Blue Ridge Folklife Festival [program]
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Published: 1986
Total Pages:
ISBN-13:
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Published: 1986
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DOWNLOAD EBOOKAuthor: Ted Olson
Publisher: Univ. Press of Mississippi
Published: 2010-02-11
Total Pages: 228
ISBN-13: 9781604739022
DOWNLOAD EBOOKAn appreciation of the rich and distinctive folklife in one of the earliest settled regions in southern Appalachia
Author: Richard Kurin
Publisher: Center for Folklife Programs and Cultural Studies Smithsonian Institution
Published: 1998
Total Pages: 196
ISBN-13:
DOWNLOAD EBOOKAuthor: Marty McGee
Publisher: McFarland
Published: 2000-03-15
Total Pages: 246
ISBN-13: 0786408766
DOWNLOAD EBOOKThe Central Blue Ridge, taking in the mountainous regions of northwestern North Carolina and southwestern Virginia, is well known for its musical traditions. Long recognized as one of the richest repositories of folksong in the United States, the Central Blue Ridge has also been a prolific source of commercial recording, starting in 1923 with Henry Whitter's "hillbilly" music and continuing into the 21st century with such chart-topping acts as James King, Ronnie Bowman and Doc Watson. Unrivaled in tradition, unequaled in acclaim and unprecedented in influence, the Central Blue Ridge can claim to have contributed to the musical landscape of Americana as much as or more than any other region in the United States. This reference work--part of McFarland's continuing series of Contributions to Southern Appalachian Studies--provides complete biographical and discographical information on more than 75 traditional recording (major commercial label) artists who are natives of or lived mostly in the northwestern North Carolina counties of Alleghany, Ashe, Avery, Surry, Watauga and Wilkes, and the southwestern Virginia counties of Carroll and Grayson. Primary recordings as well as appearances on anthologies are included in the discographies. A chronological overview of the music is provided in the Introduction, and the Foreword is by the celebrated musician Bobby Patterson, founder of the Mountain and Heritage record labels.
Author:
Publisher: American Folklore Society
Published: 2008
Total Pages: 108
ISBN-13:
DOWNLOAD EBOOKAuthor: Jan Harold Brunvand
Publisher: Routledge
Published: 2006-05-24
Total Pages: 812
ISBN-13: 1135578788
DOWNLOAD EBOOKContains over 500 articles Ranging over foodways and folksongs, quiltmaking and computer lore, Pecos Bill, Butch Cassidy, and Elvis sightings, more than 500 articles spotlight folk literature, music, and crafts; sports and holidays; tall tales and legendary figures; genres and forms; scholarly approaches and theories; regions and ethnic groups; performers and collectors; writers and scholars; religious beliefs and practices. The alphabetically arranged entries vary from concise definitions to detailed surveys, each accompanied by a brief, up-to-date bibliography. Special features *More than 2000 contributors *Over 500 articles spotlight folk literature, music, crafts, and more *Alphabetically arranged *Entries accompanied by up-to-date bibliographies *Edited by America's best-known folklore authority
Author: Harald Zapf
Publisher: Gunter Narr Verlag
Published: 2003
Total Pages: 466
ISBN-13: 9783823360445
DOWNLOAD EBOOKAuthor: Diane Pecknold
Publisher: Duke University Press
Published: 2013-07-10
Total Pages: 391
ISBN-13: 0822394979
DOWNLOAD EBOOKCountry music's debt to African American music has long been recognized. Black musicians have helped to shape the styles of many of the most important performers in the country canon. The partnership between Lesley Riddle and A. P. Carter produced much of the Carter Family's repertoire; the street musician Tee Tot Payne taught a young Hank Williams Sr.; the guitar playing of Arnold Schultz influenced western Kentuckians, including Bill Monroe and Ike Everly. Yet attention to how these and other African Americans enriched the music played by whites has obscured the achievements of black country-music performers and the enjoyment of black listeners. The contributors to Hidden in the Mix examine how country music became "white," how that fictive racialization has been maintained, and how African American artists and fans have used country music to elaborate their own identities. They investigate topics as diverse as the role of race in shaping old-time record catalogues, the transracial West of the hick-hopper Cowboy Troy, and the place of U.S. country music in postcolonial debates about race and resistance. Revealing how music mediates both the ideology and the lived experience of race, Hidden in the Mix challenges the status of country music as "the white man’s blues." Contributors. Michael Awkward, Erika Brady, Barbara Ching, Adam Gussow, Patrick Huber, Charles Hughes, Jeffrey A. Keith, Kip Lornell, Diane Pecknold, David Sanjek, Tony Thomas, Jerry Wever
Author: Bill C. Malone
Publisher: UNC Press Books
Published: 2014-02-01
Total Pages: 449
ISBN-13: 1469616661
DOWNLOAD EBOOKSouthern music has flourished as a meeting ground for the traditions of West African and European peoples in the region, leading to the evolution of various traditional folk genres, bluegrass, country, jazz, gospel, rock, blues, and southern hip-hop. This much-anticipated volume in The New Encyclopedia of Southern Culture celebrates an essential element of southern life and makes available for the first time a stand-alone reference to the music and music makers of the American South. With nearly double the number of entries devoted to music in the original Encyclopedia, this volume includes 30 thematic essays, covering topics such as ragtime, zydeco, folk music festivals, minstrelsy, rockabilly, white and black gospel traditions, and southern rock. And it features 174 topical and biographical entries, focusing on artists and musical outlets. From Mahalia Jackson to R.E.M., from Doc Watson to OutKast, this volume considers a diverse array of topics, drawing on the best historical and contemporary scholarship on southern music. It is a book for all southerners and for all serious music lovers, wherever they live.