Even before the emergence of the civil rights movement, African American religion and progressive politics were assumed to be inextricably intertwined. Savage counters this assumption with the story of a highly diversified religious community whose debates over engagement in the struggle for racial equality were as vigorous as they were persistent.
With the Bible as a guide and heaven as the goal, Oneness Embraced calls God's people to kingdom-focused unity. It tells us why we don't have it, what we need to get it, and what it will look like when we do. Mr. Evans weaves his own story into this word to the church.
Winner of the 2022 Gustave O. Arlt Award in the Humanities, award by by the Council of Graduate Schools Explores the role of jazz celebrities like Ella Fitzgerald, Cab Calloway, Duke Ellington, and Mary Lou Williams as representatives of African American religion in the twentieth century Beginning in the 1920s, the Jazz Age propelled Black swing artists into national celebrity. Many took on the role of race representatives, and were able to leverage their popularity toward achieving social progress for other African Americans. In Lift Every Voice and Swing, Vaughn A. Booker argues that with the emergence of these popular jazz figures, who came from a culture shaped by Black Protestantism, religious authority for African Americans found a place and spokespeople outside of traditional Afro-Protestant institutions and religious life. Popular Black jazz professionals—such as Ella Fitzgerald, Cab Calloway, Duke Ellington, and Mary Lou Williams—inherited religious authority though they were not official religious leaders. Some of these artists put forward a religious culture in the mid-twentieth century by releasing religious recordings and putting on religious concerts, and their work came to be seen as integral to the Black religious ethos. Booker documents this transformative era in religious expression, in which jazz musicians embodied religious beliefs and practices that echoed and diverged from the predominant African American religious culture. He draws on the heretofore unexamined private religious writings of Duke Ellington and Mary Lou Williams, and showcases the careers of female jazz artists alongside those of men, expanding our understanding of African American religious expression and decentering the Black church as the sole concept for understanding Black Protestant religiosity. Featuring gorgeous prose and insightful research, Lift Every Voice and Swing will change the way we understand the connections between jazz music and faith.
The instant New York Times bestseller and companion book to the PBS series. “Absolutely brilliant . . . A necessary and moving work.” —Eddie S. Glaude, Jr., author of Begin Again “Engaging. . . . In Gates’s telling, the Black church shines bright even as the nation itself moves uncertainly through the gloaming, seeking justice on earth—as it is in heaven.” —Jon Meacham, New York Times Book Review From the New York Times bestselling author of Stony the Road and The Black Box, and one of our most important voices on the African American experience, comes a powerful new history of the Black church as a foundation of Black life and a driving force in the larger freedom struggle in America. For the young Henry Louis Gates, Jr., growing up in a small, residentially segregated West Virginia town, the church was a center of gravity—an intimate place where voices rose up in song and neighbors gathered to celebrate life's blessings and offer comfort amid its trials and tribulations. In this tender and expansive reckoning with the meaning of the Black Church in America, Gates takes us on a journey spanning more than five centuries, from the intersection of Christianity and the transatlantic slave trade to today’s political landscape. At road’s end, and after Gates’s distinctive meditation on the churches of his childhood, we emerge with a new understanding of the importance of African American religion to the larger national narrative—as a center of resistance to slavery and white supremacy, as a magnet for political mobilization, as an incubator of musical and oratorical talent that would transform the culture, and as a crucible for working through the Black community’s most critical personal and social issues. In a country that has historically afforded its citizens from the African diaspora tragically few safe spaces, the Black Church has always been more than a sanctuary. This fact was never lost on white supremacists: from the earliest days of slavery, when enslaved people were allowed to worship at all, their meetinghouses were subject to surveillance and destruction. Long after slavery’s formal eradication, church burnings and bombings by anti-Black racists continued, a hallmark of the violent effort to suppress the African American struggle for equality. The past often isn’t even past—Dylann Roof committed his slaughter in the Mother Emanuel AME Church 193 years after it was first burned down by white citizens of Charleston, South Carolina, following a thwarted slave rebellion. But as Gates brilliantly shows, the Black church has never been only one thing. Its story lies at the heart of the Black political struggle, and it has produced many of the Black community’s most notable leaders. At the same time, some churches and denominations have eschewed political engagement and exemplified practices of exclusion and intolerance that have caused polarization and pain. Those tensions remain today, as a rising generation demands freedom and dignity for all within and beyond their communities, regardless of race, sex, or gender. Still, as a source of faith and refuge, spiritual sustenance and struggle against society’s darkest forces, the Black Church has been central, as this enthralling history makes vividly clear.
"When Joseph Nathaniel Beckles registered for the draft in the 1942, he rejected the racial categories presented to him and persuaded the registrar to cross out the check mark she had placed next to Negro and substitute "Ethiopian Hebrew." "God did not make us Negroes," declared religious leaders in black communities of the early twentieth-century urban North. They insisted that so-called Negroes are, in reality, Ethiopian Hebrews, Asiatic Muslims, or raceless children of God. Rejecting conventional American racial classification, many black southern migrants and immigrants from the Caribbean embraced these alternative visions of black history, racial identity, and collective future, thereby reshaping the black religious and racial landscape. Focusing on the Moorish Science Temple, the Nation of Islam, Father Divine's Peace Mission Movement, and a number of congregations of Ethiopian Hebrews, Judith Weisenfeld argues that the appeal of these groups lay not only in the new religious opportunities membership provided, but also in the novel ways they formulated a religio-racial identity. Arguing that members of these groups understood their religious and racial identities as divinely-ordained and inseparable, the book examines how this sense of self shaped their conceptions of their bodies, families, religious and social communities, space and place, and political sensibilities. Weisenfeld draws on extensive archival research and incorporates a rich array of sources to highlight the experiences of average members."--Publisher's description.
Ten personal narratives reveal the shared and distinct struggles of being Black in the Church, facing historic and modern racism. It’s uncertain that Howard Thurman made the remark often attributed to him, “I have been writing this book all my life,” but there is little doubt that he was deeply immersed in reflection on the times that bear an uncanny resemblance to the present day, which give voice to the Black Lives Matter movement. Our “life’s book” is filled with sentence upon sentence of marginalization, pages of apartheid, chapters of separate and unequal. Now this season reveals volumes of violence against Blacks in America. Ten Black women and men explore life through the lens of compelling personal religious narratives. They are people and leaders whose lives are tangible demonstrations of the power of a divine purpose and evidence of what grace really means in face of hardship, disappointment, and determination. Each of the journeys intersect because of three central elements that are the focus of this book. We’re Black. We’re Christians. We’re Methodists. Each starts with the fact, “I'm Black,” but to resolve the conflict of being Christian and Methodist means confronting aspects of White theology, White supremacy, and White racism in order to ground an oppositional experience toward domination over four centuries in America. “The confluence of the everyday indignities of being Black in America; the outrageous, egregious, legalized lynching of George Floyd; and the unforgivable disparities exposed once again by COVID–19 have conspired together to create a seminal moment in America and in The United Methodist Church—in which we must find the courage to say unambiguously ‘Black Lives Matter.’ To stumble or choke on those words is beneath the gospel,” says Bishop Gregory Palmer, who wrote the foreword to the collection. Praise for I'm Black. I'm Christian. I'm Methodist. “This book made me shout, dance, rage and hope—all at once! As a "cradle Methodist," I have deep love for my church and bless it for nurturing my walk with Christ and my passion for social justice. At the same time, I lament that my church is also the place where I have witnessed and been most wounded by virulent racism, sexism, heterosexism, and ageism. Yet, I stay and struggle for the soul of the church because I am a Black Christian woman fired by the love of God-in-Christ-Jesus. I stay because this is MY church and the church of my ancestors. Although I regularly question my decision to remain United Methodist, it is stories like these—from other exuberant love warriors—that remind me that I am called by God to stay, pray, fight, and flourish!” —M. Garlinda Burton, deaconess and interim general secretary, General Commission of Religion and Race, Washington DC “Racism continues to be the unacceptable scandal of American society and the American churches. In spite of some gains such as the diversity of supporters for “Black Lives Matter,” even the best intentioned among us remain largely ignorant of the actual life experience of those who are other than ourselves. This collection of testimonies, edited by Rudy Rasmus, helps remedy that by simply recounting personal stories of being Black, Christian, and Methodist in the United States. White Methodist Christians in particular need to read these stories and take them to heart so that racism and its divisiveness is countered by shared experience and recognition of common humanity across difference. More White Methodists need not only reject racism in our society and church but become active anti-racists willing to do the hard work to create the beloved community, dreamed about by Martin Luther King in the 1960s civil rights movement. —Bruce C. Birch, Dean Emeritus and Professor Emeritus of Biblical Theology Wesley Theological Seminary, Washington DC “This book is a powerful collection interweaving personal stories, denominational and intercultural practices, and Black lives bearing hopeful witness. Readers will have their consciousness raised, and they will think more deeply about the meaning of beloved community and the embodiment of the justice of God.” —Harold J. Recinos, Professor of Church and Society, Perkins School of Theology/SMU, Dallas, Texas “For hundreds of years, we have not listened. This book is our chance to hear the words of the Black leaders in our church. They will change us, remake us, and reform us. Get ready to be transformed by painful truth and deep love. —Rev. Dr. Dottie Escobedo-Frank, Lead Pastor, Catalina United Methodist Church, Tucson, Arizona "I’m Black gives readers a clear picture of the diversity and value of Black culture in church and society. After reading the dynamic stories told by these faithful, transformative church leaders, Black lives will be cherished, and systemic change for the better will take place.” —Joseph W. Daniels, Jr. , Lead Pastor, Emory United Methodist Church, Washington, D.C. "Dr. Rudy Rasmus and others give an insightful look into what it means to be black, Christian and Methodist in America. Their perspectives on the status and plight of being black in America are both engaging and riveting. If you are looking for ways to better understand the nuances and many faces of African American Methodist evangelical life in America, this book is a must-read!" —The Reverend J. Elvin Sadler, D.Min., General Secretary-Auditor, The A.M.E. Zion Church Assistant Dean for Doctoral Studies, United Theological Seminary, Dayton, Ohio "I endorse this powerful book of Essays conceived and edited by my friend Pastor Rudy Rasmus. It is a book for our current and future realities facing the Black Church a must read." —Deborah Bass , Vice-Chairperson, National BMCR
This analysis of four Black religious leaders--Martin Luther King Jr., Malcolm X, Joseph H. Jackson, and Adam Clayton Powell Jr.--reviews their differences and determines whether grounds for coalitional activity still exists. These leaders all clearly agreed that racism should be opposed but they vigorously disagreed on the forms the opposition should take.
The Black Trans Prayer Book is an interfaith and beyond faith collection of poems, spells, incantations, theological narrative and visual offerings by Black Trans, Non-Binary and Intersex people. Re-claiming our divinity and celebrating our essentiality, this text demands space for the brilliance of the many healers and spirit workers in our community.
