Blacks in Antiquity

Blacks in Antiquity

Author: Frank M. Snowden

Publisher: Harvard University Press

Published: 1970

Total Pages: 396

ISBN-13: 9780674076266

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Investigates the participation of black Africans, usually referred to as "Ethiopians," by the Greek and Romans, in classical civilization, concluding that they were accepted by pagans and Christians without prejudice.


Before Color Prejudice

Before Color Prejudice

Author: Frank M. Snowden

Publisher: Harvard University Press

Published: 1983

Total Pages: 228

ISBN-13: 9780674063815

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In this account of black-white contacts from the Pharaohs to the Caesars, Snowden shows that the ancients did not discriminate against blacks because of their color. He sheds light on the reasons for the absence in antiquity of virulent color prejudice and for the difference in attitudes of whites toward blacks in ancient and modern societies.


Africa and Africans in Antiquity

Africa and Africans in Antiquity

Author: Edwin M. Yamauchi

Publisher: MSU Press

Published: 2001

Total Pages: 352

ISBN-13:

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North American scholars of archaeology, geology, anthropology, linguistics, and other fields present ten essays addressing historical research and archaeology under way in Egypt, North Africa, the Sudan, and the Horn of Africa. Contributors attempt to show that Egyptian contacts with Africa to the south were culturally significant and that the region was an ethnic and cultural mosaic, among other themes. c. Book News Inc.


Untangling Blackness in Greek Antiquity

Untangling Blackness in Greek Antiquity

Author: Sarah F. Derbew

Publisher: Cambridge University Press

Published: 2024-02-08

Total Pages: 0

ISBN-13: 9781108817912

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How should articulations of blackness from the fifth century BCE to the twenty-first century be properly read and interpreted? This important and timely new book is the first concerted treatment of black skin color in the Greek literature and visual culture of antiquity. In charting representations in the Hellenic world of black Egyptians, Aithiopians, Indians, and Greeks, Sarah Derbew dexterously disentangles the complex and varied ways in which blackness has been co-produced by ancient authors and artists; their readers, audiences, and viewers; and contemporary scholars. Exploring the precarious hold that race has on skin coloration, the author uncovers the many silences, suppressions, and misappropriations of blackness within modern studies of Greek antiquity. Shaped by performance studies and critical race theory alike, her book maps out an authoritative archaeology of blackness that reappraises its significance. It offers a committedly anti-racist approach to depictions of black people while rejecting simplistic conflations or explanations.


Black Women in Antiquity

Black Women in Antiquity

Author: Ivan Van Sertima

Publisher: Transaction Publishers

Published: 1984

Total Pages: 928

ISBN-13:

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This unique volume provides an overview of the black queens, madonnas, and goddesses who dominated the history and imagination of ancient times. The authors have concentrated on Ethiopia and Egypt because the documents of the Nile Valley are voluminous compared to the sketchier records in other parts of Africa, but also because the imagination of the world, not just that of Africa, was haunted by these women. They are just as prominent a feature of European mythology as of African reality. The book is divided into three parts: Ethiopia and Egyptian Queens and Goddesses; Black Women in Ancient Art; and Conquerors and Courtesans. This second edition contains two new chapters, one on Hypatia and women's rights in ancient Egypt, and the other on the diffusion into Europe of Isis, the African goddess of Nile Valley civilizations.


African Americans and the Classics

African Americans and the Classics

Author: Margaret Malamud

Publisher: Bloomsbury Publishing

Published: 2016-10-16

Total Pages: 304

ISBN-13: 1786720280

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A new wave of research in black classicism has emerged in the 21st century that explores the role played by the classics in the larger cultural traditions of black America, Africa and the Caribbean. Addressing a gap in this scholarship, Margaret Malamud investigates why and how advocates for abolition and black civil rights (both black and white) deployed their knowledge of classical literature and history in their struggle for black liberty and equality in the United States. African Americans boldly staked their own claims to the classical world: they deployed texts, ideas and images of ancient Greece, Rome and Egypt in order to establish their authority in debates about slavery, race, politics and education. A central argument of this book is that knowledge and deployment of Classics was a powerful weapon and tool for resistance-as improbable as that might seem now-when wielded by black and white activists committed to the abolition of slavery and the end of the social and economic oppression of free blacks. The book significantly expands our understanding of both black history and classical reception in the United States.