Let these words guide you home, Let them be your last ray, When everything turns into dust, Let them keep your heart safe. The past is dead and gone; all that have stayed alive are memories in the form of words. Bittersweet Memories is a collection of quotes, micro poems and prose by Parul Nigam. It includes pain, angst and so much love coming straight from the heart of an 18-year-old girl. The book is a refuge for the restless souls out there who are constantly battling with the society and with themselves. This debut is a ray of hope for the people who feel that overcoming their past is impossible. It is a reminder that no matter how bad you’ve been hurt, there’s always light waiting for you to reach the end of the tunnel. Illustrated by Deepa Nigam
This book seeks to understand what really happened at the Peoria State Hospital during its fascinating history and to do so as accurately as possible. In the end, the individual reader will be allowed to draw his or her own conclusions regarding the hospital and those who call it their "home."
She was beautiful. She was ruthless. Recruited at the age of twenty-three by legendary spymaster William Stephenson - code name: Intrepid - Vera Atkins undertook countless perilous missions in the 1930s. Her fierce intellect, personal courage, and facility with languages quickly propelled her to the leadership echelon of the Special Operations Executive (SOE), a covert intelligence agency formed by Winston Churchill. During World War II, she became Great Britain's spymistress. Her agents penetrated deep behind enemy lines, aided resistance fighters, destroyed vital targets, helped Allied pilots evade capture, and radioed information back to London. They were prepared to die to liberate Europe from the Nazis. Vera Atkins was demobilized in 1947. Author William Stevenson was the only person she trusted to record her life - as he had done for her one-time recruiter, Intrepid - with one condition: He would not publish her biography until after her death. Here is her incredible story. Book jacket.
Loss and impermanence are inescapable, part of the warp and weft of our lives. They are essential to love, to growth, and to art. And yet, too often, we do not acknowledge loss, let alone honour the experience of it. Illuminating, thoughtful, and deeply necessary, Susan Cain's new book will help us to name and value the experience of loss, pointing the way toward ways of being and rituals that help us to accept it rather than bury it. Blending memoir, reportage, and social science, it will reveal that joy and loss exist in equilibrium; that vulnerability, or even a melancholy temperament, can be a strength; and that embracing our inevitable losses makes us more human and more whole.
A personal memoir explores the intertwined natures of happiness and sadness, discussing how bitter experiences balance out the sweetness in life and how change can be an opportunity for growth and a function of God's graciousness.
The Last Ten Days addresses the concerns of loved ones and caregivers, providing them not only with information but also acknowledging the sadness and frustration, the heartache and bittersweet memories experienced during this painful time. To these readers, the book says, “You are not alone.” The Last Ten Days: Academia, Dementia, and the Choice to Die is a heartrending memoir of love, scholarship, dignity, courage, and the choices one is forced to make when given the devastating diagnosis of a terminal illness. Spanning sixty years, this extraordinary book recounts the love story of Martha Risberg Brosio and her husband, Richard Brosio, Ph.D., a brilliant scholar and college professor whose communication skills dazzled all with whom he came in contact. Teenage sweethearts who went their separate ways after high school, Martha and Richard reconnected twenty-six years later over a friendly dinner that sparked into passionate love. They married in 1983, enjoying a vibrant life. Then tragedy struck. In late 2013, Richard was diagnosed with Primary Progressive Aphasia, a type of dementia similar to Alzheimer’s that affects the frontal and temporal lobes of the brain. The disease impacted Richard’s ability to communicate. Eventually, he would lose his verbal and processing skills. There was no cure. Determined to have a dignified death at the time and in the manner of his own choosing, Richard hastened his death two years after his diagnosis by voluntarily stopping eating and drinking, seeking only palliative and hospice care until the end. Reminiscent of Still Alice, The Notebook, Tuesdays with Morrie, and When Breath Becomes Air, The Last Ten Days grabs the heartstrings and gives a mighty tug.
Japan’s internationally celebrated master storyteller returns with five stories of women on their way to healing that vividly portrays the blissful moments and everyday sorrows that surround us in everyday life A New York Times Notable Book "This is a supremely hopeful book, one that feels important because it shows that happiness, while not always easy, is still a subject worthy of art." —Brandon Taylor, The New York Times Book Review First published in Japan in 2003 and never before published in the United States, Dead-End Memories collects the stories of five women who, following sudden and painful events, quietly discover their ways back to recovery. Among the women we meet in Dead-End Memories is one betrayed by her fiancé who finds a perfect refuge in an apartment above her uncle’s bar while seeking the real meaning of happiness. In “House of Ghosts,” the daughter of a yoshoku restaurant owner encounters the ghosts of a sweet elderly couple who haven’t yet realized that they’ve been dead for years. In “Tomo-chan’s Happiness,” an office worker who is a victim of sexual assault finally catches sight of the hope of romance. Yoshimoto’s gentle, effortless prose reminds us that one true miracle can be as simple as having someone to share a meal with, and that happiness is always within us if only we take a moment to pause and reflect. Discover this collection of what Yoshimoto herself calls the “most precious work of my writing career.”
