Early in the 21st Century, The Tyrell Corporation advanced Robot evolution into the Nexus phase – a being virtually identical to a human – known as a Replicant. Replicants were used Off-world as slave labor. Those who escaped to Earth where hunted by Blade Runner units ordered to kill any trespassing Replicant upon detection. A rise in the manufacture of bootleg Replicants in the Far East has forced The Tyrell Corp to engage in a costly patent war to ruthlessly protect its unique Intellectual Property. Corporate agents and Blade Runners have been dispatched to pursue any copyright infringement by the industrial pirates with extreme prejudice in order to protect and preserve Tyrell’s monopoly. Tokyo, 2015
Early in the 21 Century, the Tyrell Corporation advanced Robot evolution into the nexus phase – a being virtually identical to a human – known as a Replicant. Used as slave labor Off-world, escaped Replicants on Earth were hunted by Blade Runner Units, tasked with killing them on sight. The rumors of bootleg Replicants appearing in the Far East has prompted the Tyrell Corp to investigate, determined to protect its monopoly on synthetic humans. Corporate agents and Blade Runners have been deployed to aggressively eliminate any threat from these industrial pirates. In Tokyo, ex-Marine Mead and Replicant Combat Model Stix work as off-the-book P.I.s while searching for the traitor who betrayed them during an unsanctioned mission to Kalanthia. A spree of brutal killings, apparently by a rogue Replicant, has the city on edge, and Stix a suspect. A young woman named Sayo hired Mead and Stix to find Miyuki, her missing partner. LAPD Blade Runner, Rumika, arrived in Tokyo to investigate the brutal killings of the rogue Replicant and interviewed Mead. Sayo was assassinated and died in Mead’s arms, naming Stix as her killer. Rumiko received orders from Tyrell Corp to either extricate or neutralize two Tyrell scientists from Cheshire. Mead tracked Stix down and tried to convince him to help her find the real killer of Sayo, but Stix fled, believing it to be a trap. So Mead and Rumiko then followed a lead to a deserted theme park and were followed by Sayo’s sister, Alura. There they found the dead body of a Stix clone and were attacked by a gang of Yakuza soldiers…
Early in the 21st Century, the Tyrell Corporation advanced Robot evolution into the Nexus phase – a being virtually identical to a human – known as a Replicant. Used as slave labor Off-world, escaped Replicants on Earth were hunted by Blade Runner units, tasked with killing them on sight. The rumors of bootleg Replicants appearing in the Far East has prompted the Tyrell Corporation to investigate, determined to protect its monopoly on synthetic humans. Corporate agents and Blade Runners have been deployed to aggressively eliminate any threat from these industrial pirates. In Tokyo, ex-Marine Mead and Replicant Combat Model Stix work as off-the-book P.I.s while searching for the traitor who betrayed them during an unsanctioned mission to Kalanthia. A spree of brutal killings, apparently by a rogue Replicant, has the city on edge, and Stix a suspect. A young woman named Sayo hires Mead and Stix to find Miyuki, her missing sister. LAPD Blade Runner, Rumika, arrives in Tokyo to investigate the brutal killings of the rogue Replicant and interviews Mead. Meanwhile, Stix witnesses the abduction of a Replicant by members of the Yakuza and gives chase. When the body of Miyuki is discovered, Sayo takes Mead and Rumika to the dead girl’s apartment. However, before Sayo can give any more information, she is shot with an arrow and with her dying breath names Stix as her killer…
Early in the 21 Century, the Tyrell Corporation advanced Robot evolution into the Nexus phase – a being virtually identical to a human – known as a Replicant. Used as slave labor Off-world, escaped Replicants on Earth were hunted by Blade Runner Units, tasked with killing them on sight. The rumors of bootleg Replicants appearing in the Far East has prompted the Tyrell Corp to investigate, determined to protect its monopoly on synthetic humans. Corporate agents and Blade Runners have been deployed to aggressively eliminate any threat from these industrial pirates. In Tokyo, ex-Marine Mead and Replicant Combat Model Stix work as off-the-book P.I.s while searching for the traitor who betrayed them during an unsanctioned mission to Kalanthia. A spree of brutal killings, apparently by a rogue Replicant, has the city of edge, and Stix a suspect. When a young woman named Sayo hires Mead and Stix to find Miyuki, her missing sister, ties to the Yakuza are revealed, plunging them deeper into a dangerous investigation.
Billy Gimp was a bladerunner . . . one of the shadowy procurers of illegal medical supplies for the rapidly expanding, nightmare world of the medical black market. Doc was a skilled surgeon at a government-operated hospital by day . . . and an underground physician by night, providing health care for the multitudes who could not - or would not - qualify for legal medical assistance. Trapped by Health Control Police, Billy Gimp knew he had to warn Doc that they were closing in on him. But something even more deadly than the law had already mad its first move . . . a new plague that Health Control could not handle!
K.W. Jeter picks up the tale of Rick Deckard, the `blade runner' created by Phillip K. Dick and popularized by Ridley Scott's cult classic film. Consistent with the sordid vision of 21st century Los Angeles crafted by Dick and Scott, Jeter creates a stylish piece of thrilling, futuristic suspense that finds Deckard not only in the role of hunter, but also hunted. Again, Deckard is on the trail of an replicant, not knowing that it may be the most elusive and dangerous android of all.
Early in the 21 Century, the Tyrell Corporation advanced Robot evolution to the Nexus phase – a being virtually identical to a human – known as a Replicant. Replicants were used Off-World as slave labor, in the hazardous exploration and colonization of other planets. Replicants who escaped and returned to Earth were hunted by special police squads – Blade Runner Units – with orders to kill any trespassing Replicant upon detection. In 2022, radical elements with the Replicant Underground detonate an EMP device over Los Angeles, destroying Tyrell Corporation’s Nexus databases, and making it easier for escaped Replicants to resettle on Earth. Soon, all Replicants are banned and the Tyrell Corporation declares bankruptcy. In 2027, Aahna ‘Ash’ Ashina, a former Blade Runner rejoined the department to hunt down fugitive Replicants. Her superiors are unaware that her loyalties are divided.
RickDeckard has sold his story to a young Turk film director, Urbenton and shooting is scheduled at an orbital station off planet. Watching his past hunt for the replicants being repeated on the set is doing weird things to his mind. As soon as filming is over he is going straight back to Mars where he has been living incognito with Sarah Tyrell. But before corporation loyalists determined to resurrect the vanquished company.
The Doctor and his travelling companion Alice Obiefune never look for trouble… but somehow it always seems to find them. Most recently, they battled their way out of a reality created to entrap them, and even successfully raised the potentially-genocidal tree creature known as the Sapling into a fully-functional, non-murderous adult, through the power of their joint example. Now it’s time for a little jaunt through time, purely as tourists. Surely nothing can go wrong…
The 1992 release of the "Director's Cut" only confirmed what the international film cognoscenti have know all along: Ridley Scott's Blade Runner, based on Philip K. Dick's brilliant and troubling SF novel Do Androids Dream of Electric Sheep, still rules as the most visually dense, thematically challenging, and influential SF film ever made. Future Noir is the story of that triumph. The making of Blade Runner was a seven-year odyssey that would test the stamina and the imagination of writers, producers, special effects wizards, and the most innovative art directors and set designers in the industry. A fascinating look at the ever-shifting interface between commerce and the art that is modern Hollywood, Future Noir is the intense, intimate, anything-but-glamerous inside account of how the work of SF's most uncompromising author was transformed into a critical sensation, a commercial success, and a cult classic.
