A white cope get obsessed with black dick and turns into a whore. He turns into a submissive bitch whenever he sees a black man. All of those black men and Latinos became his sexual superiors. Whenever he sees a black guy walking toward him, he loses all control. His lust kicks into overdrive and all he wants to do is be his sex toy.A black man takes complete control over the cop, and the cop loved being submissive. It became his hugest turn on of his life. The black man starts to whore the cop around to other black guys for money. He would send the cop on calls for duty, to service these men.
Shawn Laveau, a seasoned detective in the NYPD, is not prepared for the evil awaiting him during a stakeout in an affluent region of the city; when a syringe-wielding doctor murders his comrade and then evades arrest, Shawn is left disoriented and traumatized. Unable to shake the lingering terror, he moves to New Orleans, attempting to restart his life as a desk duty officer. Little does he know that he has been marked by an ancient evil that dwells within the bayous surrounding the city, buried deep beneath the muddy waters, awaiting its revenge—a revenge that originated long ago with the breaking of a sacred law. The ruthless demonic spirit soon finds its “puppet” in the form of a sadistic man—the murderous doctor himself—who serves his master in exchange for immortality, offering human sacrifices and orchestrating the conditions needed for the demon’s retribution. Soon a research facility is resurrected within the bayou’s depths. It’s built atop the remains of a psychiatric hospital that collapsed many years before as the result of unspeakable, unholy rites. Little does Shawn know that he and five others will come to know this place well—too well—as the hungry force beckons them there. Bound together by fate and relentlessly pursued by the undying spirit, these chosen six must find a way to overcome evil, lest they be devoured—blood, body, and soul.
When Blacq Coffee made detective, he had one goal in mind: putting a stop to cold cases and catching killers who left families heartbroken. When a serial killer lands in his hometown, he catches Detective Coffee at his weakness. With a crazy partner, Detective Carter, and sicko FBI brother Cason by his side, will they catch the killer or become his prey?
It's the birth year of Ragtime music, 1895, and Lee "Stagolee" Shelton, a St. Louis pimp, murders Billy Lyons, a political gang member. Afterwards, Stagolee makes a deal with Judge Murphy to bring order to the underworld. As a member of a group of pimps called the "Stags," Stagolee makes alliances with the Democratic Party and votes for a Democratic Mayor. Later, the Stag Party, along with the Democratic Party, elects St. Louis's first black policeman. It is this policeman who is sent to arrest Stagolee for the murder of Billy Lyons. Now, nearly 50 years after singer Lloyd Price introduced mainstream audiences to the "Stagger Lee" story, Cecil Brown portrays the events that gave rise to this mainstay of African-American popular culture. This follows the successful Stagolee Shot Billy, Brown's nonfiction account of the same story.
The life of a homicide cop is death with many causes: death for love, death for hate, death for revenge, death for money or death for no reason at all. The homicide cops worst nightmare is death by a serial killer with a plan. This gritty and fast moving story of a search for such a killer is a realistic portrayal of homicide investigation written by a former homicide detective who has been there. I was a homicide investigator during the time frame of this novel and I am impressed with the detail and account of both the technical and routine phases of murder investigations as we did them back in the day. Gerald R. Beavers Former Chief of Police, Asheville, North Carolina and Topeka, Kansas A fresh homicide on the street. Grab your pen and notebook and get to the scene. Beat the bushes. Talk to the street cops who show up. Talk to the street people whose trust you have developed over the years bartenders, prostitutes, crooks, store owners. The drums are beating in the neighborhood. People are talking. Get the right information and you solve the case. No DNA; no C. S. I.; no cell phones; no online information sources. No psychological profi les other than the knowledge and memory of sharp cops. No scientifi c interrogation techniques other than experience and knowledge of human nature. We found the killers and we put them away. This is the way it was in the late 1960s and Ed Mercer captures the tableau perfectly. The Dead Stroll is a nostalgia trip for those of us who walked the walk and talked the talk in those days and a historical document for those cops currently working homicides an authentic depiction of how it was. The scenes of riot and turmoil in the streets, the pressures of external and internal politics, the cops wit and crisp dialogue are all vivid and real. Dont miss this great read which is told in a way that only be written by a guy who has been there. Harry T. OReilly Detective Sergeant (retired) NYPD, Former supervisor, Manhattan South Homicide and Special Victims Unit
Violent crime has been rising sharply in many American cities after two decades of decline. Homicides jumped nearly 17 percent in 2015 in the largest 50 cities, the biggest one-year increase since 1993. The reason is what Heather Mac Donald first identified nationally as the “Ferguson effect”: Since the 2014 police shooting death of Michael Brown in Ferguson, Missouri, officers have been backing off of proactive policing, and criminals are becoming emboldened. This book expands on Mac Donald’s groundbreaking and controversial reporting on the Ferguson effect and the criminal-justice system. It deconstructs the central narrative of the Black Lives Matter movement: that racist cops are the greatest threat to young black males. On the contrary, it is criminals and gangbangers who are responsible for the high black homicide death rate. The War on Cops exposes the truth about officer use of force and explodes the conceit of “mass incarceration.” A rigorous analysis of data shows that crime, not race, drives police actions and prison rates. The growth of proactive policing in the 1990s, along with lengthened sentences for violent crime, saved thousands of minority lives. In fact, Mac Donald argues, no government agency is more dedicated to the proposition that “black lives matter” than today’s data-driven, accountable police department. Mac Donald gives voice to the many residents of high-crime neighborhoods who want proactive policing. She warns that race-based attacks on the criminal-justice system, from the White House on down, are eroding the authority of law and putting lives at risk. This book is a call for a more honest and informed debate about policing, crime, and race.
The New York Times Book Review Editors' Choice • A one-volume selection of four novels in the legendary detective series—blistering, groundbreaking capers set in Harlem's criminal underworld—by master crime writer Chester Himes. With an introduction by New York Times bestselling author S.A. Cosby. “[Himes] put a spin on crime fiction—emphasizing urban atmosphere, street smarts, and uptown carryings-on—unlike anything the genre had previously seen.” —The Boston Globe “Himes’s Harlem saga vies with the novels of David Goodis and Jim Thompson as the inescapable achievement of postwar American crime fiction.” —The New York Times "His implacable drive to examine the Black experience, the disingenuous nature of the American Dream, the reality of pain and sorrow and what it does to the soul, that is what makes [Himes] the bard of the existential African American psyche." —S.A. Cosby, from his Introduction Here in one volume is an exceptional selection from Chester Himes's acclaimed Harlem Detectives series. Winner of France's prestigious Grand Prix de Littérature Policière and lauded by Jean Cocteau as a "prodigious masterpiece," A Rage in Harlem introduces detectives Grave Digger Jones and Coffin Ed Johnson in a searing escapade. In The Real Cool Killers, the duo investigates a shooting and discovers an unsettling personal connection. In The Crazy Kill, a man is found in a breadbasket, stabbed to death, leaving Himes's detectives to find out who among the many suspects did it. And in Cotton Comes to Harlem, the brazen robbery of a notorious con man running a back-to-Africa scam sets off a hunt for a bale of Southern cotton. These masterful novels exhibit Himes's evocative, baroque descriptions of Black life in Harlem and his famously blistering social commentary. Everyman's Library pursues the highest production standards, printing on acid-free paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket. Contemporary Classics include an introduction, a select bibliography, and a chronology of the author's life and times. "The best writer of mayhem yarns since Raymond Chandler." —San Francisco Chronicle
Winner of the Hammett Prize and the Nero Award From the wealthy suburbs to the remains of Detroit’s bankrupt factory districts, August Snow is a fast-paced tale of murder, greed, sex, economic cyber-terrorism, race and urban decay. Tough, smart, and struggling to stay alive, August Snow is the embodiment of Detroit. The son of an African-American father and a Mexican-American mother, August grew up in the city’s Mexicantown and joined the police force only to be drummed out by a conspiracy of corrupt cops and politicians. But August fought back; he took on the city and got himself a $12 million wrongful dismissal settlement that left him low on friends. He has just returned to the house he grew up in after a year away, and quickly learns he has many scores to settle. It’s not long before he’s summoned to the palatial Grosse Pointe Estates home of business magnate Eleanore Paget. Powerful and manipulative, Paget wants August to investigate the increasingly unusual happenings at her private wealth management bank. But detective work is no longer August’s beat, and he declines. A day later, Paget is dead of an apparent suicide—which August isn’t buying for a minute. What begins as an inquiry into Eleanore Paget’s death soon drags August into a rat’s nest of Detroit’s most dangerous criminals, from corporate embezzlers to tattooed mercenaries.
