Samuel Beckett has become the standard work on the enigmatic, controversial, and Nobel Prize-winning creator of such contributions to 20th-century theater as Waiting for Godot and Endgame. 16 pages of black-and-white photographs.
"Do unto others as ye would have them do unto you" are the words upon which Samuel M. Jones, self-made millionaire and mayor of Toledo, Ohio (1897-1904) organized his life, business, and political career. Unlike most progressive reformers, Jones was in a position to initiate real change. His factory workers shared in the profits and took advantage of day-care facilities for their children. As mayor, he was a nationally revered public figure who supported municipal ownership of utilities, ended the practice of jailing the homeless, and made available free legal counsel to those who needed it. Marnie Jones relies upon a rich collection of unpublished documents to tell the compelling story of the only man in America to have run a city on the principles of the Sermon on the Mount.
A PULITZER PRIZE FINALIST A Publishers Weekly Best Book of the Year National Book Award-winning biographer Deirdre Bair explores her fifteen remarkable years in Paris with Samuel Beckett and Simone de Beauvoir, painting intimate new portraits of two literary giants and revealing secrets of the biographical art. In 1971 Deirdre Bair was a journalist and recently minted Ph.D. who managed to secure access to Nobel Prize-winning author Samuel Beckett. He agreed that she could be his biographer despite her never having written—or even read—a biography before. The next seven years comprised of intimate conversations, intercontinental research, and peculiar cat-and-mouse games. Battling an elusive Beckett and a string of jealous, misogynistic male writers, Bair persevered. She wrote Samuel Beckett: A Biography, which went on to win the National Book Award and propel Deirdre to her next subject: Simone de Beauvoir. The catch? De Beauvoir and Beckett despised each other—and lived essentially on the same street. Bair learned that what works in terms of process for one biography rarely applies to the next. Her seven-year relationship with the domineering and difficult de Beauvoir required a radical change in approach, yielding another groundbreaking literary profile and influencing Bair’s own feminist beliefs. Parisian Lives draws on Bair’s extensive notes from the period, including never-before-told anecdotes. This gripping memoir is full of personality and warmth and gives us an entirely new window on the all-too-human side of these legendary thinkers.
Samuel Palmer (1805–1881) was one of the leading British landscape painters of the nineteenth century. Inspired by his mentor, the artist and poet William Blake, Palmer brought a new spiritual intensity to his romantic depictions of nature. A Memoir of Samuel Palmer contains the first biography of the artist, written by his son A. H. Palmer; a critical appreciation of Palmer by Pre-Raphaelite artist and critic F. G. Stephens, which provides a deeply personal look at the painter as well as insight into the reception of his art during the Victorian era; and an autobiographical letter by Palmer himself.
In this stirring biography, Samuel Adams joins the first tier of founding fathers, a rank he has long deserved. With eloquence equal to that of Thomas Jefferson and Tom Paine, and with a passionate love of God, Adams helped ignite the flame of liberty and made sure it glowed even during the Revolution's darkest hours. He was, as Jefferson later observed, "truly the man of the Revolution." In a role that many Americans have not fully appreciated until now, Adams played a pivotal role in the events leading up to the bloody confrontation with the British. Believing that God had willed a free American nation, he was among the first patriot leaders to call for independence from England. He was ever the man of action: He saw the opportunity to stir things up after the Boston Massacre and helped plan and instigate the Boston Tea Party, though he did not actually participate in it. A fiery newspaper editor, he railed ceaselessly against "taxation without representation." In a relentless blizzard of articles and speeches, Adams, a man of New England, argued the urgency of revolution. When the top British general in America, Thomas Gage, offered a general amnesty in June 1775 to all revolutionaries who would lay down their arms, he excepted only two men, John Hancock and Samuel Adams: These two were destined for the gallows. It was this pair, author Ira Stoll argues, whom the British were pursuing in their fateful march on Lexington and Concord. In the tradition of David McCullough's John Adams, Joseph Ellis's The Founding Brothers, and Walter Isaacson's Benjamin Franklin, Ira Stoll's Samuel Adams vividly re-creates a world of ideas and action, reminding us that none of these men of courage knew what we know today: that they would prevail and make history anew. The idea that especially inspired Adams was religious in nature: He believed that God had intervened on behalf of the United States and would do so as long asits citizens maintained civic virtue. "We shall never be abandoned by Heaven while we act worthy of its aid and protection," Adams insisted. A central thesis of this biography is that religion in large part motivated the founding of America. A gifted young historian and newspaperman, Ira Stoll has written a gripping story about the man who was the revolution's moral conscience. Sure to be discussed widely, this book reminds us who Samuel Adams was, why he has been slighted by history, and why he must be remembered.
At my first sight of a painting by Samuel Bak, I had the keen sense that he was telling me stories with his brush. Now that at long last he has written this book, I find it no wonder that he has painted with his pen.... Among the tens and hundreds of books I have read about the pre-Shoah and post-Shoah period... Bak’s book is unique. Despite being suffused with a sense of loss, horror, degradation, and death, it is ultimately a sanguine, funny book, full of the love of life, rocking with an almost cathartic joy. At times I found myself bursting out laughing... a marvelous ode, a colorful hymn to the forces of life, love, creation, and the joys of the senses. —From the Foreword by Amos Oz In Painted in Words internationally renowned artist Samuel Bak sets aside his brushes to narrate the stories of his life—as a child in Nazi-occupied Vilna, as a youth in European refugee camps, and as a maturing artist in Israel, France, Italy, Switzerland, and the United States. With gentle humor, the child prodigy of the faraway past and the accomplished artist of today engage in a spirited dialogue from which emerges a self-portrait of "The Artist as a Young—and middle-aged and aging—Survivor." The brilliance, vision, and virtuosity that Bak brings to his painting are equally in evidence in his writing. This deeply touching work is an important contribution to Holocaust literature and art history.
At age 26, scrawny, Oxford-educated Samuel Fussell entered a YMCA gym in New York to escape the terrors of big city life. Four years and 80 lbs. of firm, bulging muscle later, he was competing for bodybuilding titles in the "Iron Mecca" of Southern California-so weak from intense training and starvation he could barely walk. MUSCLE is the harrowing, often hilarious chronicle of Fussell's divine obsession, his search for identity in a bizarre, eccentric world of "health fascists," "gym bunnies" and "muscleheads"-and his devout, single-minded acceptance of illness, pain, nausea, and steroid-induced rage in his quest for the holy grail of physical perfection.