Art Society, a group of artists, authors and right-wing activists who actively embraced Nazism. These artists have typically been dismissed as a lunatic fringe, but the author argues that they were in fact instrumental in battling modernist art in defense of what they regarded as the German cultural tradition. Drawing on previously neglected archival material, Clinefelter reveals cultural continuities that extend from the Wilhelmine Empire, through the Weimar Republic, into the Third Reich, and elucidates how theses artists promoted Nazi culture 'from below.' Rich in detail and highly readable, Artists for the Reich provides a more nuanced understanding of German culture under Nazism.


The Vienna School of Art History

The Vienna School of Art History

Author: Matthew Rampley

Publisher: Penn State Press

Published: 2015-06-26

Total Pages: 293

ISBN-13: 0271062606

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Matthew Rampley’s The Vienna School of Art History is the first book in over seventy-five years to study in depth and in context the practices of art history from 1847, the year the first teaching position in the discipline was created, to 1918, the collapse of Austria-Hungary. It traces the emergence of art history as a discipline, the establishment of norms of scholarly inquiry, and the involvement of art historians in wider debates about the cultural and political identity of the monarchy. The so-called Vienna School plays the central role in the study, but Rampley also examines the formation of art history elsewhere in Austria-Hungary. Located in the Habsburg imperial capital, Vienna art historians frequently became entangled in debates that were of importance to art historians elsewhere in the Empire, and Rampley pays particular attention to these areas of overlapping interest. He also analyzes the methodological innovations for which the Vienna School was well known. Rampley focuses most fully, however, on the larger political and ideological context of the practice of art history—particularly the way in which art-historical debates served as proxies for wider arguments over the political, social, and cultural life of the Habsburg Empire.


The Germans and Their Art

The Germans and Their Art

Author: Hans Belting

Publisher: Yale University Press

Published: 1998-01-01

Total Pages: 136

ISBN-13: 9780300076165

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This study focuses on the attitudes Germans have towards their art from the Romantic period to the present, and discusses the ways they have tried to find their identity as a nation through this art. Belting proposes that German art criticism is divided by opposing ideologies and contradictions.


Music and Modernism, c. 1849-1950

Music and Modernism, c. 1849-1950

Author: Charlotte de Mille

Publisher: Cambridge Scholars Publishing

Published: 2011-01-18

Total Pages: 355

ISBN-13: 144382819X

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Music and Modernism is a collection of essays which re-evaluates the significant connections between the disciplines of music, fine art and architecture in the period covering the emergence and flowering of modernism, c. 1849–1950. Combining established scholars in the field with those at the start of their careers, this book presents an exceptional cross-section of European and American modernism through a series of detailed case-studies. Avoiding a simplistic engagement with cross- or inter-disciplinarity, the focus of attention centres on themes that became key to modernist artists and critics: association, perception, representation, subjectivity, writing and language. Accordingly, this book re-thinks modernism itself in the light of both the fine arts and music, to advocate a multiplicity of modernisms from which it is necessary for scholars to construct their own narratives.