The Black Madonna, Mysterious Soul Companion. . . Beginning as a research project for a graduate class in Spirituality and Culture, The Black Madonna and all that she represents became a mystical guide for Georgieff on her intimate journey of the human soul. Through travels to some of the world's most famous Black Madonna Shrines, interviews with scholars, scientists, clergy and artists, exploration of the historic evolution of human consciousness and deep reflections on the basic purpose of the spiritual path, Georgieff weaves an intriguing story of our cosmic origins, our difficult present and our hopeful future as a human family.
Following the internationally acclaimed Gold of Kings, Storm Syrrell returns in the compelling story of The Black Madonna. Antiques expert Storm Syrrell heads to Europe to investigate the clandestine trade in religious artifacts. She dismisses superstitious tales of miraculous healings and divine omens. Yet when an obsessive Russian oligarch calls—just as her friend Harry Bennett vanishes—all assumptions must be cast aside. Storm seeks answers in a medieval monastery. There, the scarred visage of an icon provokes ever more startling questions. Is she prepared to confront both earthly and spiritual powers? Storm remains haunted by lessons in love and betrayal that lie just outside her grasp. But hesitation now holds mortal consequences.
Three mothers from New York's Little Italy struggle to maintain their traditions while their sons chafe under the oppressive weight of their ethnic community.
An experiential guide to the ancient healing rituals of the Black Madonna • Reveals the practices and rites of the still-living cult of the Black Madonna in the remote villages of Southern Italy, including the healing rites of the tarantella dance • Details shamanic chants, rhythms, and songs and how to use them for self-healing, transformation, and recovery from abuse, trauma, depression, and addiction • Explores the many sacred sites of the Madonnas and connects them to other Great Goddesses, such as Isis, Aphrodite, Cybeles, and the Orisha Yemanja and Ochun • Includes access to 12 audio tracks The mysteries of the Black Madonna can be traced to pre-Christian times, to the ancient devotion to Isis, the Earth Goddess, and the African Mother, to the era when God was not only female but also black. Sacred sites of the Black Madonna are still revered in Italy, and, as Alessandra Belloni reveals, the shamanic healing traditions of the Black Madonna are still alive today and just as powerful as they were millennia ago. Sharing her more than 35 years of research and fieldwork at sacred sites around the world, Belloni takes you on a mystical pilgrimage of empowerment, initiation, and transformation with the Black Madonna. She explains how her love for Italian folk music led her to learn the ancient tammorriata musical tradition of the Earth Goddess Cybele and the Moon Goddess Diana and discover the still-living cult of the Black Madonna in the remote villages of Southern Italy. She vividly describes the sensual shamanic drumming and ecstatic trance dance rituals she experienced there, including the rites of the tammorriata, the transgender rite of Femminielli, and the erotic “spider dance” of the tarantella, which has been used for centuries in the Mediterranean for healing. Sharing chants, rhythms, and sacred songs, she details how she uses these therapeutic musical and trance practices to heal women and men from abuse, trauma, depression, and addiction and shows how these practices can be used for self-healing and transformation, including her personal story of using the tarantella to overcome cervical cancer. Revealing the profound transformative power of the Black Madonna, Belloni shows how She is the womb of the earth, the dark side of the moon, and the Universal Mother to all. Truly alive for all to call upon, She embraces and gives everyone access to Her divine strength and unconditional love.
This richly illustrated study examines how the Black Madonna has become a symbol of national identity, resistance against oppression, and empowerment for the female populations of such diverse cultures as Poland and Cuba.
The figure of the Virgin Mary comes loaded with baggage and preconceptions. She is usually depicted as the perfect, obedient, and highly esteemed woman, much like the Victorian notion of the “angel in the house.” For many black women, nothing could be more inaccessible. This book considers the relationship between African American women and Mary of Nazareth. After examining the history of black American motherhood during slavery and beyond, this book then gives an overview of the existing views of Mary in both the church and the academy. Lee then brings African American women and Mary together, creating a womanist Mariology by using womanist biblical and theological interpretation, as well as considering black motherhood during the age of “Black Lives Matter.”
For his exhibition "Black Madonna" African-American artist Theaster Gates examined representations of black women, cultural legacies and spirituality. With his band, the Black Monks, he also engaged in a multifaceted musical and performative programme. Through pictorial reportage and new essays, the book illuminates the working methods and concepts underlying the project. Exhibition: Kunstmuseum Basel, Switzerland (09.06. - 21.10.2018).
An immortal, computer-hacking elf has gained control of the computer systems of every megacorporation on the globe. And unless he can be destroyed, every corporation will be--along with the stability and security of the entire planet.
Explores the connection between ancient druidic worship of a virgin at Chartres and the veneration of the Black Madonna • Examines the Virgin Mary’s origins in the pagan worship of the Mother Goddess • Identifies Mary with the dominant solar goddess of matriarchal societies The great cathedral of Chartres is renowned the world over as a masterpiece of High Gothic architecture and for its remarkable stained glass, considered alchemical glass, and its mystical labyrinth. But the sacred foundations of this sanctuary go back to a time long before Christianity when this site was a clearing where druids worshiped a Virgo Paritura: a virgin about to give birth. This ancient meeting place, where all the druids in Gaul gathered once a year, now houses the magnificent Chartres cathedral dedicated both to the Virgin Mary, Mother of God, and to one of the most venerated Black Madonnas in Europe: Our Lady of the Pillar. Coincidence? Hardly, says Jean Markale, whose exhaustive examination of the site traces Chartres’ roots back to prehistoric times and the appeal of the Black Madonna back to the ancient widespread worship of Mother Goddesses such as Cybele and Isis. Markale contends that the mother and child depicted by the Black Madonna are descended from the image worshipped by the druids of the Virgin forever giving birth. This image is not merely a representation of maternal love--albeit of a spiritual nature. It is a theological notion of great refinement: the Virgin gives birth ceaselessly to a world, a God, and a humanity in perpetual becoming.
