"Danielle Beazer Dubrasky and Karin Anderson are expert guides to this territory. Let them and this book bring you home." —Joanna Brooks Blossom as the Cliffrose: Mormon Legacies and the Beckoning Wild features original poems and prose by writers who are faithful, non–faithful, believers, heretics, converts and de–converts, dragged in or forced out of the Mormon faith. This dynamic collection demonstrates the breadth, complexity, and diversity of a Latter–day Saint legacy of commitment to natural place and challenges readers to examine the myriad ways deeply rooted heritage shapes personal relationship with landscape.
Literature and Ecotheology: From Chaos to Cosmos challenges us in a time of climate crisis to find more common ground between the dual projects of ecocriticism and ecotheology. This book argues that in our postsecular age, literature has become an important repository of theological wisdom that can, like formal work in ecotheology, provide the moral grounds for environmental care. However, for any cosmological understanding to be adequate to the challenges before us, it must be responsive to the often-painful contingencies and uncertainties that inhere in the cosmos, something that both ecocriticism and ecotheology have often neglected. After a treatment of the ecocritical and ecotheological questions that pertain to the religious/secular divide, the study then turns to four contemporary American writers—Annie Dillard, Cormac McCarthy, Marilynne Robinson, and David James Duncan—as examples. Each uses the contingency of literary form and its promise of wholeness in order to imagine reasons for hope in light of the unpredictability and untold human and more-than-human suffering that lie at the heart of nature. The book will be of interest to students, scholars and researchers interested in ecotheology, religious studies, environmental literature, the environmental humanities, and environmental studies more broadly. It offers a needed paradigm shift in how Western societies have tended to misuse both secularity and religion.
In The Missing Morningstar and Other Stories, Stacie Denetsosie confronts long-reaching effects of settler-colonialism on Native lives in a series of gritty, wildly imaginative stories. A young Navajo man catches a ride home alongside a casket he’s sure contains his dead grandfather. A gas station clerk witnesses the kidnapping of the newly crowned Miss Northwestern Arizona. A young couple’s search for a sperm donor raises questions of blood quantum. This debut collection grapples with a complex and painful history alongside an inheritance of beauty, ceremony, and storytelling.
"This masterwork flouts expectations." —FOREWORD REVIEWS, starred review Before Us Like a Land of Dreams follows a disheartened mother traveling an evocative route through the arid West. As her narration fades, the ancestral dead speak directly: a ragged Mormon boy yearns after a Shoshone family. A defeated polygamous wife shuts her mouth for good. A hoarder's queer son demolishes the artifacts of his lonely Idaho childhood. Descendants of British squatters sustain family delusions until a devastating suicide shatters their royal dreams. An elite colonial clan gradually awakens to the stark blue of the Great Salt Lake. The dead yield no answers, but they conjure vivid mortal moments set in iconic—and diminishing—American places. KARIN ANDERSON is a gardener, writer, mother, wanderer, heretic, and English professor. She hails from the Great Basin of Utah.
A Metaphysical Odyssey:The True Story of a Thunderbird Medicine Woman.It is the story of Grandfather, Little Hawk and Desert Wolf. It is a true story of romantic passion, drama,adventure, learning, and mystery. It is a story for all ages.Grandfather Thundering Elk says, " A good story, upon hearing it, has the ability to heal..."
America's red rock desert is a place unlike any other -- such a marvelous fusion of form and color -- and Another Country is a correspondingly unique song of praise. Pairing fifteen essays with fifteen short stories, acclaimed writer John A. Murray takes you deep into this wonderland, one of the most remarkable regions on Earth. The territory Murray celebrates is a vast triangle in the heart of the Colorado Plateau, a region embracing slickrock canyons, blue mesas, snow-capped peaks and the world's greatest concentration of national parks and monuments.
"So compelling it gave me goosebumps from the very first pages." —ISABEL ALLENDE A family saga: four generations of mixed–race African American, Native American, and Irish women experience intergenerational trauma as well as the healing brought by nature and music, leading to triumphant resilience. Mostly White begins in 1890 when Emma, a mixed–race Native American and African American girl, is beaten by nuns and confined in a closet for speaking her language at an Indian Residential school in Maine. From there, a tale that spans four generations of women unfolds. Emma's descendants suffer the effects of trauma, poverty, and abuse while fighting to form their own identities and honor the call of their ancestors. ALISON HART studied theater at New York University and later found her voice as a writer. She identifies herself as a mixed–race African American, Passamaquoddy Native American, Irish, Scottish, and English woman of color. Her poetry collection Temp Words was published by Cosmo Press in 2015, and her poems appear in Red Indian Road West: Native American Poetry from California (Scarlet Tanager Books, 2016) and elsewhere. Hart lives in Alameda, California.