Hilliard's Legion--a part of Archibald Gracie's Brigade of Alabama Confederates--at the battle of Chickamauga. The author shows conclusively that Gracie's command was never forced from the berm at the top of the Horseshoe Ridge and that some men from Hilliard's Legion penetrated to the top of the Ridge. A reexamination of the battle's conclusion highlights the Legion's role in the final movement. A Medal of Honor citation is corrected and the Legion's post-war contributions are explored. A complete roster is included, with biographical notes on most of the soldiers.
This narrative about Wilson's Creek starts with the backdrop of issues -- from abolition to succession -- in Missouri preceding the Civil War and continues to cover early war issues, such as the search for the Swamp Fox and Battle of Boonville, before cumulating with the Battle of Wilson's Creek and its sub-battle at Bloody Hill.
In this western from Charles G. West, a murderous gunslinger gets a taste of vigilante justice... Diminutive but deadly, Billy Ray Blevins raised hell in Dry Fork with his lightning-fast gunplay. But there’s only so much cold-blooded murder a town can stand. With a hanging party hot on his trail, Billy Ray decides to lay low in the Black Hills—the perfect sanctuary for a man on the run. When the posse gives up, the widow and the deputy of two of Billy Ray’s victims are forced to go it alone. Neither is cut out to hunt down a kill-crazy gunslinger. So, they enlist the help of Clay Culver—a scout with a shady past and a fast draw whose tracking skills are second to none. But they’re about to find out that the only thing worse than seeing a crazed killer go free is having him catch up with you when you least expect it… “This is the West as it really was—savage, heroic, and unforgettable.”—Ralph Compton
This blood-soaked volume collects IDW Publishing's three chilling one-shots based on Silent Hill, the smash-hit Konami videogame series. In "Among the Damned," a young, guilt-ridden soldier meets a doomed soul that will either change his life or end it. In "Paint It Black," a painter finds his dark muse in Silent Hill, until a group of cheerleaders arrive and the attacks begin. "The Grinning Man" tells the tale of the terrifying title character, who faces off against a State Trooper one day away from retirement.
To many antebellum Americans, Appalachia was a frightening wilderness of lawlessness, peril, robbers, and hidden dangers. The extensive media coverage of horse stealing and scalping raids profiled the regionÕs residents as intrinsically violent. After the Civil War, this characterization continued to permeate perceptions of the area and news of the conflict between the Hatfields and the McCoys, as well as the bloodshed associated with the coal labor strikes, cemented AppalachiaÕs violent reputation. Blood in the Hills: A History of Violence in Appalachia provides an in-depth historical analysis of hostility in the region from the late eighteenth to the early twentieth century. Editor Bruce E. Stewart discusses aspects of the Appalachian violence culture, examining skirmishes with the native population, conflicts resulting from the regionÕs rapid modernization, and violence as a function of social control. The contributors also address geographical isolation and ethnicity, kinship, gender, class, and race with the purpose of shedding light on an often-stereotyped regional past. Blood in the Hills does not attempt to apologize for the region but uses detailed research and analysis to explain it, delving into the social and political factors that have defined Appalachia throughout its violent history.
The book opens with a brief historical outline of Onondaga culture and a sketch of the major developments in Iroquois prehistory. Each site is described, with a short account of its discovery, location in relation to other sites and natural features, testing and excavations, and artifacts. The site descriptions are arranged in chronological “phases”— Castle Creek, Oak Hill, Chance, and Garoga—based upon William A. Ritchie’s classification. In the last chapter, Professor Tuck summaries his wealth of data and interprets the origin and development of Onondaga culture in view of his archaeological findings, which also make us of radiocarbon dating techniques. The illustrations are an essential part of the book. Forty-four plates show arrowpoints, ceramic sherds, post molds revealing outlines of longhouses, cooking pits, occasional human burials, smoking pipes, and much more. Eight figures provide maps of sites, specific details of excavations, and a chronological sequence of Onondaga villages. Twenty-one tales give the frequencies and percentages of smoking pipe varieties, faunal remains, ceramic types, and other items discovered in the field work. An appendix includes techniques of ceramic analysis and many line drawings of ceramic varieties.
For southwest Missouri, the Civil War was an unparalleled period of violence, sorrow and anger. As the torches burned the physical landscape, the depredations inflicted were also scorched upon the psyche of the people who lived through fires. Survey Carthage's battlefield for stubborn holdouts or hold vigil at the Kendrick House for innocent bystanders who were swept up into the stratagems of bushwhackers and guerrillas. Meet the Bloody Spikes, Rotten Johnny Reb and scores more figures from the region's past who continue to trouble its present.
