Blues Piano Practice Session Volume 1 In All 12 Keys

Blues Piano Practice Session Volume 1 In All 12 Keys

Author: Andrew D. Gordon

Publisher: A.D.G. Productions

Published:

Total Pages: 72

ISBN-13: 1958017108

DOWNLOAD EBOOK

Blues Piano Practice Session Volume 1 In All 12 Keys Catalog Number: ADG232 Author: Andrew D. Gordon Publisher: ADG Productions I have created various Blues riffs and has transposed them into all 12 keys along with backing tracks to practice with giving you the student a fun way of learning how to play in all keys. We all learned how to play our scales in all 12 keys so I have taken that concept and applied it to learning to play the Blues so that you can try to become equally adept at playing in as many keys as possible. I have heard from teachers who have used my “100 Ultimate Blues Riffs” book who will only allow a student to move on to the next riff once they have mastered playing the riff they are working on in all 12 keys, certainly a great but challenging musical exercise. Each of the riffs are either 2 or 4 measures in length that are notated and recorded around the cycle of 4th.s Also, there is a notation page whereby the riff is being used in a 12 bar blues progression so that you can see how to apply the riff to a real world situation. Each riff has been recorded 4 times: 1. Piano with rhythm tracks recorded around the cycle of 4th.s 2. Rhythm tracks recorded around the cycle of 4th.s to practice with 3. Piano with rhythm tracks recorded in a 12 bar blues progression in a designated key. 4. Rhythm tracks recorded in a 12 bar blues progression in the same key. Reasons for practicing in all 12 keys. Often a singer cannot reach certain notes in the key that you have learned the song in, therefore you will probably be asked to change the key of the song which you can do with confidence knowing all 12 keys. Having the knowledge of playing in all 12 keys, it will then become easier to learn new songs, whatever key they are in. Blues often use the keys of C, F, G, Bb, Eb, Guitar music often uses the keys of E, A, D, by learning as many keys as possible will enable you to adapt to the musical situation you are playing in. Taking riffs, chord progressions etc. through all 12 keys is a great ear training tool relying on your ears to play in keys that you are not used to before the muscle memory sets in. Practicing in all 12 keys is a great exercise for the brain, it is obviously hard work but the more you do it the benefits will become apparent. By practicing in all 12 keys you will start to see various musical patterns evolve that will help you speed up the process of learning music. It is my hope that as you practice playing in the various keys you will eventually not need the music and be able to transpose in your head.


Blues Flute Practice Sessions Volume 1 In All 12 Keys

Blues Flute Practice Sessions Volume 1 In All 12 Keys

Author: Andrew D. Gordon

Publisher: A.D.G. Productions

Published: 2022-12-12

Total Pages: 61

ISBN-13: 1958017191

DOWNLOAD EBOOK

Blues Flute Practice Sessions Volume 1 In All 12 Keys Catalog Number: ADG237 Author: Andrew D. Gordon Publisher: ADG Productions I have created various Blues riffs and has transposed them into all 12 keys along with backing tracks to practice with giving you the student a fun way of learning how to play in all keys. We all learned how to play our scales in all 12 keys so I have taken that concept and applied it to learning to play the Blues so that you can try to become equally adept at playing in as many keys as possible. I have heard from teachers who have used my “100 Ultimate Blues Riffs” book who will only allow a student to move on to the next riff once they have mastered playing the riff they are working on in all 12 keys, certainly a great but challenging musical exercise. Each of the riffs are either 2 or 4 measures in length that are notated and recorded around the cycle of 4th.s Also, there is a notation page whereby the riff is being used in a 12 bar blues progression so that you can see how to apply the riff to a real world situation. Each riff has been recorded 4 times: 1. Flute with rhythm tracks recorded around the cycle of 4th.s 2. Rhythm tracks recorded around the cycle of 4th.s to practice with 3. Flute with rhythm tracks recorded in a 12 bar blues progression in a designated key. 4. Rhythm tracks recorded in a 12 bar blues progression in the same key. Reasons for practicing in all 12 keys. Often a singer cannot reach certain notes in the key that you have learned the song in, therefore you will probably be asked to change the key of the song which you can do with confidence knowing all 12 keys. Having the knowledge of playing in all 12 keys, it will then become easier to learn new songs, whatever key they are in. Blues often use the keys of C, F, G, Bb, Eb, Guitar music often uses the keys of E, A, D, by learning as many keys as possible will enable you to adapt to the musical situation you are playing in. Taking riffs, chord progressions etc. through all 12 keys is a great ear training tool relying on your ears to play in keys that you are not used to before the muscle memory sets in. Practicing in all 12 keys is a great exercise for the brain, it is obviously hard work but the more you do it the benefits will become apparent. By practicing in all 12 keys you will start to see various musical patterns evolve that will help you speed up the process of learning music. It is my hope that as you practice playing in the various keys you will eventually not need the music and be able to transpose in your head.


Rock Piano Practice Session Volume 1 In All 12 Keys

Rock Piano Practice Session Volume 1 In All 12 Keys

Author: Andrew D. Gordon

Publisher: A.D.G. Productions

Published: 2022-07-08

Total Pages: 85

ISBN-13: 1958017124

DOWNLOAD EBOOK

Rock Piano Practice Session Volume 1 In All 12 Keys Catalog Number: ADG233 Author: Andrew D. Gordon Publisher: ADG Productions I have created various Rock riffs and has transposed them into all 12 keys along with backing tracks to practice with giving you the student a fun way of learning how to play in all keys. We all learned how to play our scales in all 12 keys so I have taken that concept and applied it to learning to play Rock so that you can try to become equally adept at playing in as many keys as possible. Each of the riffs are either 2 or 4 measures in length that are notated and recorded around the cycle of 4th.s Also, there is a notation page whereby the riff is being used in a typical rock chord progression so that you can see how to apply the riff to a real world situation. Each riff has been recorded 4 times: 1. Piano with rhythm tracks recorded around the cycle of 4th.s 2. Rhythm tracks recorded around the cycle of 4th.s to practice with 3. Piano with rhythm tracks recorded in a Rock chord progression in a designated key. 4. Rhythm tracks recorded in a Rock chord progression in the same key. Reasons for practicing in all 12 keys. Often a singer cannot reach certain notes in the key that you have learned the song in, therefore you will probably be asked to change the key of the song which you can do with confidence knowing all 12 keys. Having the knowledge of playing in all 12 keys, it will then become easier to learn new songs, whatever key they are in. Taking riffs, chord progressions etc. through all 12 keys is a great ear training tool relying on your ears to play in keys that you are not used to before the muscle memory sets in. Practicing in all 12 keys is a great exercise for the brain, it is obviously hard work but the more you do it the benefits will become apparent. By practicing in all 12 keys you will start to see various musical patterns evolve that will help you speed up the process of learning music. It is my hope that as you practice playing in the various keys you will eventually not need the music and be able to transpose in your head.


Latin Piano Practice Sessions Volume 1 In All 12 Keys

Latin Piano Practice Sessions Volume 1 In All 12 Keys

Author: Andrew D. Gordon

Publisher: A.D.G. Productions

Published:

Total Pages: 85

ISBN-13: 1958017132

DOWNLOAD EBOOK

Latin Piano Practice Sessions Volume 1 In All 12 Keys Catalog Number: ADG234 Author: Andrew D. Gordon Publisher: ADG Productions I have created various Latin riffs and has transposed them into all 12 keys along with backing tracks to practice with giving you the student a fun way of learning how to play in all keys. We all learned how to play our scales in all 12 keys so I have taken that concept and applied it to learning to play Latin so that you can try to become equally adept at playing in as many keys as possible. Each of the riffs are either 2 or 4 measures in length that are notated and recorded around the cycle of 4th.s Also, there is a notation page whereby the riff is being used in a typical Latin chord progression so that you can see how to apply the riff to a real world situation. Each riff has been recorded 4 times: 1. Piano with rhythm tracks recorded around the cycle of 4th.s 2. Rhythm tracks recorded around the cycle of 4th.s to practice with 3. Piano with rhythm tracks recorded in a Latin chord progression in a designated key. 4. Rhythm tracks recorded in a Latin chord progression in the same key. Reasons for practicing in all 12 keys. Often a singer cannot reach certain notes in the key that you have learned the song in, therefore you will probably be asked to change the key of the song which you can do with confidence knowing all 12 keys. Having the knowledge of playing in all 12 keys, it will then become easier to learn new songs, whatever key they are in. Taking riffs, chord progressions etc. through all 12 keys is a great ear training tool relying on your ears to play in keys that you are not used to before the muscle memory sets in. Practicing in all 12 keys is a great exercise for the brain, it is obviously hard work but the more you do it the benefits will become apparent. By practicing in all 12 keys you will start to see various musical patterns evolve that will help you speed up the process of learning music. It is my hope that as you practice playing in the various keys you will eventually not need the music and be able to transpose in your head. Also, great for sight reading exercises.


Progressive Rock Piano Practice Sessions Volume 1 In All 12 Keys

Progressive Rock Piano Practice Sessions Volume 1 In All 12 Keys

Author: Andrew D. Gordon

Publisher: A.D.G. Productions

Published: 2023-04-10

Total Pages: 108

ISBN-13: 1958017159

DOWNLOAD EBOOK

Progressive Rock Piano Practice Sessions Volume 1 In All 12 Keys Catalog Number: ADG235 Author: Andrew D. Gordon Publisher: ADG Productions I have created various Progressive Rock riffs and has transposed them into all 12 keys along with backing tracks to practice with giving you the student a fun way of learning how to play in all keys. This is the largest book I have written totaling 107 pages. We all learned how to play our scales in all 12 keys so I have taken that concept and applied it to learning to play Progressive Rock so that you can try to become equally adept at playing in as many keys as possible. Each of the riffs are either 2, 4 or 8 measures in length that are notated and recorded around the cycle of 4th.s Also, there is a notation page whereby the riff is being used in a typical rock chord progression so that you can see how to apply the riff to a real world situation. Each riff has been recorded 4 times: 1. Piano with rhythm tracks recorded around the cycle of 4th.s 2. Rhythm tracks recorded around the cycle of 4th.s to practice with 3. Piano with rhythm tracks recorded in a Rock chord progression in a designated key. 4. Rhythm tracks recorded in a Rock chord progression in the same key. Reasons for practicing in all 12 keys. Often a singer cannot reach certain notes in the key that you have learned the song in, therefore you will probably be asked to change the key of the song which you can do with confidence knowing all 12 keys. Having the knowledge of playing in all 12 keys, it will then become easier to learn new songs, whatever key they are in. Taking riffs, chord progressions etc. through all 12 keys is a great ear training tool relying on your ears to play in keys that you are not used to before the muscle memory sets in. Practicing in all 12 keys is a great exercise for the brain, it is obviously hard work but the more you do it the benefits will become apparent. By practicing in all 12 keys you will start to see various musical patterns evolve that will help you speed up the process of learning music. It is my hope that as you practice playing in the various keys you will eventually not need the music and be able to transpose in your head. Excellent for sight reading. Review from Keyboardist Extraordinaire Mike Garson www.mikegarson.com Andrew Gordon has written his best book to date. It has wonderful licks in all 12 keys for someone who wants to learn rock piano. Andrew lays out so many possibilities with high-quality licks. This is a very useful companion for any pianist who wants to play in a band. Andrew was a student of mine in the early to mid 1980’s and to see how far he’s come with his writings and books makes me very proud. Do enjoy.


Progressive Rock Organ Practice Sessions Volume 1 In All 12 Keys

Progressive Rock Organ Practice Sessions Volume 1 In All 12 Keys

Author: Andrew D. Gordon

Publisher: A.D.G. Productions

Published:

Total Pages: 108

ISBN-13: 1958017175

DOWNLOAD EBOOK

Progressive Rock Organ Practice Sessions Volume 1 In All 12 Keys Catalog Number: ADG236 Author: Andrew D. Gordon Publisher: ADG Productions I have created various Progressive Rock riffs and has transposed them into all 12 keys along with backing tracks to practice with giving you the student a fun way of learning how to play in all keys. This is the largest book I have written totaling 107 pages. We all learned how to play our scales in all 12 keys so I have taken that concept and applied it to learning to play Progressive Rock so that you can try to become equally adept at playing in as many keys as possible. Each of the riffs are either 2, 4 or 8 measures in length that are notated and recorded around the cycle of 4th.s Also, there is a notation page whereby the riff is being used in a typical rock chord progression so that you can see how to apply the riff to a real world situation. Each riff has been recorded 4 times: 1. Organ with rhythm tracks recorded around the cycle of 4th.s 2. Rhythm tracks recorded around the cycle of 4th.s to practice with 3. Organ with rhythm tracks recorded in a Rock chord progression in a designated key. 4. Rhythm tracks recorded in a Rock chord progression in the same key. Reasons for practicing in all 12 keys. Often a singer cannot reach certain notes in the key that you have learned the song in, therefore you will probably be asked to change the key of the song which you can do with confidence knowing all 12 keys. Having the knowledge of playing in all 12 keys, it will then become easier to learn new songs, whatever key they are in. Taking riffs, chord progressions etc. through all 12 keys is a great ear training tool relying on your ears to play in keys that you are not used to before the muscle memory sets in. Practicing in all 12 keys is a great exercise for the brain, it is obviously hard work but the more you do it the benefits will become apparent. By practicing in all 12 keys you will start to see various musical patterns evolve that will help you speed up the process of learning music. It is my hope that as you practice playing in the various keys you will eventually not need the music and be able to transpose in your head. Excellent for sight reading. Review from Keyboardist Extraordinaire Mike Garson www.mikegarson.com Andrew Gordon has written his best book to date. It has wonderful licks in all 12 keys for someone who wants to learn rock piano. Andrew lays out so many possibilities with high-quality licks. This is a very useful companion for any pianist who wants to play in a band. Andrew was a student of mine in the early to mid 1980’s and to see how far he’s come with his writings and books makes me very proud. Do enjoy.


Blues Practice Volume 1 Major

Blues Practice Volume 1 Major

Author: Kenneth M. O'gorman

Publisher: CreateSpace

Published: 2015-01-22

Total Pages: 48

ISBN-13: 9781507681718

DOWNLOAD EBOOK

If you wish to be proficient at "The Blues", this chord progression is a must know! This bookand associated practice media will help you learn and enhance your improvisation skills with"The Blues".There are many variations of this progression, but Major blues almost always means startingthe song and ending the song on the Tonic dominant 7th chord, which has a major base triad.We are going to study this progression as you might encounter it in songs:||: I7 | I7 | I7 | I7 | IV7 | IV7 | I7 | I7 | V7 | IV7 | I7 | VI7 :||This is a practice tool for musicians who wish to improve their improvisation skills with TheBlues. It is designed as a media "set", and you will enjoy maximum benefit if you use bothelements of the set:1. Instructional book (this item)2. Corresponding practice tracks, available from your favorite online music storeIn this volume (Vol. 01) the focus is on:Blues in Major keys (as opposed to minor keys),Medium Shuffle Beat (as opposed to a straight or swing beat).The Blues usually implies a standard 12-bar, 3-chord blues progression consisting of dominant7th chords. This is also called Major Blues (as opposed to minor blues) because the keysignatures reflect Major


JazzTimes

JazzTimes

Author:

Publisher:

Published: 2001-05

Total Pages: 252

ISBN-13:

DOWNLOAD EBOOK

JazzTimes has been published continuously since 1970 and is the recipient of numerous awards for journalisim and graphic design. A large crossection of music afficionados and fans alike view JazzTimes as America's premier jazz magazine.In addition to insightful profiles of emerging and iconic stars, each issue contains over 100 reviews of the latest CDs, Books and DVDs. Published ten times annually, JazzTimes provides uncompromising coverage of the American jazz scene.


JazzTimes

JazzTimes

Author:

Publisher:

Published: 2001-08

Total Pages: 156

ISBN-13:

DOWNLOAD EBOOK

JazzTimes has been published continuously since 1970 and is the recipient of numerous awards for journalisim and graphic design. A large crossection of music afficionados and fans alike view JazzTimes as America's premier jazz magazine.In addition to insightful profiles of emerging and iconic stars, each issue contains over 100 reviews of the latest CDs, Books and DVDs. Published ten times annually, JazzTimes provides uncompromising coverage of the American jazz scene.


The Jazz Piano Book

The Jazz Piano Book

Author: Mark Levine

Publisher: "O'Reilly Media, Inc."

Published: 2011-01-12

Total Pages: 431

ISBN-13: 1457101440

DOWNLOAD EBOOK

The most highly acclaimed jazz piano method ever published! Over 300 pages with complete chapters on Intervals and triads, The major modes and II-V-I, 3-note voicings, Sus. and phrygian Chords, Adding notes to 3-note voicings, Tritone substitution, Left-hand voicings, Altering notes in left-hand Stride and Bud Powell voicings, Block chords, Comping ...and much more! Endorsed by Kenny Barron, Down Beat, Jamey Aebersold, etc.