Hammering Techniques in Greek and Roman Jewellery and Toreutics

Hammering Techniques in Greek and Roman Jewellery and Toreutics

Author: Michail Yu Treister

Publisher: BRILL

Published: 2001

Total Pages: 664

ISBN-13: 9789004121508

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This reference work which brings together tools of ancient toreuts (matrices, punches) and actual finds of hammered metalwork offers new complex approaches to study a particular technique of Greek, Roman and relaterd toreutics and jewellery manufacture.


Phoenicia

Phoenicia

Author: J. Brian Peckham

Publisher: Penn State Press

Published: 2014-10-23

Total Pages: 641

ISBN-13: 1646021223

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Phoenicia has long been known as the homeland of the Mediterranean seafarers who gave the Greeks their alphabet. But along with this fairly well-known reality, many mysteries remain, in part because the record of the coastal cities and regions that the people of Phoenicia inhabited is fragmentary and episodic. In this magnum opus, the late Brian Peckham examines all of the evidence currently available to paint as complete a portrait as is possible of the land, its history, its people, and its culture. In fact, it was not the Phoenicians but the Canaanites who invented the alphabet; what distinguished the Phoenicians in their turn was the transmission of the alphabet, which was a revolutionary invention, to everyone they met. The Phoenicians were traders and merchants, the Tyrians especially, thriving in the back-and-forth of barter in copper for Levantine produce. They were artists, especially the Sidonians, known for gold and silver masterpieces engraved with scenes from the stories they told and which they exchanged for iron and eventually steel; and they were builders, like the Byblians, who taught the alphabet and numbers as elements of their trade. When the Greeks went west, the Phoenicians went with them. Italy was the first destination; settlements in Spain eventually followed; but Carthage in North Africa was a uniquely Phoenician foundation. The Atlantic Spanish settlements retained their Phoenician character, but the Mediterranean settlements in Spain, Sicily, Sardinia, and Malta were quickly converted into resource centers for the North African colony of Carthage, a colony that came to eclipse the influence of the Levantine coastal city-states. An emerging independent Western Phoenicia left Tyre free to consolidate its hegemony in the East. It became the sole west-Asiatic agent of the Assyrian Empire. But then the Babylonians let it all slip away; and the Persians, intent on war and world domination, wasted their own and everyone’s time trying to dominate the irascible and indomitable Greeks. The Punic West (Carthage) made the same mistake until it was handed off to the Romans. But Phoenicia had been born in a Greek matrix and in time had the sense and good grace to slip quietly into the dominant and sustaining Occidental culture. This complicated history shows up in episodes and anecdotes along a frangible and fractured timeline. Individual men and women come forward in their artifacts, amulets, or seals. There are king lists and alliances, companies, and city assemblies. Years or centuries are skipped in the twinkling of any eye and only occasionally recovered. Phoenicia, like all history, is a construct, a product of historiography, an answer to questions. The history of Phoenicia is the history of its cities in relationship to each other and to the peoples, cities, and kingdoms who nourished their curiosity and their ambition. It is written by deduction and extrapolation, by shaping hard data into malleable evidence, by working from the peripheries of their worlds to the centers where they lived, by trying to uncover their mentalities, plans, beliefs, suppositions, and dreams in the residue of their products and accomplishments. For this reason, the subtitle, Episodes and Anecdotes from the Ancient Mediterranean, is a particularly appropriate description of Peckham’s masterful (posthumous) volume, the fruit of a lifetime of research into the history and culture of the Phoenicians.


French Art Deco

French Art Deco

Author: Jared Goss

Publisher: Metropolitan Museum of Art

Published: 2014-09-30

Total Pages: 282

ISBN-13: 0300204302

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Art Deco—the term conjures up jewels by Van Cleef & Arpels, glassware by Laique, furniture by Ruhlmann—is best exemplified in the work shown at the exhibition that gave the style its name: the Exposition Internationale des Art Décoratifs et Industriels Modernes, held in Paris in 1925. The exquisite craftsmanship and artistry of the objects displayed spoke to a sophisticated modernity yet were rooted in past traditions. Although it quickly spread to other countries, Art Deco found its most coherent expression in France, where a rich cultural heritage was embraced as the impetus for creating something new. the style drew on inspirations as diverse as fashion, avant-garde trends in the fine arts—such as Cubism and Fauvism—and a taste for the exotic, all of which converged in exceptionally luxurious and innovative objects. While the practice of Art Deco ended with the Second World War, interest in it has not only endured to the present day but has grown steadily. Based on the Metropolitan Museum's renowned collection French Art Deco presents more than eighty masterpieces by forty-two designers. Examples include Süe et Mare's furniture from the 1925 Exposition; Dufy's Cubist-inspired textiles; Dunand's lacquered bedroom suite; Dupas's monumental glass wall panels from the SS Normandie; and Fouquet's spectacular dress ornament in the shape of a Chinese mask. Jared Goss's engaging text includes a discussion of each object together with a biography of the designer who created it and is enlivened by generous quotations from writings of the period. The extensive introduction provides historical context and explores the origins and aesthetic of Art Deco. With its rich text and sumptuous photographs, this is not only one of the rare books on French Art Deco in English, but an object d'art in its own right.


Byzantion

Byzantion

Author: Paul Graindor

Publisher:

Published: 1986

Total Pages: 548

ISBN-13:

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Includes section "Comptes rendus".


International Sales of Works of Art

International Sales of Works of Art

Author: Pierre A. Lalive (jurist.)

Publisher: I C C Publishing, Incorporated

Published: 1988

Total Pages: 712

ISBN-13:

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International Survey of Investment Adviser Regulation has been compiled to provide a practical & user-friendly comparative survey of the investment adviser regulatory systems in various countries around the world & in the European Union. A primary purpose of this major reference work is to help shape the direction of investment management regulation. It provides a very useful & comprehensive resource for all those involved in international investment. In view of the rapid pace of internationalisation of the world's securities markets, knowledge of regulatory schemes around the world is an absolute necessity for both legal practitioners & international money managers. It is essential reading for regulators who continually have to reevaluate their response to changes in the investment management market place. This survey represents an international cooperative effort undertaken at the request & under the direction of the law firm Debevoise & Plimpton.


Hellenistic Gold Eros Jewellery

Hellenistic Gold Eros Jewellery

Author: Monica M. Jackson

Publisher: British Archaeological Reports Oxford Limited

Published: 2006

Total Pages: 390

ISBN-13:

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This work presents systematic and objective examination of the large corpus of Hellenistic gold Eros jewellery. By focusing on the question of the interconnections between the major centres of production - Egypt, South Italy and South Russia, Western Asia Minor, Greece and Syria a number of regional schools and new jewellery groups are identified. The keys to the discussion are the well documented find contexts from Northern Greece, South Italy and Tel Atrib (Egypt) that make it possible to arrive at a relative chronology for a particular type of Eros, found throughout the Hellenistic world. The morphological, stylistic, iconographic and technical continuities between Hellenistic jewellery and in particular the Eros motif ensure the successful use of this methodology. Evidence from Koroni in Attica and from several South Italian tomb groups has been examined in detail and dated, according to the methodology described above to ca. 240 BC. The study includes a discussion of the significance of Eros in the Hellenistic period. The study has shown the value of Eros jewellery as an indicator of the cultural life of the Hellenistic world - its values, literature and basic lore about nature and the arts. The Eros motif and its morphological lineage are traced through related depictions in contemporaneous decorative arts. The catalogue has brought together as much material as possible to establish a typology and chronology of Eros jewellery in the hope that it will provide the maximum amount of information for future studies. 32 plates, including 12 in colour, illustrate the work.