Plagiarism, Copyright Violation, and Other Thefts of Intellectual Property

Plagiarism, Copyright Violation, and Other Thefts of Intellectual Property

Author: Judy Anderson

Publisher: McFarland

Published: 1998-05-01

Total Pages: 0

ISBN-13: 9780786404636

DOWNLOAD EBOOK

What is intellectual property? Should copyright laws be modified to accommodate new ways of transmitting information? The debate over such questions has reemerged with the growth of the Internet and other means of electronically storing information. Over 600 articles written from 1900 through 1995 are fully annotated in this bibliography. The citations cover a wide range of material, from humorous anecdotes in popular magazines to scholarly discussions in academic journals. The entries are divided into three parts: the money trail; the detection and proof of violations and the punishment of offenders; and defending one’s property. A lengthy introduction first details how the concept of intellectual property came into being and then focuses on how governments and other entities deal with the issue.


Privilege and Property

Privilege and Property

Author: Ronan Deazley

Publisher: Open Book Publishers

Published: 2010

Total Pages: 438

ISBN-13: 190692418X

DOWNLOAD EBOOK

What can and can't be copied is a matter of law, but also of aesthetics, culture, and economics. The act of copying, and the creation and transaction of rights relating to it, evokes fundamental notions of communication and censorship, of authorship and ownership - of privilege and property. This volume conceives a new history of copyright law that has its roots in a wide range of norms and practices. The essays reach back to the very material world of craftsmanship and mechanical inventions of Renaissance Italy where, in 1469, the German master printer Johannes of Speyer obtained a five-year exclusive privilege to print in Venice and its dominions. Along the intellectual journey that follows, we encounter John Milton who, in his 1644 Areopagitica speech 'For the Liberty of Unlicensed Printing', accuses the English parliament of having been deceived by the 'fraud of some old patentees and monopolizers in the trade of bookselling' (i.e. the London Stationers' Company). Later revisionary essays investigate the regulation of the printing press in the North American colonies as a provincial and somewhat crude version of European precedents, and how, in the revolutionary France of 1789, the subtle balance that the royal decrees had established between the interests of the author, the bookseller, and the public, was shattered by the abolition of the privilege system. Contributions also address the specific evolution of rights associated with the visual and performing arts. These essays provide essential reading for anybody interested in copyright, intellectual history and current public policy choices in intellectual property. The volume is a companion to the digital archive Primary Sources on Copyright (1450-1900), funded by the UK Arts and Humanities Research Council (AHRC): www.copyrighthistory.org.


Exceptions in EU Copyright Law

Exceptions in EU Copyright Law

Author: Tito Rendas

Publisher: Kluwer Law International B.V.

Published: 2021-02-10

Total Pages: 400

ISBN-13: 9403524006

DOWNLOAD EBOOK

Information Law Series Volume 45 In a copyright system characterised by broad and long-lasting exclusive rights, exceptions provide a vital counterweight, especially in times of rampant technological change. The EU’s controversial InfoSoc Directive – now two decades old – lists exceptions in which an unauthorised user will not have infringed the rightholder’s copyright. To reform or not to reform this legal framework – that is the question considered in great depth in this book, providing detailed theoretical and normative analysis of the Directive, the national and CJEU case law arising from it, and meticulously thought-out proposals for change. By breaking down the concepts of ‘flexibility’ and ‘legal certainty’ into a set of policy objectives and assessment criteria, the author thoroughly examines such core aspects of the framework as the following: the justifications for exceptions, e.g., safeguarding the fundamental rights of users; the regimes established in legislation and case law for key exceptions; the need to promote technological development; the importance of avoiding re-fragmentation caused by uncoordinated national legislative responses to technological changes; the legal status of digital technologies that rely on unauthorised uses of copyright-protected works; and the pros and cons of importing a fair use standard modelled after that of the United States. In an invaluable concluding chapter, the author puts forward a set of reform proposals, articulating their advantages and responding to potential objections. In doing so, the chapter also identifies, synthesises and critically examines the various proposals that have been advanced in the academic literature. In its decisive contribution to the debate around the InfoSoc Directive and the rules that guide its implementation, interpretation, and application, this book isolates the contentious structural features of the framework and examines them in a critical fashion. The author’s systematised review of scholarly and policymaking proposals for increasing flexibility and legal certainty in EU copyright law will be welcomed by practitioners in intellectual property law and other areas of economic law, as well as by interested policymakers and scholars.


Copyright and Collective Authorship

Copyright and Collective Authorship

Author: Daniela Simone

Publisher: Cambridge University Press

Published: 2019-05-31

Total Pages:

ISBN-13: 1108188044

DOWNLOAD EBOOK

As technology makes it easier for people to work together, large-scale collaboration is becoming increasingly prevalent. In this context, the question of how to determine authorship – and hence ownership - of copyright in collaborative works is an important question to which current copyright law fails to provide a coherent or consistent answer. In Copyright and Collective Authorship, Daniela Simone engages with the problem of how to determine the authorship of highly collaborative works. Employing insights from the ways in which collaborators understand and regulate issues of authorship, the book argues that a recalibration of copyright law is necessary, proposing an inclusive and contextual approach to joint authorship that is true to the legal concept of authorship but is also more aligned with creative reality.


Permissions, A Survival Guide

Permissions, A Survival Guide

Author: Susan M. Bielstein

Publisher: University of Chicago Press

Published: 2010-06-15

Total Pages: 189

ISBN-13: 0226046397

DOWNLOAD EBOOK

If a picture is worth a thousand words, then it's a good bet that at least half of those words relate to the picture's copyright status. Art historians, artists, and anyone who wants to use the images of others will find themselves awash in byzantine legal terms, constantly evolving copyright law, varying interpretations by museums and estates, and despair over the complexity of the whole situation. Here, on a white—not a high—horse, Susan Bielstein offers her decades of experience as an editor working with illustrated books. In doing so, she unsnarls the threads of permissions that have ensnared scholars, critics, and artists for years. Organized as a series of “takes” that range from short sidebars to extended discussions, Permissions, A Survival Guide explores intellectual property law as it pertains to visual imagery. How can you determine whether an artwork is copyrighted? How do you procure a high-quality reproduction of an image? What does “fair use” really mean? Is it ever legitimate to use the work of an artist without permission? Bielstein discusses the many uncertainties that plague writers who work with images in this highly visual age, and she does so based on her years navigating precisely these issues. As an editor who has hired a photographer to shoot an incredibly obscure work in the Italian mountains (a plan that backfired hilariously), who has tried to reason with artists' estates in languages she doesn't speak, and who has spent her time in the archival trenches, she offers a snappy and humane guide to this difficult terrain. Filled with anecdotes, asides, and real courage, Permissions, A Survival Guide is a unique handbook that anyone working in the visual arts will find invaluable, if not indispensable.


Life in the English Country House

Life in the English Country House

Author: Mark Girouard

Publisher: Yale University Press

Published: 1978-01-01

Total Pages: 358

ISBN-13: 9780300058703

DOWNLOAD EBOOK

Based on the author's Slade lectures given at Oxford University in 1975-76.


Global Mandatory Fair Use

Global Mandatory Fair Use

Author: Tanya Aplin

Publisher: Cambridge University Press

Published: 2020-11-05

Total Pages: 283

ISBN-13: 1108835457

DOWNLOAD EBOOK

Examining a neglected aspect of international copyright law, this book highlights the obligation on nations to maintain broad copyright exceptions.


International Copyright

International Copyright

Author: Paul Goldstein

Publisher: Oxford University Press, USA

Published: 2013

Total Pages: 616

ISBN-13: 0199794294

DOWNLOAD EBOOK

International Copyright is an indispensable reference work for professionals involved with international intellectual property transactions or litigation. It is essential reading for scholars and for intellectual property practitioners worldwide. This edition provides new sections on contributory liability of intermediaries and on collective rights management.


The Indigo Book

The Indigo Book

Author: Christopher Jon Sprigman

Publisher: Lulu.com

Published: 2017-07-11

Total Pages: 203

ISBN-13: 1892628023

DOWNLOAD EBOOK

This public domain book is an open and compatible implementation of the Uniform System of Citation.