Set on the Hawaiian island of Moloka'i, after the death of their mother and withdrawal of their grief-stricken father, "Blu's Hanging" tells "a poignant yet unsentimental tale" ("San Francisco Chronicle") about the three children left behind.
Her name is Lovey Nariyoshi, and her Hawai'i is not the one of leis, pineapple, and Magnum P.I. In the blue collar town of Hilo, on the Big Island, Lovey and her eccentric Japanese-American family are at the margins of poverty, in the midst of a tropical paradise. With her endearing, effeminate best friend Jerry, Lovey suffers schoolyard bullies, class warfare, Singer sewing classes, and the surprisingly painful work of picking on a macadamia nut plantation, all while trying to find an identity of her own. At once a bitingly funny satire of haole happiness and a moving meditation on what is real, if ugly at times, but true, Wild Meat and the Bully Burgers crackles with the language of pidgin--Hawai'i Creole English--distinguishing one of the most vibrant voices in contemporary culture. Stories from this enduring novel have been adapted into the film Fishbowl, by groundbreaking director Kayo Hatta.
Behold the Many is the eerily beautiful story of three young sisters, Anah, Aki, and Leah. In 1913, they are sent away from their family for treatment for tuberculosis to an orphanage in Hawaii's Kalihi Valley. Of the three, two will die there, in spite of the nuns' best efforts to save them, and only Anah, the eldest, will grow to adulthood. But the ghosts of the dead children are afraid to leave the grounds of St. Joseph's, which is the only place they have known as home, and as Anah prepares to begin married life away from the orphanage, these ghost children grow angry. Desperate for the love of this girl who has communicated with them since her childhood, jealous of her ability to live in the physical world, and terrified of losing her, the ghosts are determined to thwart Anah's happiness. One of them places a curse on her that will reverberate through her future and that of her new family. As Anah struggles to appease the dead and to quiet her own guilt for living, it becomes apparent that only through one of her own daughters can redemption be attained. Poignant, lyrical, and utterly compelling, Behold the Many is a stunning new novel from the critically acclaimed author Lois-Ann Yamanaka.
You can always count on a crowd outside Heads by Harry, the Yagyuu family's taxidermy shop in Hilo, where the regulars gather every day to drink beer, eat smoked meat, and pontificate into the pau hana hours. But above the shop, where the family lives, life isn't so predictable. Toni Yagyuu, the middle child, has enough on her hands dealing with her budding diva of a little sister. But it is the men in her life that really have her running in circles: a flamboyant older brother who wants to be a hairdresser, a stubborn father who refuses to accept her into the family business, and the Santos brothers--two pig-hunting, ex-high school football players who don't know what to think of their headstrong, outspoken neighbor.
Kala gave me any kine advice especially about Filipinos when I moved to Pahala -- Kala: sitting on our bikes by the Catholic church -- Kala: captain of the volleyball team -- Kala: Saturday night at the Pahala Theatre -- Kala: grad party -- Tita: the bathroom -- Tita: Japs -- Tita: user -- Tita: on fat -- Tita: boyfriends -- Girlie: Monday after school -- Girlie and faso face the music -- Girlie and Asi Frenz4-Eva -- Tongues – Parts -- Boss of the food -- Chicken pox -- Yarn wig -- Lickens -- Dead dogs RIP -- Prince PoPo, Prince Jiji -- Haupu Mountain -- Pueo don't fly -- Turtles -- Kid -- Glass -- My eyes adore you -- Ravine -- Empty heart -- Name me is.
Viet Nguyen argues that Asian American intellectuals need to examine their own assumptions about race, culture and politics, and makes his case through the example of literature.
Crossing disciplinary boundaries, At Home and in the Field is an anthology of twenty-first century ethnographic research and writing about the global worlds of home and disjuncture in Asia and the Pacific Islands. These stories reveal novel insights into the serendipitous nature of fieldwork. Unique in its inclusion of "homework"—ethnography that directly engages with issues and identities in which the ethnographer finds political solidarity and belonging in fields at home—the anthology contributes to growing trends that complicate the distinction between "insiders" and "outsiders." The obligations that fieldwork engenders among researchers and local communities are exemplified by contributors who are often socially engaged with the peoples and places they work. In its focus on Asia and the Pacific Islands, the collection offers ethnographic updates on topics that range from ritual money burning in China to the militarization of Hawai'i to the social role of text messages in identifying marriage partners in Vanuatu to the cultural power of robots in Japan. Thought provoking, sometimes humorous, these cultural encounters will resonate with readers and provide valuable talking points for exploring the human diversity that makes the study of ourselves and each other simultaneously rewarding and challenging.
DIVA critical examination of what constitutes the varied positions grouped together as Asian American, seen in relation to both American and transnational forces./div
Domesticity gets a bad rap. We associate it with stasis, bourgeois accumulation, banality, and conservative family values. Yet in Extreme Domesticity, Susan Fraiman reminds us that keeping house is just as likely to involve dislocation, economic insecurity, creative improvisation, and queered notions of family. Her book links terms often seen as antithetical: domestic knowledge coinciding with female masculinity, feminism, and divorce; domestic routines elaborated in the context of Victorian poverty, twentieth-century immigration, and new millennial homelessness. Far from being exclusively middle-class, domestic concerns are shown to be all the more urgent and ongoing when shelter is precarious. Fraiman's reformulation frees domesticity from associations with conformity and sentimentality. Ranging across periods and genres, and diversifying the archive of domestic depictions, Fraiman's readings include novels by Elizabeth Gaskell, Sandra Cisneros, Jamaica Kincaid, Leslie Feinberg, and Lois-Ann Yamanaka; Edith Wharton's classic decorating guide; popular women's magazines; and ethnographic studies of homeless subcultures. Recognizing the labor and know-how needed to produce the space we call "home," Extreme Domesticity vindicates domestic practices and appreciates their centrality to everyday life. At the same time, it remains well aware of domesticity's dark side. Neither a romance of artisanal housewifery nor an apology for conservative notions of home, Extreme Domesticity stresses the heterogeneity of households and probes the multiplicity of domestic meanings.