This volume offers a detailed exploration of coloniality in the discipline of linguistics, with case studies drawn from across the world. The chapters provide a nuanced account of the coloniality of linguistics at the level of knowledge and disciplinary practice, and expand their discussion to imagine a decolonial linguistics.
Characterized by fast-paced, highly danceable rhythms, chutney is a fusion of traditional and contemporary Indian and Caribbean influences. In this volume Tina K. Ramnarine explores the evolution of chutney and introduces the emerging Indian-Caribbean genre into the area of scholarly discourse. Through analysis of the music, Ramnarine provides insights into social processes, effects of the diasporic settlements and ways the music operates as a symbol of Indian-Caribbean identity. This introduction of new cultural elements is a common occurrence among people transplanted to an unfamiliar geographical and cultural environment.
Folk performances reflect the life-worlds of a vast section of subaltern communities in India. What is the philosophy that drives these performances, the vision that enables as well as enslaves these communities to present what they feel, think, imagine, and want to see? Can such performances challenge social hierarchies and ensure justice in a caste-ridden society? In Cultural Labour, the author studies bhuiyan puja (land worship), bidesia (theatre of migrant labourers), Reshma-Chuharmal (Dalit ballads), dugola (singing duels) from Bihar, and the songs and performances of Gaddar, who was associated with Jana Natya Mandali, Telangana: he examines various ways in which meanings and behaviour are engendered in communities through rituals, theatre, and enactments. Focusing on various motifs of landscape, materiality, and performance, the author looks at the relationship between culture and labour in its immediate contexts. Based on an extensive ethnography and the author’s own life experience as a member of such a community, the book offers a new conceptual framework to understand the politics and aesthetics of folk performance in the light of contemporary theories of theatre and performance studies.
This book studies the politics that make the tricolour flag possibly the most revered of the symbols, icons and markers associated with nation and nationalism in twentieth-century India. The emphasis on the flag as a visual symbol aims to question certain dominant assumptions about visuality. Anchored on Mahatma Gandhi's 'believing eye', this study reveals specificities of visual experience in the South Asian milieu. The account begins with a survey of the pre-colonial period, focuses on colonial lives of the flag, and then moves ahead to explain the contemporary dynamics of seeing the flag in India. The Flag Satyagraha of Jubblepore and Nagpur in 1922–23, the adoption of the Congress Flag in 1931, the resolution for the future flag in the Constituent Assembly of India in 1947, the history of the colour saffron, and the codes governing the flag, as well as legal cases, are all explored in depth in this book.