With the power of "Lenin's Tomb" and "Balkan Ghosts, " this is an illuminating portrait of contemporary Russia--a country in limbo, a land of vast potential struggling with an unfinished past. "Black Earth" is a penetrating view of the new Russia from a bold new voice in political journalism. 7 maps.
"That Black Earth is an extraordinary work is, for anyone who has known Russia, beyond question."—George Kennan "A compassionate glimpse into the extremes where the new Russia meets the old," writes Robert Legvold (Foreign Affairs) about Andrew Meier's enthralling new work. Journeying across a resurgent and reputedly free land, Meier has produced a virtuosic mix of nuanced history, lyric travelogue, and unflinching reportage. Throughout, Meier captures the country's present limbo—a land rich in potential but on the brink of staggering back into tyranny—in an account that is by turns heartrending and celebratory, comic and terrifying. A 2003 New York Public Library Book to Remember. "Black Earth is the best investigation of post-Soviet Russia since David Remnick's Resurrection. Andrew Meier is a truly penetrating eyewitness."—Robert Conquest, author of The Great Terror; "If President Bush were to read only the chapters regarding Chechnya in Meier's Black Earth, he would gain a priceless education about Putin's Russia."—Zbigniew Brzezinski "Even after the fall of Communism, most American reporting on Russia often goes no further than who's in and who's out in the Kremlin and the business oligarchy. Andrew Meier's Russia reaches far beyond . . . this Russia is one where, as Meier says, history has a hard time hiding. Readers could not easily find a livelier or more insightful guide."—Adam Hochschild, author of King Leopold's Ghost and The Unquiet Ghost: Russians Remember Stalin "From the pointless war in Chechnya to the wild, exhilarating, and dispiriting East and the rise of Vladimir Putin, the former KGB officer—it's all here in great detail, written in the layers the story deserves, with insight, passion, and genuine affection."—Michael Specter, staff writer, The New Yorker; co-chief, The New York Times Moscow Bureau, 1995-98. "[Meier's] knowledge of the country and his abiding love for its people stands out on every page of this book....But it is his linguistic fluency, in particular, which enables Mr. Meier to dig so deeply into Russia's black earth."—The Economist "A wonderful travelogue that depicts the Russian people yet again trying to build a new life without really changing their old one."—William Taubman, The New York Times Book Review.
An in-depth exploration of Ukraine through encounters with the many different people who live there. “Will someone pay for the spilled blood? No. Nobody.” Mikhail Bulgakov composed this ominous and prophetic phrase in Kiev amid the turmoil of the Russian civil war. Since then, Ukrainian borders have shifted constantly, and its people have suffered numerous military foreign interventions. Ukraine has only existed as an independent state since 1991, and what exactly it was before then is controversial among its people as well as its European neighbors. In Black Earth: A Journey through the Ukraine, journalist and celebrated travel writer Jens Mühling takes readers across the country amid the ousting of former president Viktor Yanukovych and the Russian annexation of Crimea. Mühling delves deep into daily life in Ukraine, narrating his encounters with Ukrainian nationalists and old communists, Crimean Tatars and Cossacks, smugglers, and soldiers. Black Earth connects all these stories to convey an unconventional and unfiltered view of Ukraine, a country at the crossroads of Europe and Asia and the center of countless conflicts. In this paperback edition, a new preface is included that takes into account recent developments up to the 2022 war between Russia and Ukraine.
A “magisterial” (The Wall Street Journal) portrait of four generations of the Morgenthau family, a dynasty of power brokers and public officials with an outsize—and previously unmapped—influence extending from daily life in New York City to the shaping of the American Century A New York Times Book Review Editor’s Choice • A New Yorker Book of the Year “Exhaustively researched, vividly written, and a welcome reminder that even the most noxious evils can be vanquished when capable and committed citizens do their best.”—David M. Kennedy, Pulitzer Prize–winning author of Freedom from Fear After coming to America from Germany in 1866, the Morgenthaus made history in international diplomacy, in domestic politics, and in America’s criminal justice system. With unprecedented, exclusive access to family archives, award-winning journalist and biographer Andrew Meier vividly chronicles how the Morgenthaus amassed a fortune in Manhattan real estate, advised presidents, advanced the New Deal, exposed the Armenian genocide, rescued victims of the Holocaust, waged war in the Mediterranean and Pacific, and, from a foundation of private wealth, built a dynasty of public service. In the words of former mayor Ed Koch, they were “the closest we’ve got to royalty in New York City.” Lazarus Morgenthau arrived in America dreaming of rebuilding the fortune he had lost in his homeland. He ultimately died destitute, but the family would rise again with the ascendance of Henry, who became a wealthy and powerful real estate baron. From there, the Morgenthaus went on to influence the most consequential presidency of the twentieth century, as Henry’s son Henry Jr. became FDR’s longest-serving aide, his Treasury secretary during the war, and his confidant of thirty years. Finally, there was Robert Morgenthau, a decorated World War II hero who would become the longest-tenured district attorney in the history of New York City. Known as the “DA for life,” he oversaw the most consequential and controversial prosecutions in New York of the last fifty years, from the war on the Mafia to the infamous Central Park Jogger case. The saga of the Morgenthaus has lain half hidden in the shadows for too long. At heart a family history, Morgenthau is also an American epic, as sprawling and surprising as the country itself.
Charlotte Hobson spent her gap year as a student in Voronezh, in deepest provincial Russia. Her arrival coincided with the collapse of this society, as initial optimism about the fall of communism gave way to disillusionment and uncertainy. These feelings are mirrored in the doomed love affair she has with the vodka-swilling Mitya. They too started out in a mood of wild optimism, and felt that anything was possible. Until in the spring the snow thawed, and revealed the black earth beneath.
Russia today is a world in a dark limbo. The body politic is diseased, the state in collapse. Yet for all the signs of encroaching doom, Russians do not fear the future. They fear the past. Russians have long known theirs is not a land that develops and progresses. It careens, heaves, and all too often sinks. Once again, Russia stands at a crossroads getting by on little but faith, vodka and a blithe indifference to the moral and financial bankruptcy looming from all sides. Andrew Meier's stunning debut explains a state in collapse; how millions of Russians have been displaced by the death of an ideology. It seeks to explain how the Russian government can increase defence spending by 50% whilst the poverty line cuts through a third of its households, and the people face epidemics of AIDS, TB, alcoholism and suicide. Russia's story is told through the voices of Russians who live at the five corners of the nation. It is a dramatic portrait of Russia at a time when the old regime has given way, but the new has yet to take hold. Meier has travelled to the extremes - north to Norilsk above the Arctic Circle; east to Sakhalin, south to Vladikavkaz and west to St. Petersburg. And to Moscow. His writing is classic, poised, poignantly observant and richly human. No one has yet captured the historical, cultural and political disintegration of Russia as well as Andrew Meier.
A young woman's heady encounter with the new Russia, as she and the country thrill to their first taste of freedom It is September 1991 and the dismantling of the Soviet Union is under way. In Voronezh, a provincial town famous for its loamy black earth, a sense of lightheartedness-part fear, part exhilaration-pervades. The people conquer uncertainty, hunger, and -20 degree temperatures by drinking huge quantities of black-market vodka and reveling in their new-found sexual freedom. Black Earth City is Charlotte Hobson's record of this tumultuous time. An irresistible guide, she brings us into the cramped, rundown Hostel no. 4, where international students and locals congregate. We meet Yakov, who blows half-a-million rubles on a taxi to see a girl in Minsk; Lola, who sleeps with her peers for a share of their dinner; Viktor, with his brutal memories of military service; and Mitya, Hobson's wild and optimistic lover whose gradual disillusion-and dissolution-mirrors his country's dramatic lurch from euphoria to despair. At once loving and sharp-edged, tender and brave, Black Earth City reveals a world and a woman as they open up to life.
Lourie posits that "Putin's Russia will collapse just as Imperial Russia did in 1917 and as Soviet Russia did in 1991. The only questions are when, how violently, and with how much peril for the world. The U.S. election complicates everything, including Putin's next land grab, exploitations of the Arctic, cyber-espionage, Putin and China ... and many more ... topics"--Provided by publisher.
A brilliant, haunting, and profoundly original portrait of the defining tragedy of our time. In this epic history of extermination and survival, Timothy Snyder presents a new explanation of the great atrocity of the twentieth century, and reveals the risks that we face in the twenty-first. Based on new sources from eastern Europe and forgotten testimonies from Jewish survivors, Black Earth recounts the mass murder of the Jews as an event that is still close to us, more comprehensible than we would like to think, and thus all the more terrifying. The Holocaust began in a dark but accessible place, in Hitler's mind, with the thought that the elimination of Jews would restore balance to the planet and allow Germans to win the resources they desperately needed. Such a worldview could be realized only if Germany destroyed other states, so Hitler's aim was a colonial war in Europe itself. In the zones of statelessness, almost all Jews died. A few people, the righteous few, aided them, without support from institutions. Much of the new research in this book is devoted to understanding these extraordinary individuals. The almost insurmountable difficulties they faced only confirm the dangers of state destruction and ecological panic. These men and women should be emulated, but in similar circumstances few of us would do so. By overlooking the lessons of the Holocaust, Snyder concludes, we have misunderstood modernity and endangered the future. The early twenty-first century is coming to resemble the early twentieth, as growing preoccupations with food and water accompany ideological challenges to global order. Our world is closer to Hitler's than we like to admit, and saving it requires us to see the Holocaust as it was --and ourselves as we are. Groundbreaking, authoritative, and utterly absorbing, Black Earth reveals a Holocaust that is not only history but warning.
In 1978, the South African activist and novelist Alex La Guma (1925–1985) published A Soviet Journey, a memoir of his travels in the Soviet Union. Today it stands as one of the longest and most substantive first-hand accounts of the USSR by an African writer. La Guma’s book is consequently a rare and important document of the anti-apartheid struggle and the Cold War period, depicting the Soviet model from an African perspective and the specific meaning it held for those envisioning a future South Africa. For many members of the African National Congress and the South African Communist Party, the Soviet Union represented a political system that had achieved political and economic justice through socialism—a point of view that has since been lost with the collapse of the USSR and the end of the Cold War. This new edition of A Soviet Journey—the first since 1978—restores this vision to the historical record, highlighting how activist-intellectuals like La Guma looked to the Soviet Union as a paradigm of self-determination, decolonization, and postcolonial development. The introduction by Christopher J. Lee discusses these elements of La Guma’s text, in addition to situating La Guma more broadly within the intercontinental spaces of the Black Atlantic and an emergent Third World. Presenting a more expansive view of African literature and its global intellectual engagements, A Soviet Journey will be of interest to readers of African fiction and non-fiction, South African history, postcolonial Cold War studies, and radical political thought.