Bhutan is a small Himalayan country with a rich Buddhist heritage and a striking architectural style. Bhutan's Buddhist Architecture provides an introduction and travel guide to the country's beautiful temples, monasteries and dzongs--the fortresses built while Bhutan was being unified as a Buddhist state. Illustrated with maps, plans, and more than a hundred photographs the book includes brief historical and architectural overviews, a dozen examples of the country's best-known buildings, and a pictorial glossary of forty Buddhist symbols commonly used in building decoration.
This broad treatment of architecture throughout the region of the Himalaya mountains is the first book of its kind. The author has based this study on many years of research in Nepal, Sikkim, Bhutan, Assam, and the Darjeeling area of northeast India, northern Pakistan, and Himachal Pradesh in India's northwest. These areas make up an artistic and, to some degree, a cultural unit. It is unique and definable for its design qualities as well as its use of materials. Dramatic and lofty structures rise as towering palaces and as temples dedicated to Hindu and Buddhist ideals. The impact of neighboring Tibet and India is often evident in the art, but other influences are found as well. The area has not been isolated, as some studies suggest, but was in fact always linked to the rest of Asia and to the West by means of the Silk Road, at least since the second century B.C. This study progresses from east to west, beginning in the foothills of India's Assam. It is richly illustrated with photographs, most of which are the author's or his wife's, and many of the photographs are published here for the first time. The archives of the Archaeological Survey of India and the Department of Archaeology of His Majesty's Government of Nepal are also used here.
"The volume thoroughly examines the origins and principal types of Buddhist architecture in Asia primarily between the third century BCE-twelfth century CE with an emphasis on India. It aims to construct shared architectural traits and patterns alongwith the derivative relationships between Indian and Asian Buddhist monuments. It also discusses the historical antecedents in the Indus Civilization and the religious and philosophical foundations of the three schools of Buddhism and its founder, Buddha. Previously obscure topics such as Aniconic and Vajrayana (Tantric) architecture and the four holiest sites of Buddhism will also be covered in this comprehensive volume. The author further investigates the influences of Buddhist architecture upon Islamic, Christian, and Hindu architecture that have been overlooked by past scholars."
This book is the first comprehensive overview of Buddhist architecture in North America and provides an analysis of Buddhist architecture and communities. Exploring the arrival of Buddhist architecture in America, the book lays out how Buddhists have expressed their spiritual beliefs in structural form in the United States. The story follows the parallel history of the religion’s emergence in the United States since the California Gold Rush to the present day. Conceived of as a general history, the book investigates Buddhist structures with respect to the humanistic qualities associated with Buddhist doctrine and how Buddhist groups promote their faith and values in an American setting. The author’s point of view starts from the ground floor of the buildings to move deeper into the space of Buddhist practice, the mind that seeks enlightenment, and the structures that help one to do so. It discusses Buddhist architecture in the United States in a manner consistent with the intensely human context of its use. A unique and ground-breaking analysis, this book adds to the study of Buddhist architecture in America while also addressing the topic of how and why Buddhists use architecture in general. It will be of interest to scholars of religion, architecture, space and place, U.S. history, Asian Studies, and Buddhist Studies. It will also be a valuable addition to the libraries of Buddhist communities across the United States and the world, since many of the observations about Buddhist architecture in the United States may also apply to structures in Europe and Asia.
Buddhism, often described as an austere religion that condemns desire, promotes denial, and idealizes the contemplative life, actually has a thriving leisure culture in Asia. Creative religious improvisations designed by Buddhists have been produced both within and outside of monasteries across the region—in Nepal, Japan, Korea, Macau, Hong Kong, Singapore, Laos, Thailand, and Vietnam. Justin McDaniel looks at the growth of Asia’s culture of Buddhist leisure—what he calls “socially disengaged Buddhism”—through a study of architects responsible for monuments, museums, amusement parks, and other sites. In conversation with noted theorists of material and visual culture and anthropologists of art, McDaniel argues that such sites highlight the importance of public, leisure, and spectacle culture from a Buddhist perspective and illustrate how “secular” and “religious,” “public” and “private,” are in many ways false binaries. Moreover, places like Lek Wiriyaphan’s Sanctuary of Truth in Thailand, Suối Tiên Amusement Park in Saigon, and Shi Fa Zhao’s multilevel museum/ritual space/tea house in Singapore reflect a growing Buddhist ecumenism built through repetitive affective encounters instead of didactic sermons and sectarian developments. They present different Buddhist traditions, images, and aesthetic expressions as united but not uniform, collected but not concise: Together they form a gathering, not a movement. Despite the ingenuity of lay and ordained visionaries like Wiriyaphan and Zhao and their colleagues Kenzo Tange, Chan-soo Park, Tadao Ando, and others discussed in this book, creators of Buddhist leisure sites often face problems along the way. Parks and museums are complex adaptive systems that are changed and influenced by budgets, available materials, local and global economic conditions, and visitors. Architects must often compromise and settle at local optima, and no matter what they intend, their buildings will develop lives of their own. Provocative and theoretically innovative, Architects of Buddhist Leisure asks readers to question the very category of “religious” architecture. It challenges current methodological approaches in religious studies and speaks to a broad audience interested in modern art, architecture, religion, anthropology, and material culture. An electronic version of this book is freely available thanks to the support of libraries working with Knowledge Unlatched, a collaborative initiative designed to make high-quality books open access for the public good. The open-access version of this book is licensed under Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0), which means that the work may be freely downloaded and shared for non-commercial purposes, provided credit is given to the author. Derivative works and commercial uses require permission from the publisher.
The spread of Buddism and Tibetan secular power throughout the Himalayas led to a distinctive style of fortifications not found anywhere else. This book looks at Himalayan fortifications, from their creation in the Middle Ages to their destruction and capture by the Chinese in the 20th century.
A new, transnational, and interdisciplinary understanding of cosmology in Asian history. Cosmologies were not coherent systems belonging to separate cultures but rather complex bodies of knowledge and practice that regularly coexisted and co-mingled in extraordinarily diverse ways.
