The book you hold in your hands is an interdisciplinary study on diaspora literacy in Afro-Central America. An exploration through various imaginings of times past, this study is concerned with how oxymoron, metonymy, and multilingualism deploy pluricentrical belonging. By exploring the interlocking of multiple roots that have developed on account of routes, rhizomatic historical imaginations are unearthed here so as to imagine an other Costa Rica. A Black Costa Rica.
"With the current growth of interest in Afro-Hispanic and Afro-Latin American cultural and literary studies, this book will be essential for courses in Latin American and Caribbean literature, comparative studies, diaspora studies, history, cultural studies, and the literature of migration."--BOOK JACKET.
Unlike most books on slavery in the Americas, this social history of Africans and their enslaved descendants in colonial Costa Rica recounts the journey of specific people from West Africa to the New World. Tracing the experiences of Africans on two Danish slave ships that arrived in Costa Rica in 1710, the Christianus Quintus and Fredericus Quartus, the author examines slavery in Costa Rica from 1600 to 1750. Lohse looks at the ethnic origins of the Africans and narrates their capture and transport to the coast, their embarkation and passage, and finally their acculturation to slavery and their lives as slaves in Costa Rica. Following the experiences of girls and boys, women and men, he shows how the conditions of slavery in a unique local setting determined the constraints that slaves faced and how they responded to their condition.
Harpelle (history, Lakehead U.) examines the migration of Caribbean people of African descent to the Hispanic-dominated, "white-settler" society of Costa Rica from 1900 to 1950, and the gradual ethnic transformation of this group into Afro-Costa Ricans. Coverage includes the expansion of the Costa Rican banana industry and the rise of the West Indian labor force; the emergence of the young Jamaican activist, Marcus Garvey; the post-WWI period of heightened unrest; attempts by Costa Rican governments, organizations and individuals to destroy the West Indian community; the eventual integration of West Indians into Costa Rican society in the 1940s and early-1950s; and the eventual formation of the Afro-Costa Rican identity. Distributed in the US by Cornell University Services. c. Book News Inc.
Many of the earliest Africans to arrive in the Americas came to Central America with Spanish colonists in the sixteenth and seventeenth centuries, and people of African descent constituted the majority of nonindigenous populations in the region long thereafter. Yet in the development of national identities and historical consciousness, Central American nations have often countenanced widespread practices of social, political, and regional exclusion of blacks. The postcolonial development of mestizo or mixed-race ideologies of national identity have systematically downplayed African ancestry and social and political involvement in favor of Spanish and Indian heritage and contributions. In addition, a powerful sense of place and belonging has led many peoples of African descent in Central America to identify themselves as something other than African American, reinforcing the tendency of local and foreign scholars to see Central America as peripheral to the African diaspora in the Americas. The essays in this collection begin to recover the forgotten and downplayed histories of blacks in Central America, demonstrating the centrality of African Americans to the region’s history from the earliest colonial times to the present. They reveal how modern nationalist attempts to define mixed-race majorities as “Indo-Hispanic,” or as anything but African American, clash with the historical record of the first region of the Americas in which African Americans not only gained the right to vote but repeatedly held high office, including the presidency, following independence from Spain in 1821. Contributors. Rina Cáceres Gómez, Lowell Gudmundson, Ronald Harpelle, Juliet Hooker, Catherine Komisaruk, Russell Lohse, Paul Lokken, Mauricio Meléndez Obando, Karl H. Offen, Lara Putnam, Justin Wolfe
This book is an oral history and ethnography of the Afro-Caribbean individuals and families who settled in Tortuguero, a small village in northeastern Costa Rica. The author uses the concept of creole cultures and societies to analyze and interpret the descriptive, ethnographic data in the book. lllustrated.
Quince Duncan is a comprehensive study of the published short stories and novels of Costa Rica’s first novelist of African descent and one of the nation’s most esteemed contemporary writers. The grandson of Jamaican and Barbadian immigrants to Limón, Quince Duncan (b. 1940) incorporates personal memories into stories about first generation Afro–West Indian immigrants and their descendants in Costa Rica. Duncan’s novels, short stories, recompilations of oral literature, and essays intimately convey the challenges of Afro–West Indian contract laborers and the struggles of their descendants to be recognized as citizens of the nation they helped bring into modernity. Through his storytelling, Duncan has become an important literary and cultural presence in a country that forged its national identity around the leyenda blanca (white legend) of a rural democracy established by a homogeneous group of white, Catholic, and Spanish peasants. By presenting legends and stories of Limón Province as well as discussing the complex issues of identity, citizenship, belonging, and cultural exile, Duncan has written the story of West Indian migration into the official literary discourse of Costa Rica. His novels Hombres curtidos (1970) and Los cuatro espejos (1973) in particular portray the Afro–West Indian community in Limón and the cultural intolerance encountered by those of African-Caribbean descent who migrated to San José. Because his work follows the historical trajectory from the first West Indian laborers to the contemporary concerns of Afro–Costa Rican people, Duncan is as much a cultural critic and sociologist as he is a novelist. In Quince Duncan, Dorothy E. Mosby combines biographical information on Duncan with geographic and cultural context for the analysis of his works, along with plot summaries and thematic discussions particularly helpful to readers new to Duncan.
In these brief and accessible case studies, Costa Rican millennial leaders draw from global solutions to address local problems, inviting students of these emerging social movements to apply similar strategies to their communities at home.
Quince Duncan is one of the most significant yet understudied Black writers in the Americas. A third-generation Afro-Costa Rican of West Indian heritage, he is the first novelist of African descent to tell the story of Jamaican migration to Costa Rica. Duncan’s work has been growing in popularity among scholars and teachers of Afro-Latin American literature and African Diaspora Studies. This translation brings two of his major novels to English-speaking audiences for the first time, Weathered Men and The Four Mirrors. The book will be invaluable for those eager to develop further their background in Afro-Latin American literature, and it will enable students and faculty members in other fields such as comparative literature to engage with the burgeoning area of Afro-Latin American literary studies.
