A journalist's gritty portrait of a year on the rodeo circuit tells the story of modern cowboys traveling the country chasing a dangerous eight-second dream of fame and fortune on the back of a wild horse or a bull. 17,500 first printing. Tour.
I'm Jaz Parks. CIA assassin. Black belt. Belly dancer at the Corpus Christi Winter Festival. The last is cover for my latest mission: retrieve a vital piece of biotechnology by killing the maniac who stole it. He's Chien-Lung, an obsessive vamp who's invulnerable while wearing his armor - which is constantly. Then there are the reavers, ancient fiends who murder innocents and eat their souls. Only I can sense them. So it's not long before they'll want me dead, dead, dead.
Examines the history and sociology of housework, using research, interviews, and analyses of characters from television, literature, and advertising to explore how, why, and who does the cleaning.
The merry adventures of two scrapping alligator children—and of Rosa and Willy, their human counterparts. ‘Else Holmelund Minarik, whose Little Bear indicated a uniquely charming talent, has outdone herself here.’ —K.
A powerful post-nuclear holocaust novel described by the author as, 'my cry against the monstrous weapons men have made'. Everyone thought, when the alarm bell rang, that it was just another fire practice. But the first bombs had fallen on Hamburg and Leningrad, the headmaster said, and a full-scale nuclear attack was imminent . . . It's a real-life nightmare. Sarah and her family have to stay cooped up in the tightly-sealed kitchen for days on end, dreading the inevitable radioactive fall-out and the subsequent slow, torturous death, which seems almost preferable to surviving in a grey, dead world, choked by dust. But then, from out of the dust and the ruins and the desolation, comes new life, a new future, and a whole brave new world...
This dictionary contains around 60,000 English terms with their Dutch translations, making it one of the most comprehensive books of its kind. It offers a wide vocabulary from all areas as well as numerous idioms. The terms are translated from English to Dutch. If you need translations from Dutch to English, then the companion volume The Great Dictionary Dutch - English is recommended.
Three years after the conclusion of his trilogy, On This Earth, A Shadow Falls Across the Ravaged Land, Nick Brandt returns to East Africa to photograph the escalating changes to the continent's natural world. In a series of epic panoramas, Brandt records the impact of man in places where animals used to roam, but no longer do. In each location, Brandt erects a life size panel of one of his animal portrait photographs, setting the panels within a world of explosive urban development, factories, wasteland and quarries. The people within the photographs are oblivious to the presence of the panels and the animals featured in them, who are now no more than ghosts in the landscape. Some of the animals in the panels appear to be looking out at these destroyed landscapes with sadness, as if lamenting the loss of the world they once inhabited. By the end, we see that it is not just the animals who are the victims in this out of control world, but also the humans. Inherit the Dust also includes plates of the original portraits of the animals that are featured in the life-size panels, the unique emotional animal portraiture for which Brandt is recognized. There are also two essays by the artist: a text about the crisis facing the conservation of the natural world in East Africa, and behind-the-scenes descriptions of Brandt's elaborate production process, with accompanying documentary photographs.
Today in the United States, laws exist at all levels of government that exacerbate problems such as food waste, hunger, inhumane livestock conditions, and disappearing fish stocks. Baylen Linnekin argues that government rules often handcuff America's most sustainable farmers, producers, sellers, and consumers, while rewarding those whose practices are anything but sustainable. Biting the Hands that Feed Us introduces readers to the perverse consequences of many food rules, from crippling organic farms to subsidizing monocrops. Linnekin also explores what makes for a good law--often, he explains, these emphasize good outcomes over rigid processes. But he urges readers to reconsider efforts to regulate our way to a greener food system, calling instead for empowerment of those working to feed us--and themselves--sustainably.