THE INDIAN LISTENER

THE INDIAN LISTENER

Author: All India Radio (AIR),New Delhi

Publisher: All India Radio (AIR),New Delhi

Published: 1951-06-24

Total Pages: 48

ISBN-13:

DOWNLOAD EBOOK

The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 December, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it was published by All India Radio,New Delhi.From July 3 ,1949,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" in January 5, 1958. It was made a fortnightly again on July 1,1983. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes,who writes them,take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. NAME OF THE JOURNAL: The Indian Listener LANGUAGE OF THE JOURNAL: English DATE,MONTH & YEAR OF PUBLICATION: 24-06-1951 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 48 VOLUME NUMBER: Vol. XVI. No. 26. BROADCAST PROGRAMME SCHEDULE PUBLISHED(PAGE NOS): 15-37 ARTICLE: 1. Impression Of Indian Art 2. My Philosophy Of Travel 3. Plant Hunting On Assam Frontier AUTHOR: 1. Jack T. Hughes 2. Ella Maillart 3. F. Kingdon Ward KEYWORDS: 1. Ajanta Decoration, Jamini Roy, Western Architecture 2. Central Asia, Geneva, Ladies' Hockey Club, European Ideas 3. Darkest Africa, Lohit River Document ID: INL-1951 (J-J) Vol-I (25)


The Music and Musical Instruments of North Eastern India

The Music and Musical Instruments of North Eastern India

Author: Dilip Ranjan Barthakur

Publisher: Mittal Publications

Published: 2003

Total Pages: 228

ISBN-13: 9788170998815

DOWNLOAD EBOOK

A Comprehensive Study Dealing With Music Of North-Eastern India With Special Emphasis On Musical Instruments Of Assam. Has Over 75 Colour Illustrations Which Add To The Usefulness Of The Book.


Rabindrasangeet Vichitra

Rabindrasangeet Vichitra

Author: Śāntideba Ghosha

Publisher: Concept Publishing Company

Published: 2006

Total Pages: 344

ISBN-13: 9788180693052

DOWNLOAD EBOOK

This English translation of Santidev Ghosh's Rabindrasangeet Vichitra makes an in-depth study of the music of Rabindranath Tagore.


AKASHVANI

AKASHVANI

Author: Publications Division (India),New Delhi

Publisher: Publications Division (India),New Delhi

Published: 1958-06-15

Total Pages: 48

ISBN-13:

DOWNLOAD EBOOK

"Akashvani" (English ) is a programme journal of ALL INDIA RADIO ,it was formerly known as The Indian Listener.It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them,take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 december, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it used to published by All India Radio,New Delhi.In 1950,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" (English ) in January 5, 1958. It was made a fortnightly again on July 1,1983. NAME OF THE JOURNAL: AKASHVANI LANGUAGE OF THE JOURNAL: English DATE,MONTH & YEAR OF PUBLICATION: 15/6/1958 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 48 VOLUME NUMBER: Vol. XXIII, No. 24 BROADCAST PROGRAMME SCHEDULE PUBLISHED(PAGE NOS): 12-46 ARTICLE: 1. A Great Continent Finds Its Dawn 2. The Conquest of Fear 3. Kavi Arangams on the Radio 4. Incentives in Industry 5. Political Systems-As Novelists See Them AUTHOR: 1. Harindranath Chattopadhyaya 2. Dr. M. V. Govindaswamy 3. B. C. Ishwardas 4. N. V. Gadgil 5. Naimuddin Siddiqui KEYWORDS: Travel,Impressions,East Africa,Continent Fear,Mental State,Emotion,Control General Theme,Division,Poetic ,Genius Effort,Measures,Attemp,Arrangements Artist,Tranny,Political Utopias Document ID: APE-1958-(Jan-Jun)-VOL-I-24


AKASHVANI

AKASHVANI

Author: All India Radio (AIR), New Delhi

Publisher: All India Radio (AIR), New Delhi

Published: 1964-10-11

Total Pages: 68

ISBN-13:

DOWNLOAD EBOOK

"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it used to published by All India Radio, New Delhi. From 1950,it was turned into a weekly journal. Later, The Indian listener became "Akashvani" (English ) w.e.f. January 5, 1958. It was made fortnightly journal again w.e.f July 1,1983. NAME OF THE JOURNAL: AKASHVANI LANGUAGE OF THE JOURNAL: English DATE, MONTH & YEAR OF PUBLICATION: 11 OCTOBER, 1964 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 68 VOLUME NUMBER: Vol. XXIX, No. 41 BROADCAST PROGRAMME SCHEDULE PUBLISHED (PAGE NOS): 13-67 ARTICLE: 1. The Teaching of Science 2. China’s Cultural Diplomacy 3. Village Studies 4. The Naga Problem 5. An Odd Affair AUTHOR: 1. Dr. B. D. Nag Chowdhury 2. S. L. Poplai 3. M. N. Srinivas 4. B. K. R. Kabad 5. M. Chatterji KEYWORDS : 1. Nature of science, a startling feature, in U.S.A . and U.S.S.R in India, use scrap material 2. Why culture in diplomacy, Chinese culture, aim : catch them young, double role 3. Highly unreal image, behind mud walls, two villages compared, post war studies, not rapid enough 4. Church's efforts welcomed, a separate state, Mr. Shilu Ao's party, two stage talks notable progress 5. So many egg entries, an eccentrics defined, creative minds eccentric Prasar Bharati Archives has the copyright in all matters published in this “AKASHVANI” and other AIR journals. For reproduction previous permission is essential.


Music \= Cultures in Contact

Music \= Cultures in Contact

Author: Margaret J. Kartomi

Publisher: Routledge

Published: 2014-07-16

Total Pages: 306

ISBN-13: 113431390X

DOWNLOAD EBOOK

Contact between cultures may also lead to rejection as well as suppression of certain types of music. This process leads to such unfavorable circumstances as abandonment of entire works, genres or concepts or loss of instruments; yet such conflicts may also generate new and more positive creative achievements. Contributors include Andrew Alter, Tan Sooi Beng, Zdravko Blazekovic, Stephen Blum, Lê Tuân Hùng, Margaret J. Kartomi, Marcello Sorce Keller, Margarita Mazo, Bruno Nettl, Don Niles, William Noll, Jann Pasler, Ankica Petrovic, Chris Saumaiwai, John M. Schechter, Graeme Smith, Doris Stockmann, Sumarsam, and S. Venkatraman. Music -- Cultures in Contact examines how and why change occurs in musical culture, particularly change engendered by contact between two or many impinging cultures, sub-cultures or classes within a culture. This contact can have positive or negative effects. It may result in an influx of new musical ideas, leading to a greater level of crea


Tabla- A Quest

Tabla- A Quest

Author: Ustad Julfikar Hussain & Debasish Talukdar

Publisher: [email protected]

Published: 2024-01-08

Total Pages: 230

ISBN-13: 9359679992

DOWNLOAD EBOOK

This book, "Tabla- A Quest A Theoretical & Practical Guide" Part-1 will be beneficial for the budding talents and students of Classical Instrument, Tabla. It will be helpful for Prathama and Madhyama of Bhatkhande Sangeet Vidyapith, First Year, Second Year and Third Year of Prayag Sangit Samiti, Prayagraj and equivalent examinations of Akhil Bharatiya Gandharva Mahavidyalaya, Pune, Pracheen Kala Kendra, Chandigarh and 9th and 10th Board Examinations. This is the only book describing the Lucknow Gharana of Tabla in detail along with the life sketches and founders and artists of all the Gharanas.


The Journey of the Sitar in Indian Classical Music

The Journey of the Sitar in Indian Classical Music

Author: Dr. Swarn Lata

Publisher: iUniverse

Published: 2013-02-07

Total Pages: 161

ISBN-13: 1475947070

DOWNLOAD EBOOK

Since the thirteenth century, the sitara stringed, plucked instrument of Indiahas transformed into an instrument beloved by millions in its country of origin as well as all over the world. The Journey of the Sitar in Indian Classical Music details the origin, history, and playing styles of this unique stringed instrument. Dr. Swarn Lata relies on more than thirty-five years of experience teaching sitar to students from diverse cultures and communities as well as extensive research from libraries, museums, temples, and musicologists to compile a comprehensive guidebook filled with fascinating facts about the sitar. In a carefully organized format, Lata offers an in-depth examination of the meaning of musical instruments, the styles of different gharanas, and the place of the sitar in Indian classical music. Music is an extraordinary medium of expression that has the capability to bring the world together. This step-by-step guidebook shares a one-of-akind study of a unique instrument that produces a beautiful sound while providing an unforgettable spiritual experience to all who listen.


Sitār Technique in Nibaddh Forms

Sitār Technique in Nibaddh Forms

Author: Stephen Slawek

Publisher: Motilal Banarsidass Publ.

Published: 1987

Total Pages: 296

ISBN-13: 9788120802001

DOWNLOAD EBOOK

Students of Indian music are well aware of the emphasis their gurus place on the development of correct technique through rigorous practice. This book focuses on sitar technique and shows how that technique comes into play during the improvisatory music-making endeavours of master sitarists. A series of systematic descriptions and analyses reveals how instrumental technique acts as a generative structure at the broad level and provides a corpus of factors of variation at the specific level. A unique feature of this study is the inclusion of musical transcriptions detailing not only the line of melody, but also the physical gestures (techniques) necessary to produce melody. Though technically complex in appearance, these transcriptions and the accompanying analyses provide valuable information to students interested in learning Sitar and to musicologists and ethnomusicologists inquiring into the basic improvisational processes that underlie contemporary styles of Sitar performance.