Bob Dylan: Performance Artist 1986-1990 And Beyond (Mind Out Of Time)
Bob Dylan: Performance Artist 1986-1990 And Beyond (Mind Out Of Time)

Author: Paul Williams

Publisher: Omnibus Press

Published: 2009-12-15

Total Pages: 438

ISBN-13: 0857121189

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Bob Dylan: Performing Artist 1986-1990 And Beyond is the third volume of US critic Paul Williams' widely acclaimed writings on the music and performances of Bob Dylan. In this final edition, Williams assess the influence of Dylan upon the later generations, the artist's self-proclaimed Never Ending Tour, as well as dissected two classic Dylan albums, Time Out Of Mind and Love And Theft. No stone is left unturned as the author charts the shifts in musical style and the response of this remarkable and unpredictable artist to the ever-changing musical landscape. A candid portrait of the independent and controversial singer/songwriter in an increasingly chaotic industry.

Bob Dylan: Performing Artist: 1986-1990 and Beyond
Bob Dylan: Performing Artist: 1986-1990 and Beyond

Author: Paul Williams

Publisher:

Published: 2008-03-01

Total Pages: 334

ISBN-13: 9781422394939

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The third volume of Paul Williams¿ widely acclaimed writing on the music & performances of Bob Dylan. A thought-provoking, in-depth analysis of Dylan¿s work on the stage & in the studio, much of which has been ground-breaking & controversial. Williams regards Dylan as one of this century¿s great artists, comparable to Joyce, Chaplin & Picasso. Allen Ginsberg praises Williams for historicising Dylan¿s genius of American tongue. Paul Honeyford of ¿Vox¿ says Williams ¿Pinpoints what drives Dylan & what made him what he is today.¿ John Bauldie of ¿Q Magazine¿ says ¿The excitement, the commitment, the wonder comes pouring off every page . . . breathless & breathtaking in its attention to detail.¿ Photos.

Bob Dylan
Bob Dylan

Author: Paul Williams

Publisher:

Published: 2005

Total Pages: 0

ISBN-13: 9781844498314

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After focusing on the start and roots of the Never Ending Tour, Williams surveys Dylan's work in 1990, and the 1997 Time Out of Mind and 2001 Love and Theft albums. There's also an essay on a fine examples of a Never Ending show from 1998. Paul William's writing about Bob Dylan has been praied by such distinguished Dylan fans as Sam Shepard, Jerry Garcia and Allen Ginsberg. One member of Dylan's band says he found reading William's books on Dylan helpful when he first joined the band and needed to become more familiar with his new boss's huge output of work.

Bob Dylan in Performance
Bob Dylan in Performance

Author: Keith Nainby

Publisher: Rowman & Littlefield

Published: 2019-04-19

Total Pages: 317

ISBN-13: 1498582648

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This study of Bob Dylan’s art employs a performance studies lens, exploring the distinctive ways he brings words and music to life on recordings, onstage, and onscreen. Chapters focus on the relationship of Dylan’s recorded performances to the historical bardic role, to the American popular song tradition, and to rock music culture. His uses of both stage and studio to shape his performances are explored, as are his forays into cinema. Special consideration is given to his vocal performances and to his use of particular personae as a performer. The full scope of Dylan’s body of work to date is situated in terms of the influences that have shaped his performances and the ways these performances have shaped contemporary popular music.

Dreams and Dialogues in Dylans "Time Out of Mind"
Dreams and Dialogues in Dylans

Author: Graley Herren

Publisher: Anthem Press

Published: 2021-07-06

Total Pages: 188

ISBN-13: 1785278479

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Time Out of Mind is one of the most ambitious, complex, and provocative albums of Bob Dylan’s distinguished artistic career. The present book interprets the songs recorded for Time Out of Mind as a series of dreams by a single singer/dreamer. These dreams overlap and intermingle, but three primary levels of meaning emerge. On one level, the singer/dreamer envisions himself as a killer awaiting execution for killing his lover. On another level, the song-cycle functions as religious allegory, dramatizing the protagonist’s relentless struggles with his lover as a battle between spirit and flesh, earth and heaven, salvation and damnation. On still another level, Time Out of Mind is a meditation on American slavery and racism, Dylan’s most personal encounter with the subject, but one tangled up in associations with the minstrelsy tradition and debates surrounding cultural appropriation. Time Out of Mind marks the culmination of several recurring themes that have preoccupied Dylan for decades, and it serves as a pivotal turning point toward his late renaissance in terms of both subject matter and intertextual approach.

Bob Dylan: Intimate Insights from Friends and Fellow Musicians
Bob Dylan: Intimate Insights from Friends and Fellow Musicians

Author: Kathleen MacKay

Publisher: Omnibus Press

Published: 2010-04-06

Total Pages: 237

ISBN-13: 085712241X

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Dylan's friends – from Pete Seeger to Bruce Springsteen to Rosanne Cash to Bono to Tom Petty – offer insight into the singer-songwriter's artistic genius and personality. This is an oral history of a major musician, who played a significant role in America's cultural history. His story is told by the musicians who were at his side during the 60s. Providing a keen portrait of the friendships that helped shape the musicians, whose voices influenced our society as a whole.

Teaching Bob Dylan
Teaching Bob Dylan

Author: Barry J. Faulk

Publisher: Bloomsbury Publishing USA

Published: 2024-09-05

Total Pages: 422

ISBN-13:

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Teaching Bob Dylan offers educators practical, adaptable strategies for designing or updating courses (or units within courses) on the life, music, career, and critical reception of Bob Dylan. Drawing on the latest pedagogical developments and best classroom practices in a range of fields, the contributors present concrete approaches for teaching not only Dylan's lyrics and music, but also his many-and sometimes abrupt or unexpected-changes in musical direction, numerous creative guises, and writings. Situating Dylan and his work in their musical, literary, historical, and cultural contexts, the essays explore ways to teach Dylan's connections to African American music and performers, American popular music, the Beats, Christianity, and the revolutions of the 1960s, and more, and offer strategies for incorporating, and analyzing, not only documentaries and films about or featuring Dylan, but also critical and biographical studies on multiple dimensions of an American icon's long and complex career.

Polyvocal Bob Dylan
Polyvocal Bob Dylan

Author: Nduka Otiono

Publisher: Springer

Published: 2019-05-28

Total Pages: 212

ISBN-13: 303017042X

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Polyvocal Bob Dylan brings together an interdisciplinary range of scholarly voices to explore the cultural and aesthetic impact of Dylan’s musical and literary production. Significantly distinct in approach, each chapter draws attention to the function and implications of certain aspects of Dylan's work—his tendency to confuse, question, and subvert literary, musical, and performative traditions. Polyvocal Bob Dylan places Dylan’s textual and performative art within and against a larger context of cultural and literary studies. In doing so, it invites readers to reassess how Dylan’s Nobel Prize–winning work fits into and challenges traditional conceptions of literature.

Songbooks
Songbooks

Author: Eric Weisbard

Publisher: Duke University Press

Published: 2021-04-23

Total Pages: 447

ISBN-13: 147802139X

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In Songbooks, critic and scholar Eric Weisbard offers a critical guide to books on American popular music from William Billings's 1770 New-England Psalm-Singer to Jay-Z's 2010 memoir Decoded. Drawing on his background editing the Village Voice music section, coediting the Journal of Popular Music Studies, and organizing the Pop Conference, Weisbard connects American music writing from memoirs, biographies, and song compilations to blues novels, magazine essays, and academic studies. The authors of these works are as diverse as the music itself: women, people of color, queer writers, self-educated scholars, poets, musicians, and elites discarding their social norms. Whether analyzing books on Louis Armstrong, the Beatles, and Madonna; the novels of Theodore Dreiser, Gayl Jones, and Jennifer Egan; or varying takes on blackface minstrelsy, Weisbard charts an alternative history of American music as told through its writing. As Weisbard demonstrates, the most enduring work pursues questions that linger across time period and genre—cultural studies in the form of notes on the fly, on sounds that never cease to change meaning.

The Politics and Power of Bob Dylan’s Live Performances
The Politics and Power of Bob Dylan’s Live Performances

Author: Erin C. Callahan

Publisher: Taylor & Francis

Published: 2023-11-17

Total Pages: 242

ISBN-13: 1003802095

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Ephemeral by nature, the concert setlist is a rich, if underexplored, text for scholarly research. How an artist curates a show is a significant aspect of any concert’s appeal. Through the placement of songs, variations in order, or the omission of material, Bob Dylan’s setlists form a meta-narrative speaking to the power and significance of his music. These essays use the setlists from concerts throughout Dylan’s career to study his approach to his material from the 1960s to the 2020s. These chapters, from various disciplinary perspectives, illustrate how the concert setlist can be used as a source to explore many aspects of Dylan’s public life. Finally, this collection provides a new method to examine other musicians across genres with an interdisciplinary approach to setlists and the selectivity of performance. Unique in its approach and wide-ranging scholarly methodology, this book deepens our understanding of Bob Dylan, the performer.