Bloomsbury Recalled
Bloomsbury Recalled

Author: Quentin Bell

Publisher: Columbia University Press

Published: 1995

Total Pages: 260

ISBN-13: 9780231105651

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In Bloomsbury Recalled, Quentin Bell has written an extraordinary memoir of the circle of intellectuals in London early in this century know as the Bloomsbury group. Bell offers remarkable judgments about and recollections of each of the notable people among whom he came of age. Here are Bell's candid portraits of his parents, Clive and Vanessa Bell - Virginia Woolf's sister - Vanessa's lover, Duncan Grant, and of Virginia Woolf, Lytton Strachey, E. M. Forster, John Maynard Keynes, Roger Fry, Ottoline Morrell, and others who frequented Gordon Square in Bloomsbury and Charleston, the Bells' country place in Sussex. The stories of this enchanting extended family, the private lives of these public figures, have all the magic and intrigue of the best novels of the day. Bloomsbury Recalled, in the expansive storytelling tradition of the early modernists, re-creates the captivating theater of events that was Bloomsbury.

A Russian Jew of Bloomsbury
A Russian Jew of Bloomsbury

Author: Galya Diment

Publisher: McGill-Queen's Press - MQUP

Published: 2011-10-17

Total Pages: 451

ISBN-13: 0773588086

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Samuel Koteliansky (1880-1955) fled the pogroms of Russia in 1911 and established himself as a friend of many of Britain's literati and intellectuals, who were fascinated by his homeland's more civilized side: the Ballets Russes, Tolstoy, Dostoevsky, and Chekhov. Kot, as he was known, soon became an indispensable guide to Russian culture for England's leading writers, artists, and intellectuals, who in turn helped introduce English audiences to Russian works. A Russian Jew of Bloomsbury looks at the remarkable life and influence that an outsider had on the tightly knit circle of Britain's cultural elite. Among Koteliansky's friends were Katherine Mansfield, Leonard and Virginia Woolf - for whose Hogarth Press he translated many Russian classics - Mark Gertler, Lady Ottoline Morrell, H.G. Wells, and Dilys Powell. But it was his close and turbulent friendship with D.H. Lawrence, with whom he had copious correspondence, that proved to be Koteliansky's lasting legacy. In a lively and vibrant narrative, Galya Diment shows how, despite Kot's determination, he could never shake off the dark aspects of his past or overcome the streak of anti-Semitism that ran through British society and could be found in many of his famous literary friends. A stirring account of the early-twentieth century, Jewish émigré life, and English and Russian letters, A Russian Jew of Bloomsbury casts new light - and shadows - on the giants of English modernism.

Bloomsbury and France
Bloomsbury and France

Author: Mary Ann Caws

Publisher: Oxford University Press

Published: 1999-12-02

Total Pages: 703

ISBN-13: 0199923639

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"Bloomsbury on the Mediterranean," is how Vanessa Bell described France in a letter to her sister, Virginia Woolf. Remarking on the vivifying effect of Cassis, Woolf herself said, "I will take my mind out of its iron cage and let it swim.... Complete heaven, I think it." Yet until now there has never been a book that focused on the profound influence of France on the Bloomsbury group. In Bloomsbury and France: Art and Friends, Mary Ann Caws and Sarah Bird Wright reveal the crucial importance of the Bloomsbury group's frequent sojourns to France, the artists and writers they met there, and the liberating effect of the country itself. Drawing upon many previously unpublished letters, memoirs, and photographs, the book illuminates the artistic development of Virginia and Leonard Woolf, Clive Bell, David Garnett, E. M. Forster, Lytton Strachey, Dora Carrington, and others. The authors cover all aspects of the Bloomsbury experience in France, from the specific influence of French painting on the work of Roger Fry, Duncan Grant, and Vanessa Bell, to the heady atmosphere of the medieval Cistercian Abbaye de Pontigny, the celebrated meeting place of French intellectuals where Lytton Strachey, Julian Bell, and Charles Mauron mingled with writers and critics, to the relationships between the Bloomsbury group and Henri Matisse, Pablo Picasso, Gertrude Stein, Andre Gide, Jean Marchand, and many others. Caws and Wright argue that Bloomsbury would have been very different without France, that France was their anti-England, a culture in which their eccentricities and aesthetic experiments could flower. This remarkable study offers a rich new perspective on perhaps the most creative group of artists and friends in the 20th century.

The Handbook to the Bloomsbury Group
The Handbook to the Bloomsbury Group

Author: Derek Ryan

Publisher: Bloomsbury Publishing

Published: 2018-06-14

Total Pages: 329

ISBN-13: 1350014923

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The Handbook to the Bloomsbury Group is the most comprehensive available survey of contemporary scholarship on the Bloomsbury Group – the set of influential writers, artists and thinkers whose members included Virginia Woolf, Leonard Woolf, E.M. Forster, John Maynard Keynes, Vanessa Bell, Clive Bell, Duncan Grant and David Garnett. With chapters written by world leading scholars in the field, the book explores novel avenues of thinking about these pivotal figures and their works opened up by the new modernist studies. It brings together overview essays with detailed illustrative case studies, and covers topics as diverse as feminism, sexuality, empire, philosophy, class, nature and the arts. Setting the agenda for future study of Bloomsbury, this is an essential resource for scholars of 20th-century modernist culture.

Bloomsbury Influences
Bloomsbury Influences

Author: E.H. Wright

Publisher: Cambridge Scholars Publishing

Published: 2014-06-26

Total Pages: 276

ISBN-13: 1443862290

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“No poet, no artist of any art, has his complete meaning alone. His significance, his appreciation is the appreciation of his relation to the dead poets and artists.” —T. S. Eliot, “Tradition and the Individual Talent”, 1921 Bloomsbury Influences is an interdisciplinary essay collection developed from papers given at Bath Spa University’s Bloomsbury Adaptations Conference. The volume explores the ways that 20th and 21st century art, drama, fiction and philosophy have been influenced and inspired by the work of the Bloomsbury Group and their London milieu. By comparing and contrasting the artistic, philosophical and literary works of the Bloomsbury Group with later artists, writers and thinkers, such as the Singh Twins, Harold Bloom, C. K. Stead, Jeanette Winterson and Ali Smith, amongst many others, each essay examines how, in T. S. Eliot’s words, the past has been “altered by the present as much as the present is directed by the past”.

Key Writers on Art: The Twentieth Century
Key Writers on Art: The Twentieth Century

Author: Chris Murray

Publisher: Routledge

Published: 2005-06-27

Total Pages: 337

ISBN-13: 1134597215

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A unique and authoritative guide to modern responses to art. Featuring forty-eight essays, and written by a panel of expert contributors, it introduces readers to the key approaches and analytical tools of contemporary art study and debate.

Women Musicians in Victorian Fiction, 1860-1900
Women Musicians in Victorian Fiction, 1860-1900

Author: Phyllis Weliver

Publisher: Routledge

Published: 2018-02-06

Total Pages: 315

ISBN-13: 1351744488

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This title was first publushed in 2000. Phyllis Weliver investigates representations of female musicians in British novels from 1860 to 1900 with regard to changing gender roles, musical practices and scientific discourses. During this time women were portrayed in complex and nuanced ways as they played and sang in family drawing rooms. Women in the 19th century were judged on their manners, appearance, language and other accomplishments such as sewing or painting, but music stood out as an area where women were encouraged to take centre stage and demonstrate their genteel education, graceful movements and self-expression. However within the novels of the Victorian were begining to move away from portraying the musical accomplishments of middle- and upper-class women as feminine and worthwhile towards depicting musical women as truly dangerous. This book explores the reasons for this reaction and the way labels and images were constructed to show extremes of behaviour, and it looks at whether the fiction was depicting the real trends in music at the time.

The Moral Foundations of Public Funding for the Arts
The Moral Foundations of Public Funding for the Arts

Author: Michael Rushton

Publisher: Springer Nature

Published: 2023-06-26

Total Pages: 192

ISBN-13: 3031351061

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This book provides a detailed account, and critique, of diverse approaches to the arts funding question, with a focus on the arm’s length arts councils that are the norm in the Anglo-American world. It builds on economic methods, the liberal-egalitarian framework of John Rawls, the communitarian opposition to the liberal framework, the capabilities approach to equality, and the cultural conservatism of Roger Scruton and others. In each case, the book considers the very practical aspect of public funding of the arts, namely, what are the implications for what ought to receive priority, and what parts of the cultural world are best left to their own, private sector, devices. It is not a work of “arts advocacy”. Rather, the book challenges assumptions, and sparks critical debate in the field.

Modernist Group Dynamics
Modernist Group Dynamics

Author: Fabio A. Durão

Publisher: Cambridge Scholars Publishing

Published: 2009-03-26

Total Pages: 275

ISBN-13: 1443808326

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For decades, the study of literary and philosophical modernism concerned solitary figures like the flâneur, the exile, and the lonely genius, but recently the group formations that fostered modernist movements have emerged into view. The essays in Modernist Group Dynamics: The Poetics and Politics of Friendship pursue this new direction in modernist scholarship, exploring the ways artists and intellectuals worked in concert and in conflict. Placing group formations, with all their promises and problems, at the centre of our study allows the contributors—scholars from around the world—to reconsider some of the best-known figures of European modernism, to analyze collaborations across national boundaries, and to recover modernist groups in unexpected contexts like the so-called Third World.