Reports persist that children and adults are being systematically abused during rituals with satanic overtones. Opinion is divided on the truth of the matter, and the divisions are acrimonious. Sceptics argue that ritual abuse is an imported myth, believed by the gullible and propagated by the hysterical. For this investigation, Andrew Boyd has stepped beyond the current cases to interview professional carers across Britain. Between them they claim to be counselling more than 600 victims of ritual abuse. Their detailed account plus in-depth statements by survivors are shocking in the extreme. Andrew Boyd is the author of Broadcast Journalism: Techniques of Radio and TV News.
In 1980, four English youths formed a completely electronic pop band. Now, 15 years later, they are #1 on the charts. Here is the first full-lengh biography of the group that can fully claim to be the most popular electronic act in the world. Photographs. Original trade paperback.
Ce volume réunit, pour la première fois sous la forme d'un livre, l'essentiel des textes écrits par Martin Gore pour Depeche Mode. Une sélection de 87 chansons accompagnées de six illustrations originales du légendaire Klaus Voormann. Chaque texte est présenté en anglais, puis fait l'objet d'une traduction fine, permettant de découvrir ces chansons sous un jour inhabituel. Les classiques Walking in My Shoes, Enjoy the Silence, Everything Counts, Strangelove et Fly on Me Windscreen ont connu un succès commercial si massif qu'il est facile d'oublier la délicatesse de langage, l'intemporalité et souvent l'humour pince-sans-rire dont ces textes témoignent. Le présent recueil constitue la célébration d'un des auteurs-compositeurs les plus talentueux et les plus originaux de la musique "pop" de ces 25 dernières années. À l'occasion de la sortie mondiale de l'album Sounds of the universe le 21 avril 2009, il importait de donner la possibilité à ceux déjà conquis par ce répertoire et aux autres, de voir les chansons enfin inscrites noir sur blanc. Ainsi Martin Gore: Lays nous donne pour la première fois l'opportunité de reconsidérer dans son ensemble l'oeuvre écrite de Gore-sans sono, sans lumières-et prendre conscience de sa place importante parmi les grands paroliers de notre temps. Un livre indispensable pour tout passionné de musique. Fan de Depeche Mode ou non, chacun sera sensible à cette rétrospective qui parcourt un fragment singulier et incontournable de l'aventure rock.
An electrifying new biography about the four Essex lads who became award-winning stadium superstars and champions of synth pop! Jonathan Miller's groundbreaking book features in-depth interviews with founder member Vince Clarke and producers Gareth Jones and Mark Bell, and contains never-before seen interviews with the band members themselves. With additional input from Gary Human, Howard Jones and Thomas Dolby this is a unique portrait of a band that almost lost control when their lives went off the rails and lead singer Dave Gahan's heroin addiction nearly killed him. In the end Depeche Mode not only survived, they triumphed, racking up a staggering 40 million-plus album sales on the way. This is their amazing story, told in full for the first time. Born out of the post-punk backlash in the early 80's, Depeche Mode took their name from a phrase in a French style magazine and became the definitive international synth-pop group. Vince Clarke, Andy Fletcher and Martin Gore had started out as an Essex guitar band but it was their bright and upbeat synthesizer-driven brand of pop fronted by Dave Gahan that was to find global acceptance and enjoy unlikely success in the US. Despite a handful of early plaudits in the music press, the group won only intermittent critical acceptance over the years, its often light musical approach contrasting with lyrics that sometimes plunge into darker topics like S&M, religious fetishism and the scourge of capitalism. But whatever the music press said, the fans finally bought into Depeche Mode in a big way. Their Violator tour at the start of the 90s sold millions of records and turned them into major US concert stars. In true rock style, Depeche Mode's members have suffered their share of internal strife over a long career. Dave Gahan reinvented himself as a lead singer with both a harder musical edge and a near-fatal drug habit, while internal acrimony often marred the later stages of their career. Jonathan Miller has made an exemplary job of telling the Depeche Mode saga in its entirety and goes a long way towards explaining how the group have managed to thrive when almost all their post-punk contemporaries fell by the wayside long ago.
A frequent writer on comparative religion and the history of occultism, Medway begins by exploring what a Satanist is and why people worship Satan, then looks at such topics as the history of Satan and the Pact, Satanic crime, hell on earth, sex slaves of Lucifer, and the relationship between paranoia and conspiracy. He explains that as a Pagan he does not believe in Satan, but neither does he believe in Christianity but knows Christians are real. Annotation copyrighted by Book News Inc., Portland, OR
Stagliano reveals how one woman raises three daughters with autism, loses one at Disney World, stays married, has sex, bakes gluten-free, goes broke, and keeps her sense of humor.
Devil worship, black magic, and witchcraft have long captivated anthropologists as well as the general public. In this volume, Jean La Fontaine explores the intersection of expert and lay understandings of evil and the cultural forms that evil assumes. The chapters touch on public scares about devil-worship, misconceptions about human sacrifice and the use of body parts in healing practices, and mistaken accusations of children practicing witchcraft. Together, these cases demonstrate that comparison is a powerful method of cultural understanding, but warns of the dangers and mistaken conclusions that untrained ideas about other ways of life can lead to.
Unlike images of sex, which were clandestine and screened only in private, images of death were made public from the onset of cinema. The father of the modern age, Thomas Edison, fed the appetite for this material with staged executions on film. Little over a century later the executions are real and the world is aghast at brutalities freely available online at the click of a button. Some of these films are created by lone individuals using shaky camera phones: Luka Magnotta, for instance, and the teenagers known as the Dnipropetrovsk maniacs. Others are shot on high definition equipment and professionally edited by organized groups, such as the militant extremists ISIS. KILLING FOR CULTURE explores these images of death and violence, and the human obsession with looking — and not looking — at them. Beginning with the mythology of the so-called ‘snuff’ film and its evolution through popular culture, this book traces death and the artifice of death in the ‘mondo’ documentaries that emerged in the 1960s, and later the faux snuff pornography that found an audience through Necrobabes and similar websites. However, it is when videos depicting the murders of Daniel Pearl and Nick Berg surfaced in the 2000s that an era of genuine atrocity commenced, one that has irrevocably changed the way in which we function as a society.
