Facsimile edition to which is added: Catalogue 62, H.P. KRAUS, The Duveen Collection of Alchemy & Chemistry, supplementing the Bibliotheca Alchemica et Chemica. The Duveen Collection of Balneology.
Reissuing seminal works originally published between 1916 and 1995, Routledge Library Editions: Alchemy (7 volume set) offers a selection of scholarship covering various facets of alchemical traditions. Some texts examine alchemy itself while some offer insight into the motives for alchemical research and others outlay portraits of people such as Giordano Bruno and John Dee.
This comprehensive annotated bibliography, first published in 1990, guides the user helpfully through where to find information on various elements on alchemy when researching. Divided into categories to aid finding the right area of interest, this book forms a unique reference tool.
This book sets the foundations of Newton's alchemy in their historical context in Restoration England. It is shown that alchemical modes of thought were quite strong in many of those who provided the dynamism for the scientific revolution of the seventeenth century and that these modes of thought had important relationships with general movements for reform in the same period.
This is the first systematic treatment of esotericism to appear in English. Here is also a historical survey, beginning with the Alexandrean Period, of the various esoteric currents such as Christian Kabbalah, Theosophy, Alchemy, Rosicrucianism, and Hermeticism. Common characteristics of these currents are the notion of universal interdependency and the experience of spiritual transformation. The author establishes a rigorous methodology; provides clarifying definitions of such key terms as gnosis, theosophy, occultism, and Hermeticism; and offers analysis of contemporary esotericism based on three distinct pathways. The second half of the book presents a series of studies on several important figures, works, and movements in Western esotericismstudies devoted to some of the most characteristic and illuminating aspects that this form of thought has taken, such as theosophical speculations on androgyny, rosicrucian literature, and Masonic symbolism. The book is completed by a rich and selective Bibliography conceived as a means of orientation and a tool for research.
In this classic text, James Elkins communicates the experience of painting beyond the traditional vocabulary of art history. Alchemy provides a strange language to explore what it is a painter really does in the studio—the smells, the mess, the struggle to control the uncontrollable, the special knowledge only painters hold of how colors will mix, and how they will look. Written from the perspective of a painter-turned-art historian, this anniversary edition includes a new introduction and preface by Elkins in which he further reflects on the experience of painting and its role in the study of art today.
Praised for its scope and depth, Asia in the Making of Europe is the first comprehensive study of Asian influences on Western culture. For volumes I and II, the author has sifted through virtually every European reference to Asia published in the sixteenth-century; he surveys a vast array of writings describing Asian life and society, the images of Asia that emerge from those writings, and, in turn, the reflections of those images in European literature and art. This monumental achievement reveals profound and pervasive influences of Asian societies on developing Western culture; in doing so, it provides a perspective necessary for a balanced view of world history. Volume I: The Century of Discovery brings together "everything that a European could know of India, Southeast Asia, China, and Japan, from printed books, missionary reports, traders' accounts and maps" (The New York Review of Books). Volume II: A Century of Wonder examines the influence of that vast new body of information about Asia on the arts, institutions, literatures, and ideas of sixteenth-century Europe.