From the 1890s through the 1920s, the postcard was an extraordinarily popular means of communication, and many of the postcards produced during this golden age can today be considered works of art. Postcard photographers traveled the length and breadth of the nation snapping photographs of busy street scenes, documenting local landmarks, and assembling crowds of local children only too happy to pose for a picture. These images, printed as postcards and sold in general stores across the country, survive as telling reminders of an important era in Americas history. This fascinating new history of Big Moose Lake, New York, showcases more than two hundred of the best vintage postcards available.
Big Moose Lake in the Adirondacks is the lively and well documented story of the growth of the lake side community made famous by the incident that inspired Theodore Dreiser's An American Tragedy. The rich history of the lake unfolds with stories of its early residents, hunters, and guides—Jim Higby, Billy Dutton, Henry Covey, and Bill Dartin—the late 1870s, of the lake's ownership by William Seward Webb, of the construction of the first private camp—Club Camp—in 1878, and the coming of hotels and resorts beginning in 1880 with the construction of Camp Crag. From a time when a telephone number was a simple "8F6" and the "pickle boat" brought supplies to camp, to more recent stories of exuberant waterskiing and motorboat regattas, the book includes a detailed history and descriptions of the camps and resorts on the lake, persons and celebrities who made the lake their year-round or seasonal home—including actress Minnie Maddern Fiske and artist David Milne—natural disasters and political events, recreation, and the work of the Big Moose Property Owners Association. This is the story of Big Moose Lake brought to life by more than 275 family photographs, antique postcards, and previously unpublished memoirs, oral histories, diary entries, and the personal correspondence of the men and women who settled the area and of those who call it home.
Explores the architectural treasures of the Southern-Central region of New Yorks Adirondack Park and places them in the context of Adirondack history and culture. The Adirondack Architecture Guide, Southern-Central Region provides a professional and insightful survey of the built environment of a unique area within New Yorks Adirondack Park. This book is the first field guide to the architecture of the Park, revealing the ordinary and the extraordinary, the remarkable buildings by prominent designers, as well as the hidden, unexpected gems few know exist. Based on more than seven thousand miles of fieldwork and years of research, the guide comprises more than seven hundred sites traversing the geographic range, socioeconomic strata, and historical span of the region from the late 1700s to the present. Organized according to clearly marked travel routes and fourteen tours on the ground and on the water, it features detailed maps and coordinates for each site, along with many beautiful photographs. Also included are eleven companion essays drawing on the expertise of professionals, local historians, and Adirondack residents that delve into the what, where, and why people built in the Adirondacks. In The Adirondack Architecture Guide, beloved landmarks share the pages with little-known architectural gems through a series of curated tours. Each one tracks the history and development of the Southern-Central Adirondacks through its fascinating buildings, bridges, and byways. From first-time visitors to longtime residents, readers will find it packed with information designed to make the most of a side trip lasting a few hours or a weekend of exploring. This is a must-have source to guide your travels in one of the most beautiful and historic parts of New York, the Adirondack Park. Jay A. DiLorenzo, President, Preservation League of New York State This remarkable book presents architecture, broadly defined to include all man-made structures, as the key to understanding the history and culture of a vast National Historic Landmark. We are introduced to the sublime Chestertown Church of the Good Shepherd, the delightful Custards Last Stand, the earnest Wakely Mountain Fire Tower, and the grand aspirations of the Mary Persons House. A detailed picture of two hundred years in a region of romantic wilderness, industry, tourism, and everyday life emerges to offer a compelling vision of a unique place. This guide is not only for architecture buffs and explorers. It is a model of historical research that presents an unbiased picture of the rich diversity of a fascinating region. Frances Halsband, Kliment Halsband Architects
The lakes of the Adirondack region are explored in this superb collection of masterful images, most of which are previously unpublished. The photographs in Adirondack Lakes were taken by well-known and lesser-known photographers of the region, including Seneca Ray Stoddard, George W. Baldwin, H. T. Hull, Katherine E. McClellan, William Kollecker, William L. Distin, and Henry M. Beach. Dating from 1858 to 1948, they are clear, focused, visually engaging, and historically significant. They show the men and women who developed the Adirondacks, from monied entrepreneurs to manual laborers, from hoteliers to roadside attendants, from vacationers to year-round residents-a cast of characters reflecting nearly a century of Adirondack activity.
Henry M. Beach was a prolific and accomplished upstate New York photographer who documented the North Country during the first quarter of the twentieth century. Although much less known and celebrated, Beach's work is as important to the twentieth-century Adirondacks as Seneca Ray Stoddard's is to the nineteenth century. Illustrated with over 250 examples of his work including ten panoramic foldouts, this book covers the range of Beach's subject matter. Robert Bogdan's lively and accessible approach to the photographer's work encourages the reader to explore the North Country's people and places through Beach's photography and life. Although Beach's postcard pictures and other photographs were taken to sell in bulk to hotel managers, tourist shop owners, and other retail merchants, they are not just mass-produced, stylized, pretty pictures. Beside the bubbling brooks and shady woodland paths are factory boomtowns and paper mills belching pollution. As the rails brought increasing numbers of middle-class tourists to the Adirondacks, the wealthy created their own exclusive wilderness playground. Beach photographed dandy visitors at play as well as manual laborers sweating in the forest, logging camps, factories, mines, and construction sites. Images of "great camps" sit next to modest abodes, small stores, and family-owned resorts. Pictures of trains in scenic surroundings give way to mangled wrecks after tragic railroad accidents. In addition to standard view cards, he produced montages and advertisement postcards serious visual commentary as well as lighthearted picture play. Beach's best works stir the heart and provoke the imagination, and his whimsical, down-to-earth approach to photography produced images that are a treat to the eye.
Reveals how classic American novels embodied the tensions embedded in American views of the natural world from the Centennial until the end of the Second World War. Reconciling Nature maps the complex views of the environment that are evident in celebrated American novels written between the Centennial Celebration of 1876 and the end of the Second World War. During this period, which includes the Progressive era and the New Deal, Americans held three contradictory views of the natural world: a recognition of nature’s vulnerability to the changes brought by industrialism; a fear of the power of nature to destroy human civilization; and a desire to make nature useful. Robert M. Myers argues they reconciled these conflicting views through nature nostalgia, policing of wilderness areas, and through strategies of control borrowed from the social sciences. Myers combines environmental history with original readings of eight novels, producing fresh perspectives on Mark Twain’s Adventures of Huckleberry Finn, Stephen Crane’s Maggie, Kate Chopin’s The Awakening, Upton Sinclair’s The Jungle, Mary Austin’s The Ford, Theodore Dreiser’s An American Tragedy, Zora Neale Hurston’s Their Eyes Were Watching God, and William Faulkner’s Go Down, Moses. While previous ecocritical works have focused on proto-environmentalism in classic works of literature, Reconciling Nature explores the ambivalence within these texts, demonstrating how they reproduce views of nature as threatened, threatening, and useful. The epilogue examines the environmental ideologies associated with the development and deployment of the first atomic bomb. “Reconciling Nature is an important contribution to ecocriticism, American literary studies, American studies, and environmental history. The book has incredible breadth and scope. In each chapter, Myers incorporates an impressive amount of historical context that always breathes new life into texts that have been discussed at length by other scholars.” — Lloyd Willis, author of Environmental Evasion: The Literary, Critical, and Cultural Politics of “Nature’s Nation”
'Nobody got fed while I read A Gathering Light: If George Clooney had walked into the room I would have told him to come back later when I'd finished.' Dinah Hall Sunday Telegraph
Set in 1906 against the backdrop of the murder that inspired Theodore Dreiser's "An American Tragedy," this Printz Honor Book effortlessly weaves romance, history, and a murder mystery into something moving, real, and wholly original.
In 1906, sixteen-year-old Mattie, determined to attend college and be a writer against the wishes of her father and fiance, takes a job at a summer inn where she discovers the truth about the death of a guest. Based on a true story.
