Another “Mary” who resides within Mary turns out to be the one who killed Maria’s father, Yusei. In search of why his father had to die, Maria tries to get in contact with “Mary” but is unsuccessful. In the meantime, a mysterious man pays a visit to Maria and reveals how Maria’s mother first met Yusei and provides crucial information about Maria’s family lineage. -- VIZ Media
Maria’s father, Yusei, was killed by vampires—and it was Maria’s own fault. Haunted by guilt, he sealed away the memory. That is, until he remembers the face of the murderous vampire...and it looks just like Mary’s! On a mission for answers, Maria comes to the kidnapped Mary’s rescue, but he finds someone else within Mary... -- VIZ Media
“Bloody” Mary is not your typical vampire. He can withstand sunlight, holds a reflection in mirrors, refuses to drink blood—and wants 17-year-old student and priest Maria to kill him. But to Mary’s dismay, Maria doesn’t know how to kill vampires. Desperate to die, Mary agrees to become Maria’s bodyguard until Maria can find a way to kill him at last. -- VIZ Media
No one suspected that the death and resurrection of “Mary” was actually an attempt to revive the weak and ailing Mary. When Mary learns this truth, he hears the voice of “Mary.” And now Maria must finally fulfill Mary’s death wish... But a tragedy awaits... -- VIZ Media
Maria begegnet einem geheimnisvollen Mann, der sich als sein Onkel Shinobu vorstellt. Er berichtet Maria, wie er Yusei kennengelernt hat, und erzählt ihm ebenfalls von seiner Mutter ... Ichiro gibt sich bereits die Schuld am Tod seines Vaters, doch soll nun auch das Blut seiner Mutter an seinen Händen kleben? Seine Gedanken werden düster ...
IN 1999, WE ALL WENT BACK TO WAR. In a world only slightly worse than our own, a third great European conflict has dragged the major powers into a lethal war of attrition. Now, Mary Malone, the most dangerous assassin in a land of killers, must face both a man who cannot die and a crazed cult leader whose flock are all too ready to die for him. Garth Ennis (Preacher, The Boys, War Story) and Carlos Ezquerra (Judge Dredd, Strontium Dog, Adventures in the Rifle Brigade) present an action-packed tale of future warfare and a heroine whose faith lies firmly in firepower.
Unable to bear the shocking truth that Maria reveals to him, Mary loses consciousness and disappears inside of himself, which allows “Mary” to surface to take his place. “Mary” heads out alone, while Maria, along with Shinobu and Hydra, confront a trio of vampires. Bathed in blood, “Mary” gradually succumbs to madness... -- VIZ Media
When Mary Tudor, eldest daughter of Henry VIII, succeeded to the throne of England in 1553 it was with wild rejoicing and a degree of popularity rarely seen on the accession of a British monarch. Yet at her death five years later she was almost universally reviled and hated by her people so much so that she was posthumously awarded the sobriquet Bloody Mary. Mary's revenge on the church and on a religion she hated was swift and total. Noblemen like the Duke of Northumberland, would-be queens like Lady Jane Grey, churchmen like Thomas Cranmer and bishops Latimer and Ridley, Mary's fires or the executioner's axe ended the lives of all of them. During her brief reign she restored the Catholic faith to England and had over 280 Protestant martyrs burned at the stake. For a reign that looked so promising Mary's brief period in power brought the greatest officially sanctioned religious bloodletting the country had ever seen. And at the end, the stench of the execution fires and the grey smoke that settled like a pall across the country seemed to epitomize the reactionary forces that had assumed control.
Seven ways in which psychoanalysis illuminates folklore Bloody Mary in the Mirror mixes Sigmund Freud with vampires and explores various folklore genres to see what new light psychoanalysis can shed on folklore techniques and forms. In seven fascinating essays, folklorist Alan Dundes applies psychoanalytic theory to illuminate such genres as legend (in the vampire tale), folktale (in the ancient Egyptian tale of two brothers), custom (in fraternity hazing and ritual fasting), and games (in the modern Greek game of "Long Donkey"). One of two essays Dundes co-authored with daughter Lauren Dundes, professor of sociology at Western Maryland College, successfully probes the content of Disney's The Little Mermaid, yielding new insights into this popular reworking of a Hans Christian Andersen favorite. Among folk rituals investigated is the girl's game of "Bloody Mary." Elementary or middle school-age girls huddle in a darkened bathroom awaiting the appearance in the mirror of a frightening apparition. The plausible analysis of this well-known, if somewhat puzzling, rite is one of many surprising and enlightening finds in this book. All of the essays in this volume create new takes on old traditions. Bloody Mary in the Mirror is an expedition into psychoanalytic folklore techniques and constitutes a giant step towards realizing the potential psychoanalysis promises for folklore studies. Alan Dundes (deceased) was professor of anthropology and folklore at the University of California, Berkeley.
